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George Dandin Ou Le Mari Confondu
''George Dandin ou le mari confondu'' (''George Dandin or The Thwarted Husband'') is a French Comédie-ballet in three acts by Molière, with music by Jean-Baptiste Lully, choreography by Pierre Beauchamp, and architecture/staging by Carlo Vigarani and Henri de Gissey. It premiered at the Palace of Versailles, seen by Louis XIV and guests, numbering possibly to 3000 total people, on 18 July 1668, during the ''Le Grand divertissement royal'' (Grand Royal Entertainment), produced by court financier Jean-Baptiste Colbert, celebrating the peace from the Treaty of Aachen. Without the ballet and music, the comedy appeared to the Paris public at the theatre of the Palais-Royal beginning on 9 November 1668. Court historian André Félibien summarized the play in the official brochure (1668) this way: "The subject is that a wealthy peasant, who has married the daughter of a country gentleman, receives nothing but contempt from his wife as well as his handsome father- and mother-in-law, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comédie-ballet
''Comédie-ballet'' is a genre of French drama which mixes a spoken play with interludes containing music and dance. History The first example of the genre is considered to be '' Les fâcheux'', with words by Molière, performed in honour of Louis XIV at Vaux-le-Vicomte, the residence of Nicolas Fouquet, in 1661. The music and choreography were by Pierre Beauchamp, but Jean-Baptiste Lully later contributed a sung courante for Act I, scene 3. Molière, Lully and Beauchamp collaborated on several more examples of ''comédie-ballet'', culminating in the masterpiece of the genre, ''Le Bourgeois gentilhomme'', in 1670, and the scenically spectacular ''Psyché'' of January 1671, a ''tragicomédie et ballet'' which went well beyond the earlier examples of the genre.Gaines 2002, p. 394. After quarrelling with Lully, Molière retained the services of Beauchamp as choreographer. His one-act prose comedy '' La Comtesse d'Escarbagnas'' premiered in December 1671 at the Château de Saint-Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armande Béjart
Armande-Grésinde-Claire-Élisabeth Béjart (1645 – 30 November 1700) was a French stage actress, also known under her stage name Mademoiselle Molière.Scott, Virginia (2010). Women on the stage in early modern France : 1540-1750''. Cambridge: Cambridge University Press. . She was married to Molière, and one of the most famous actresses in the 17th-century. Life She was the daughter of Madeleine Béjart and belonged to the Béjart family, a famous theatre family in 17th-century France. In 1643 her mother Madeleine co-founded, with Molière, the theatre company called Illustre Théâtre. Molière directed her education and she grew up under his eye. Armande married Molière in 1662, when he was 40 and she 17. Together, they had three children: Louis (19 January11 November 1664), Marie Madeleine Esprit (3 August 166523 May 1723) and Pierre Jean-Baptiste Armand (15 September11 October 1672). Early career She played her first important role in Molière's company in June 1663, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays By Molière
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1668 Plays
Events January–March * January 23 – The Triple Alliance of 1668 is formed between England, Sweden and the United Provinces of the Netherlands. * February 13 – In Lisbon, a peace treaty is established between Afonso VI of Portugal and Carlos II of Spain, by mediation of Charles II of England, in which the legitimacy of the Portuguese monarch is recognized. Portugal yields Ceuta to Spain. * c. February – The English Parliament and bishops seek to suppress Thomas Hobbes' treatise ''Leviathan''. * March 8 – In the Cretan War, the navy of the Republic of Venice defeats an Ottoman Empire naval force of 12 ships and 2,000 galleys that had attempted to seize a small Venetian galley near the port of Agia Pelagia. * March 23 – The Bawdy House Riots of 1668 take place in London when a group of English Dissenters begins attacking brothels, initially as a protest against the harsh enforcement of laws against private worshipers and the lack o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Thorillière
François Le Noir, sieur de La Thorillière (c. 1626 – 27 July 1680) was a French comic actor, who was born and died in Paris.Mongrédien 1972, p. 107. Life La Thorillière was the son of Charles Le Noir, founder of the Théâtre du Marais (17th century), Théâtre du Marais in 1634, and the actor Isabelle Mestivier. After serving as a captain in the Lorraine Regiment, he married the 21-year-old Marie Petitjean on 30 April 1658. She was the niece of La Rocque, an actor at the Marais, and François joined the Marais company in 1659. In June 1662, he and Brécourt (playwright), Brécourt moved to Molière's company, where La Thorillière acted in several of Molière's plays, most notably as a sad marquis in ''L'Impromptu de Versailles'' (1663) and as Hali in ''Le Sicilien'' (1667). He was also for a time in charge of the accounts for Molière's company. His first register (1663–1664) was published by George Monval in 1890; the second (1664–1665) is preserved in the Archives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Grange (actor)
