Georgine Von Milinkovič
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Georgine Von Milinkovič
Georgine von Milinkovič (July 7, 1913, Prague - February 26, 1986, Munich) was a Croatian operatic mezzo-soprano, particularly associated with Wagner and Strauss roles. After vocal studies in Zagreb and Vienna, she sang at the Zurich Opera from 1937 to 1940, and then in Hilversum and later in Prague from 1945 until 1948. She made her debut at the Munich State Opera and the Vienna State Opera in 1948, where the major part of her career was to take place. She also appeared at the Salzburg Festival, where she created the role of Alkmene in Richard Strauss's '' Die Liebe der Danae'', in 1952. She sang at the Bayreuth Festival from 1954, in roles such as Fricka, Magdalene, Grimgerde, Second Nom, etc. She made guest appearances at the Edinburgh Festival and the Holland Festival, and the Royal Opera House in London. She was also admired in Strauss's ''Die schweigsame Frau'' and '' Elektra'' (as Clytemnestra), as well as in Verdi roles such as Eboli, Amneris, and Bizet's ''Carmen ...
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Prague
Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate oceanic climate, with relatively warm summers and chilly winters. Prague is a political, cultural, and economic hub of central Europe, with a rich history and Romanesque, Gothic, Renaissance and Baroque architectures. It was the capital of the Kingdom of Bohemia and residence of several Holy Roman Emperors, most notably Charles IV (r. 1346–1378). It was an important city to the Habsburg monarchy and Austro-Hungarian Empire. The city played major roles in the Bohemian and the Protestant Reformations, the Thirty Years' War and in 20th-century history as the capital of Czechoslovakia between the World Wars and the post-war Communist era. Prague is home to a number of well-known cultural attractions, many of which survived the ...
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Edinburgh Festival
__NOTOC__ This is a list of arts and cultural festivals regularly taking place in Edinburgh, Scotland. The city has become known for its festivals since the establishment in 1947 of the Edinburgh International Festival and the Edinburgh Festival Fringe which runs alongside it. The latter is the largest event of its kind in the world. The term ''Edinburgh Festival'' is commonly used, but there is no single festival; the various festivals are put on by separate, unrelated organisations. However they are widely regarded as part of the same event, particularly the various festivals that take place simultaneously in August each year. The term ''Edinburgh Festival'' is often used to refer more specifically to the Fringe, being the largest of the festivals; or sometimes to the International Festival, being the original "official" arts festival. Within the industry, people refer to all the festivals collectively as the ''Edinburgh Festivals'' (plural). The festivals Listed in ...
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Eugen Jochum
Eugen Jochum (; 1 November 1902 – 26 March 1987) was a German conductor, best known for his interpretations of the music of Anton Bruckner, Carl Orff, and Johannes Brahms, among others. Biography Jochum was born to a Roman Catholic family in Babenhausen, near Augsburg, Germany; his father was an organist and conductor. Jochum studied the piano and organ in Augsburg, enrolling in its Academy of Music from 1914 to 1922. He then studied at the Munich Conservatory, with his composition teacher being Hermann von Waltershausen; it was there that he changed his focus to conducting, his teacher being Siegmund von Hausegger, who conducted the first performance of the original version of the Ninth Symphony of Anton Bruckner and made the first recording of it. Jochum's first post was as a rehearsal pianist at Mönchen-Gladbach, and then in Kiel. He made his conducting debut with the Munich Philharmonic Orchestra in 1926 in a program which included Bruckner's Seventh Symphony. In the s ...
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James Pease
James Pease (9 January 1916, in Indianapolis – 26 April 1967, in New York City)“Pease, James” in ''Baker’s Biographical Dictionary of 20th Century Classical Musicians'', ed. Laura Kuhn. Schirmer Books, 1997. was an American bass-baritone, notable for his Wagnerian roles. He was also a distinguished Balstrode in Benjamin Britten’s ''Peter Grimes'', a role which he was the first to perform in the US in 1946, and later recorded under the composer’s direction in 1958. Life and career A law graduate of Indiana University in 1939, Pease won a scholarship at the Academy of Vocal Arts in Philadelphia and studied there rather than begin practice as a lawyer. He made his debut with the Philadelphia Opera Company as Mephistopheles in ''Faust'', and sang many other roles with the company both in Philadelphia and in Boston. He also pursued concert, oratorio and radio work on the East Coast of the United States ''The Lewiston Daily Sun'', May 5, 1947. He was praised by Serge Kousse ...
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Elisabeth Grümmer
Elisabeth Grümmer (née Schilz; 31 March 1911 – 6 November 1986) was a German soprano. She has been described as "a singer blessed with elegant musicality, warm-hearted sincerity, and a voice of exceptional beauty". Life Elisabeth Schilz was born in ''Niederjeutz'' ow Yutz, near ''Diedenhofen'' (Thionville">Yutz.html" ;"title="ow Yutz">ow Yutz, near ''Diedenhofen'' (Thionville), Alsace-Lorraine] to German parents. In 1918, her family was expelled from Lorraine, and they settled in Meiningen, where she studied theater and made her stage debut as Klärchen in Goethe's ''Egmont (play), Egmont''. She married the concertmaster of the theater orchestra, Detlev Grümmer, and became a mother. The family moved to Aachen, where they met Herbert von Karajan under whose encouragement she made her operatic debut in 1940, in the role of First Flowermaiden in a 1940 performance of Wagner's ''Parsifal''. She went on from Aachen to perform in Duisburg and Prague. Her husband was killed in the ...
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Rudolf Schock
Rudolf Johann Schock (4 September 1915 – 13 November 1986) was a German tenor. Rudolf Schock was born in Duisburg, in the Prussian Rhine Province. He sang a wide repertoire from operetta to ''Lohengrin'', recording among others opera and lieder, doing television, radio and film work.Noël Goodwin, "Schock, Rudolf (Johann)", ''Grove Music Online'', version 15 May 2009. Retrieved 21 December 2009. Slim and handsome, he made many films. His voice fell almost into the heldentenor fach but was smaller and more ardent than many voices in that category. Colored distinctly with a rich baritonal quality, Schock is described by '' Grove'' as a "lyric tenor" with a warm flexible voice, and a "strong top voice" which suited him to "heroic roles". However the same source feels that his acting left something to be desired. When he was 18 and still continuing his musical studies that took him to Cologne, Hanover and Berlin, Schock joined the opera chorus at Theater Duisburg in the city of his ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many thea ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at the ...
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Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ...
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Elektra (opera)
''Elektra'', Opus number, Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama ''Elektra''. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Semperoper, Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin. History While based on ancient Greek mythology and Sophocles' tragedy ''Electra (Sophocles play), Electra'', the opera is highly Modernism, modernist and Expressionist music, expressionist in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Electra, Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are Clytemnestra, Klytaemnestra, her mother and o ...
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