|
Gerhard Unger
Gerhard Unger (26 November 1916 – 4 July 2011) was a German lyric tenor. Born in Bad Salzungen, he studied in Berlin and began singing concerts and oratorios in 1945, once the war was over. Unger made his debut as an opera singer in 1947 in Weimar. From 1949 to 1961, he sang with the Berlin State Opera. When the Berlin Wall was erected, he left for Stuttgart. After 1951 Unger sang regularly at the Bayreuth Festival. One of his signature roles was David from '' Die Meistersinger von Nürnberg'', which is documented on several recordings, including with Herbert von Karajan (1951), Rudolf Kempe (1951 and 1956), Hans Knappertsbusch (1952), Hans Rosbaud (1955), and Rafael Kubelík (1968), as well as a DVD of a 1970 performance conducted by Leopold Ludwig. Equally known was his Pedrillo in Mozart's ''Die Entführung aus dem Serail'', notably in the 1965 Salzburg Festival production staged by Giorgio Strehler and designed by Luciano Damiani, which was conducted by Zubin Mehta, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried (opera)
''Siegfried'' (), WWV 86C, is the third of the four music dramas that constitute ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of ''The Ring'' cycle. Background and context The libretto of ''Siegfried'' was drafted by Wagner in November–December 1852, based on an earlier version he had prepared in May–June 1851 and originally entitled ''Jung-Siegfried'' (''Young Siegfried''), later changed to ''Der junge Siegfried''. The musical composition was commenced in 1856, but not finally completed until 1871.Millington, (n.d.) The libretto arose from Wagner's gradual reconception of the project he had initiated with his libretto ''Siegfrieds Tod'' (''Siegfried's Death'') which was eventually to be incarnated as ''Götterdämmerung'', the final section of the Ring cycle. Having grappled with his text for ''Siegfrieds Tod'', and indeed having under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Böhm
Karl August Leopold Böhm (28 August 1894 – 14 August 1981) was an Austrian conductor. He was best known for his performances of the music of Mozart, Wagner, and Richard Strauss. Life and career Education Karl Böhm was born in Graz. The son of a lawyer, he studied law and earned a doctorate in this subject before entering the music conservatory in his home town of Graz, Austria. He later enrolled at the Vienna Conservatory, where he studied under Eusebius Mandyczewski, a friend of Johannes Brahms. Munich, Darmstadt, Hamburg In 1917, Böhm became a rehearsal assistant in his home town, making his debut as a conductor in Viktor Nessler's ''Der Trompeter von Säckingen'' in 1917. He became the assistant director of music in 1919, and the following year, the senior director. On the recommendation of Karl Muck, Bruno Walter engaged him at the Bavarian State Opera, Munich in 1921. An early assignment here was Mozart's ''Die Entführung aus dem Serail'', with a cast which i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teo Otto
Teo Otto (1904–1968) was a Swiss stage designer.Banham (1998, 830). He trained in Kassel and Paris and in 1926 taught at the Bauhaus in Weimar.Baugh (1994, 252). In 1928 he became an assistant at the Berlin Staatsoper. Following the Nazis' seizure of power in Germany, he returned to Switzerland where he was resident designer at the Zürich Schauspielhaus for 25 years. Theatre designs * 1930: première of '' The Decision'' by Bertolt Brecht; directed by Slatan Dudow at the Großes Schauspielhaus in Berlin * 1941: première of ''Mother Courage and her Children'' by Bertolt Brecht; directed by Leopold Lindtberg at the Schauspielhaus Zürich * 1943: première of ''The Good Person of Szechwan'' by Bertolt Brecht; directed by Leonard Steckel at the Schauspielhaus ZürichWillett (1967, 51). * 1943: première of ''Life of Galileo'' by Bertolt Brecht; directed by Leonard Steckel at the Schauspielhaus Zürich * 1948: première of ''Mr Puntila and his Man Matti'' by Bertolt Brecht; di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Sawallisch
Wolfgang Sawallisch (26 August 1923 – 22 February 2013) was a German conductor and pianist. Biography Wolfgang Sawallisch was born in Munich, the son of Maria and Wilhelm Sawallisch. His father was director of the Hamburg-Bremer-Feuerversicherung in the city. Wolfgang's brother Werner was five years older. He passed his Abitur in 1942 at the Wittelsbacher-Gymnasium in Munich. At the age of five, he was already playing the piano and by the time he was ten, he had decided he wanted to become a concert pianist. As a child, he was greatly influenced by Richard Strauss and Hans Knappertsbusch. In his musical education he was generously supported by his family, especially by his widowed mother, who became active again because of him, and also by his older brother. At first, he studied composition and piano privately. This enabled him to prepare for his career as a pianist and conductor before and after the Second World War without financial worries. His professional development wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscar Fritz Schuh
Oscar Fritz Schuh (15 January 1904 – 22 October 1984) was a German-Austrian opera director, theatre director and opera manager. He is known for directing Mozart operas at the Vienna State Opera and the Salzburg Festival in productions that toured internationally. They focused on the psychology of the characters. Life and career Schuh was born in Munich, the son of a veterinarian. He attended the , achieving the Abitur in 1921. During his schooling, he already had a contract as a theatre critic for the Berlin magazine ''Der Fechter'', and also wrote essays about theatre history and reviews for other papers. He studied art history and philosophy at Munich University. In 1923, he was engaged at the Bayerische Landesbühne in Augsburg. His first theatre direction there was Hauptmann's '' Hanneles Himmelfahrt''. He moved on to Oldenburg, Osnabrück, Staatstheater Darmstadt, (with Walter Bruno Iltz), and Prague. In 1931, he was called by Albert Ruch to work as director and d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end befor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zubin Mehta
Zubin Mehta (born 29 April 1936) is an Indian conductor of Western classical music. He is music director emeritus of the Israel Philharmonic Orchestra (IPO) and conductor emeritus of the Los Angeles Philharmonic. Mehta's father was the founder of the Bombay Symphony Orchestra, and Mehta received his early musical education from him. When he was 18, he enrolled in the Vienna state music academy, from which he graduated after three years with a diploma as a conductor. He began winning international competitions and conducted the Royal Liverpool Philharmonic at age 21. Beginning in the 1960s, Mehta gained experience by substituting for celebrated maestros throughout the world. Mehta was music director of the Montreal Symphony Orchestra from 1961 to 1967 and of the Los Angeles Philharmonic from 1962 to 1978, the youngest music director ever for any major North American orchestra. In 1969, he was appointed Music Adviser to the Israel Philharmonic Orchestra and in 1981 he became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_~1950_OeNB_653942.jpg "Click for more on -> Karl Böhm")