La Grange (1635 – 1 March 1692), whose real name was Charles Varlet, was a French actor and a member of the troupe of Molière. Early life Charles Varlet was the son of Hector Varlet and Marie de La Grange. The couple married in Paris on 9 May 1634 and moved to Montpellier soon thereafter. Charles was born in 1635 and baptized at Notre-Dame des Tables, Montpellier, on 8 March 1636, at the age of about 9 months. He had a younger brother, Achille Varlet (born 17 December 1636) and sister, Justine-Françoise (born 14 May 1638). After the birth of his sister the family left Montpellier and was in Paris in 1642 (Achille and Justine were baptised at the Église de Saint-Nicolas-des-Champs on 12 February 1642), but not long after the children lost their parents and became orphans. Career with the Molière company La Grange joined Molière's company in 1659, soon after they had returned to Paris from touring the provinces. Being young and attractive, he was the ''jeune premier'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-gender Acting
Cross-gender acting refers to actors or actresses portraying a character of the opposite sex. It is distinct from both transgender and cross-dressing character roles. Traditions of male-only performance cultures Many societies prohibited women from performing on stage, so boys and men took the female roles. In the ancient Greek theatre men played females, as they did in English Renaissance theatre and continue to do in Japanese kabuki theatre (see ''onnagata''). In Chinese opera specialized male actors who play female roles ('' dàn'') are referred to as ''nándàn'' (男旦); the practice arose during the Qing dynasty due to imperial prohibitions against women performing on stage, considered detrimental to public morality. Japanese kabuki theatre began in the 17th century with all-female troupes performing both male and female roles. In 1629 the disrepute of kabuki performances (or of their audiences) led to the banning of women from the stage, but kabuki's great popularit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béjart
Béjart is the name of several French actors of the 17th century. Family The four actors listed here were children, and grandchildren, of Marie Hérve and Joseph Béjart (died 1643), the holder of a small government post. There were 10 children in the family which was very poor and lived in the Marais, then the theatrical quarter of Paris. Four of the children became notable in the acting profession. Madeleine Béjart Madeleine Béjart (8 January 161817 February 1672), was a French actress and theatre director, one of the most famous French stage actors of the 17th-century. Madeleine was the second child of Joseph and Marie-Herve Bejart. She debuted with her elder brother Joseph at the Theatre du Marais and in the provinces in the late 1630s. Madeleine headed a travelling company to which her sister Geneviève (1631–1675) — who played as Mlle Hervez — and her brothers belonged, before they joined Molière in forming ''l'Illustre Théâtre''. In 1643 she co-foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nouveau Riche
''Nouveau riche'' (; ) is a term used, usually in a derogatory way, to describe those whose wealth has been acquired within their own generation, rather than by familial inheritance. The equivalent English term is the "new rich" or "new money" (in contrast with " old money"; french: vieux riche ). Sociologically, ''nouveau riche'' refers to the person who previously had belonged to a lower social class and economic stratum (rank) within that class; and that the new money, which constitutes their wealth, allowed upward social mobility and provided the means for conspicuous consumption, the buying of goods and services that signal membership in an upper class. As a pejorative term, ''nouveau riche'' affects distinctions of type, the given stratum within a social class; hence, among the rich people of a social class, ''nouveau riche'' describes the vulgarity and ostentation of the newly rich person who lacks the worldly experience and the system of values of " old money", of inherite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal (rue Saint-Honoré)
The Théâtre du Palais-Royal (or Grande Salle du Palais-Royal) on the rue Saint-Honoré in Paris was a theatre in the east wing of the Palais-Royal, which opened on 14 January 1641 with a performance of Jean Desmarets' tragicomedy ''Mirame''. The theatre was used by the troupe of Molière from 1660 to 1673 and as an opera house by the Académie Royale de Musique from 1673 to 1763, when it was destroyed by fire.Coeyman 1998, pp. 60–71. It was rebuilt and reopened in 1770, but again was destroyed by fire in 1781 and not rebuilt.Pitou 1983, pp. 26–30. First theatre Cardinal Richelieu The Palais-Royal was originally known as the Palais-Cardinal, since it was built in the 1630s as the principal residence of Cardinal Richelieu. The palace already had a small theatre, the Petite Salle des Comédies, located in the wing running north from the east end of the '' corps-de-logis''. On a 1673 plan it is marked "Petite Salle des Ballets". In 1637 Richelieu asked his architect Jac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treaty Of Aix-la-Chapelle (1668)
__NOTOC__ The Treaty of Aix-la-Chapelle or Aachen ended the War of Devolution between France and Spain. It was signed on 2 May 1668 in Aachen (french: Aix-la-Chapelle). Spain acceded on 7 May 1669. The treaty was mediated and guaranteed by the Triple Alliance of the Dutch Republic, England and Sweden at the First Congress of Aix-la-Chapelle. By the terms of the treaty, Louis XIV returned three cities, Cambrai (Kamerijk), Aire (Ariën aan de Leie), and Saint-Omer (Sint-Omaars) to Spain.Phillipson (1916), p. 222. He also returned the province of Franche-Comté. On the other hand, he kept Armentières (Armentiers), Bergues (Sint-Winoksbergen), Charleroi, Courtrai (Kortrijk), Douai (Dowaai), Furnes (Veurne), Lille (Rijsel), Oudenarde (Oudenaarde, Audenarde), and Tournai (Doornik). Lille, Armentières, Bergues and Douai were considered essential to reinforce France's vulnerable northern border and remain French to this day, while the retention of Tournai, Oudenarde, Courtrai, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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