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Gerhard Siegel
Gerhard Siegel (born in 1963) is a German operatic tenor. Life and career Born in Trostberg, Siegel studied at the Leopold Mozart Centre in Augsburg with Kammersänger Liselotte Becker-Egner. After engagements at the Theater Trier from 1993, the from 1995 and the Staatstheater Nürnberg from 1998 to 2006, the singer worked freelance. Siegel gave guest performances at opera houses including Komische Oper Berlin, Deutsche Oper Berlin, Staatsoper Berlin, Staatsoper Wien, Theater an der Wien, Nationaltheater München, Metropolitan Opera in New York, New National Theatre Tokyo, Teatro Real in Madrid, Korea National Opera in Seoul, and Gran Teatre del Liceu in Barcelona. He made his debut at the Royal Opera House in 2004 as Mime in Wagner's ''Der Ring des Nibelungen''. The role became his signature role which he also performed at the Bayreuth Festival from 2006 to 2008. His roles also include Florestan in Beethoven' ''Fidelio'', the title role in Wagner's ''Parsifal'', Bacchus in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korea National Opera
The Korea National Opera (founded 2000) is an independent foundation of its main performing venue, the new Seoul Arts Center. The central external bow of the new arts centre has the sign ''Seoul Opera House'' above the windows. The company was formed from what had previously from 1962 been a department under the National Theater of Korea in Seoul. References Opera companies Music organizations based in South Korea Musical groups established in 2000 Opera in South Korea {{Korea-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivor Bolton
Ivor Bolton Ivor Bolton (born 17 May 1958) is an English conductor and harpsichordist. Early life and education Bolton was born in Blackrod, Greater Manchester, England. He studied at Queen Elizabeth's Grammar School, Blackburn and Clare College, Cambridge (1976–80), and was conducting scholar at the Royal College of Music (1980–81).Adam, Nicky (ed). Ivor Bolton. In: ''Who's Who in British Opera.'' Scolar Press, Aldershot, 1993. He later trained as a répétiteur at the National Opera Studio and was appointed conductor of Schola Cantorum of Oxford. Career Bolton was Assistant Chorus Master and staff conductor from 1982–84 for Glyndebourne Festival Opera. He made his operatic conducting debut in 1986 with Stravinsky's ''The Rake's Progress'' for Opera 80. He later became music director of Glyndebourne Touring Opera (now Glyndebourne on Tour) from 1992–97. He was principal conductor of the Scottish Chamber Orchestra from 1994–96. He has also held leadership positi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Levine
James Lawrence Levine (; June 23, 1943 – March 9, 2021) was an American conductor and pianist. He was music director of the Metropolitan Opera from 1976 to 2016. He was terminated from all his positions and affiliations with the Met on March 12, 2018, over sexual misconduct allegations, which he denied. Levine held leadership positions with the Ravinia Festival, the Munich Philharmonic, and the Boston Symphony Orchestra. In 1980 he started the Lindemann Young Artists Development Program, and trained singers, conductors, and musicians for professional careers. After taking an almost two-year health-related hiatus from conducting from 2011 to 2013, during which time he held artistic and administrative planning sessions at the Met, and led training of the Lindemann Young Artists, Levine retired as the Met's full-time Music Director following the 2015–16 season to become Music Director Emeritus. Early years and personal life Levine was born in Cincinnati, Ohio, to a musical Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeffrey Tate
Sir Jeffrey Philip Tate (28 April 19432 June 2017) was an English conductor of classical music. Tate was born with spina bifida and had an associated spinal curvature. After studying medicine at the University of Cambridge and beginning a medical career in London, he switched to music and worked under Georg Solti at the Royal Opera House, Covent Garden, before making his conducting debut in 1979 at the Metropolitan Opera, New York. He held conducting appointments with the English Chamber Orchestra, Rotterdam Philharmonic Orchestra and Hamburg Symphony Orchestra, among others, and was the first person to be appointed principal conductor of the Royal Opera House. He was knighted for his services to music in 2017. Early life Tate was born in Salisbury, England, with spina bifida, a major birth defect, and also had an associated spinal curvature, kyphosis. His family moved to Farnham, Surrey, when he was young and he attended Farnham Grammar School between 1954 and 1961, gaini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Pappano
Sir Antonio Pappano (born 30 December 1959) is an English-Italian conductor and pianist. He is currently music director of the Royal Opera House and of the Orchestra dell'Accademia Nazionale di Santa Cecilia. He is scheduled to become chief conductor of the London Symphony Orchestra in 2024. Early life Pappano was born in Epping, Essex. Pappano's family had relocated to England from Castelfranco in Miscano near Benevento, Italy, in 1958, and at the time of his birth his parents worked in the restaurant business. His father, Pasquale Pappano, was by vocation a singing teacher. When Pappano was 13 years old, he moved with his family to Connecticut. After musical training in piano, composition, and conducting, he became a rehearsal accompanist at the New York City Opera at the age of 21. Career Pappano attracted the attention of fellow pianist and conductor Daniel Barenboim, and became his assistant at the Bayreuth Festival. He worked in Barcelona and Frankfurt, and served as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wozzeck
''Wozzeck'' () is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama ''Woyzeck'', which the German playwright Georg Büchner left incomplete at his death. Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it. (At the time, the play was still known as ''Wozzeck'', due to an incorrect transcription by Karl Emil Franzos, who was working from a barely-legible manuscript; the correct title would not emerge until 1921.) From the fragments of unordered scenes left by Büchner, Berg selected 15 to form a compact structure of three acts with five scenes each. He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism..." The plot depicts the everyday lives of soldiers and the townspeopl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the process r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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