George Vincent (painter)
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George Vincent (painter)
George Vincent (baptised 27 June 17961832) was an English landscape painter who produced watercolours, etchings and oil paintings. He is considered by art historians to be one of the most talented of the Norwich School of painters, a group of artists connected by location and personal and professional relationships, who were mainly inspired by the Norfolk countryside. Vincent's work was founded on the Dutch school of landscape painting as well as the style of John Crome, also of the Norwich School. The school's reputation outside East Anglia in the 1820s was based largely upon the works of Vincent and his friend James Stark. The son of a weaver, Vincent was educated at Norwich Grammar School and afterwards apprenticed to Crome. He exhibited at the Royal Academy, British Institution, and elsewhere. From 1811 until 1831 he showed at the Norwich Society of Artists, exhibiting more than 100 pictures of Norfolk landscapes and marine works. By 1818 he had relocated to London, wher ...
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John Jackson (painter)
John Jackson (31 May 1778 – 1 June 1831) was a British portraitist. John Jackson was baptised on 31 May 1778 in Lastingham, Yorkshire, and started his career as an apprentice tailor to his father, also John Jackson, who opposed the artistic ambitions of his son. John Jackson’s mother was Ann Warrener and he had at least one brother, Roger Jackson. However, John enjoyed the support of Henry Phipps, 1st Earl of Mulgrave (1755–1831), who recommended him to the Earl of Carlisle; as well as that of Sir George Beaumont, 7th Baronet, who offered him residence at his own home and £50 per year. As a result, Jackson was able to attend the Royal Academy Schools, where he befriended David Wilkie and B. R. Haydon. At Castle Howard, residence of the Earl of Carlisle, he could study and copy from a large collection of paintings. His watercolours were judged to be of uncommon quality. By 1807 Jackson's reputation as a portrait painter had become established, and he made the trans ...
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James Stark (painter)
James Stark (19 November 1794 – 24 March 1859) was an English landscape painter. A leading member of the Norwich School of painters, he was elected vice-president of the Norwich Society of Artists in 1828 and became their president in 1829. He had wealthy patrons and was consistently praised by the Norfolk press for his successful London career. Stark was born in Norwich, the youngest son of an important dye manufacturer, Michael Stark, who is credited with the invention of the dye known as 'Norwich red'. On the completion of his education at Norwich School in 1811, he was apprenticed to John Crome, whose influence on his pupil was profound. His work was exhibited in London as early as 1811 and at the British Institution from 1814–18. In 1814 he moved away from Norwich to London, where he befriended the artist William Collins. In 1819 ill health forced him to return to Norwich, where lived for twenty years, before moving to Windsor in 1840, where he continued to produce la ...
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Andrew Hemingway (art Historian)
Andrew Frank Hemingway is professor emeritus of art history, University College London. He is a specialist in British landscape painting of the nineteenth century, which he interprets through a Marxist lens, and the historiography of Marxist art history. Early life and education Andrew Hemingway received his advanced education at the universities of Hull and East Anglia. He received his PhD from University College London for a thesis which he began in 1977 and which was accepted in 1989 titled ''Discourses of art and social interests: The representation of landscape in Britain c.1800-1830'' which was supervised by William Vaughan. Career Hemingway's early academic career was at Ealing College of Higher Education. He taught at University College London from 1987 to 2010, becoming a professor there in 2003.
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Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ...
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Edward Thomas Daniell
Edward Thomas Daniell (6 June 180424 September 1842) was an English artist known for his etchings and the landscape paintings he made during an expedition to the Middle East, including Lycia, part of modern-day Turkey. He is associated with the Norwich School of painters, a group of artists connected by location and personal and professional relationships, who were mainly inspired by the Norfolk countryside. Born in London to wealthy parents, Daniell grew up and was educated in Norwich, where he was taught art by John Crome and Joseph Stannard. After graduating in classics at Balliol College, Oxford, in 1828, he was ordained as a curate at Banham in 1832 and appointed to a curacy at St. Mark's Church, London, in 1834. He became a patron of the arts, and an influential friend of the artist John Linnell. In 1840, after resigning his curacy and leaving England for the Middle East, he travelled to Egypt, Palestine and Syria, and joined the explorer Sir Charles Fellows's archaeolog ...
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Robert Ladbrooke
Robert Ladbrooke (1768 – 11 October 1842) was an English landscape painter who, along with John Crome, founded the Norwich School of painters. His sons Henry Ladbrooke and John Berney Ladbrooke were also associated with the Norwich School. Early life Ladbrooke was born in Norwich in 1768. He was apprenticed when young to an artist and printer named White, and for some years worked as a journeyman printer. While employed there he made the acquaintance of the artist John Crome, who was the same age as him, then working for a house and sign-painter. Having similar tastes, the two became friends. They lived together and devoted all their spare time to sketching and copying. They married two sisters, and for two years they worked in partnership. Artistic career Ladbrooke painted portraits and Crome depicted landscapes, which they both sold for very small sums. To earn more money, Ladbrooke turned from portraiture to landscape painting, in which he was more successful. In 1803 Ladb ...
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Joseph Stannard
Joseph Stannard (13 September 1797 7 December 1830) was an English marine, landscape and portrait painter. He was a talented and prominent member of the Norwich School of painters. After attending the Norwich Grammar School, his parents paid for him to be trained as an artist by Robert Ladbrooke, one of the founding members of the Norwich Society of Artists. During his career he exhibited in both Norwich and London, with some success. In 1816 he joined a rival society in Norwich, which lasted a few years. He was influenced by the work of the Dutch masters, whose works he studied and copied following a visit to Holland in 1821. His own most important painting, ''Thorpe Water Frolic, Afternoon'', was first exhibited in Norwich in 1825. In 1826 he married the artist Emily Coppin. Several other members of his family, including their daughter Emily, were talented artists. He suffered from poor health during most of his life and died from tuberculosis in 1830, aged only 33. Backg ...
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John Sell Cotman
John Sell Cotman (16 May 1782 – 24 July 1842) was an English marine and landscape painter, etcher, illustrator, author and a leading member of the Norwich School of painters. Born in Norwich, the son of a silk merchant and lace dealer, Cotman was educated at the Norwich Grammar School. He showed an early talent for art. It was intended that he followed his father into the family business but, intent on a career in art, he moved to London in 1798, where he met artists such as J. M. W. Turner, Peter de Wint and Thomas Girtin, whose sketching club he joined, and whom he travelled with to Wales and Surrey. By 1800 he was exhibiting at the Royal Academy, showing scenes of the Welsh countryside there in 1801 and 1802. His drawing expeditions took him throughout southern Britain, and to Yorkshire, where he stayed with the Cholmeley family during the three summers of 1803–5. His sons Miles Edmund and John Joseph Cotman became notable painters in their own right. Life Early yea ...
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George Vincent - An Old Farmstead Near Norwich
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-year-old pig ...
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Art Historian
Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to an ever-evolving definition of art. Art history encompasses the study of objects created by different cultures around the world and throughout history that convey meaning, importance or serve usefulness primarily through visual representations. As a discipline, art history is distinguished from art criticism, which is concerned with establishing a relative artistic value upon individual works with respect to others of comparable style or sanctioning an entire style or movement; and art theory or "philosophy of art", which is concerned with the fundamental nature of art. One branch of this area of study is aesthetics, wh ...
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Patronage
Patronage is the support, encouragement, privilege, or financial aid that an organization or individual bestows on another. In the history of art, arts patronage refers to the support that kings, popes, and the wealthy have provided to artists such as musicians, painters, and sculptors. It can also refer to the right of bestowing offices or Benefice, church benefices, the business given to a store by a regular customer, and the patron saint, guardianship of saints. The word "patron" derives from the la, patronus ("patron"), one who gives benefits to his clients (see Patronage in ancient Rome). In some countries the term is used to describe political patronage or patronal politics, which is the use of state resources to reward individuals for their electoral support. Some patronage systems are legal, as in the Canadian tradition of the Prime Minister to appoint Senate of Canada, senators and the heads of a number of commissions and agencies; in many cases, these appointments go to ...
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