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Geomungo
The geomungo (also spelled ''komungo'' or ''kŏmun'go'') or ''hyeongeum'' (literally "black zither", also spelled ''hyongum'' or ''hyŏn'gŭm'') is a traditional Korean plucked zither with both bridges and frets. ''Geomungo'' is a representative stringed instrument made in Goguryeo before the 5th century. Scholars believe that the name refers to Goguryeo and translates to "Goguryeo zither" or that it refers to the colour and translates to "black crane zither" (''hyeonhakgeum'', 현학금 / 玄鶴琴). The geomungo's place in Korean culture is traditionally that of a scholars' instrument for self-cultivation, much like ancient Chinese had done with the guqin in China. However, the Koreans never adopted the guqin as a folk instrument but instead inherited the Confucian and literati guqin lore wholesale and applied it onto their own geomungo lore. History The ''geomungo'' originated circa the 4th century (see Anak Tomb No.3 infra) through the 7th century from the kingdom of G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geomungo 11 String
The geomungo (also spelled ''komungo'' or ''kŏmun'go'') or ''hyeongeum'' (literally "black zither", also spelled ''hyongum'' or ''hyŏn'gŭm'') is a traditional Korean culture, Korean plucked zither with both bridges and frets. ''Geomungo'' is a representative String instrument, stringed instrument made in Goguryeo before the 5th century. Scholars believe that the name refers to Goguryeo and translates to "Goguryeo zither" or that it refers to the colour and translates to "black crane zither" (''hyeonhakgeum'', wikt:현학금, 현학금 / wikt:玄鶴琴, 玄鶴琴). The geomungo's place in Korean culture is traditionally that of a scholars' instrument for self-cultivation, much like ancient Chinese had done with the guqin in China. However, the Koreans never adopted the guqin as a folk instrument but instead inherited the Confucian and literati guqin lore wholesale and applied it onto their own geomungo lore. History The ''geomungo'' originated circa the 4th century (see Anak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Music
Korea refers to music from the Korean peninsula ranging from prehistoric times to the division of Korea into South and North in 1945. It includes court music, folk music, poetic songs, and religious music used in shamanistic and Buddhist traditions. Together, traditional Korean music is referred to as ''gugak'' (Hangul: 국악), which literally means "national music." History Proto-Three Kingdoms of Korea Not much is known about music from the Proto-Three Kingdoms of Korea period (before 57 BCE). It is believed that Korean people practiced shamanistic rituals involving music at agricultural festivals. Tomb murals and ceramics from this period depict string instruments with complex features that suggest the instruments were quite developed. Three Kingdoms of Korea The Three Kingdoms of Korea refers to the period from 57 BCE to 668 CE when the Korean peninsula was ruled by three kingdoms: Goguryeo, Baekje, and Silla. Each kingdom was known for favoring different musical inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paulownia
''Paulownia'' ( ) is a genus of seven to 17 species of hardwood tree (depending on taxonomic authority) in the family Paulowniaceae, the order Lamiales. They are present in much of China, south to northern Laos and Vietnam and are long cultivated elsewhere in eastern Asia, notably in Japan and Korea. It was introduced to North America in 1844 from Europe and Asia where it was originally sought after as an exotic ornamental tree. Its fruits (botanically capsules) were also used as packaging material for goods shipped from East Asia to North America, leading to ''Paulownia'' groves where they were dumped near major ports. The tree has not persisted prominently in US gardens, in part due to its overwintering brown fruits that some consider ugly. In some areas it has escaped cultivation and is found in disturbed plots. Some US authorities consider the genus an invasive species, but in Europe, where it is also grown in gardens, it is not regarded as invasive. The genus, originall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jin Hi Kim
Jin Hi Kim (born February 6, 1957 in Incheon, South Korea) is a composer and performer of ''geomungo, komungo'' and electric komungo, and a Korean music specialist. Kim is known as a pioneer for introducing ''geomungo'' (거문고, a Korean fretted board zither, also spelled ''komungo'') to American contemporary classical music scene through her own cross-cultural chamber and orchestral compositions and her extensive solo work in avant-garde, as well as cross-cultural free improvisation. She is a Guggenheim Fellowship, Guggenheim fellow in composition and her recent works include the development of ''komungobot'' (algorithmic robotic instrument) and solo performances of the world's only electric ''komungo'' with live interactive MIDI, MIDI computer system in her large-scale multimedia performance pieces. Kim has received commissions from the American Composers Orchestra, Kronos Quartet, and Tan Dun, Tan Dun's New Generation of East for Chamber Music Society of Lincoln Center for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staff Notation
In Western musical notation, the staff (US and UK)"staff" in the Collins English Dictionary "in British English: also called: stave; plural: staffs or staves""staff" in the Merriam-Webster Dictionary /ref> or stave (UK) (: staffs or staves) is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a percussion staff, differe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gayageum
The ''gayageum'' or ''kayagum'' (in Korean 가야금, 伽倻琴 in Chinese characters) is a traditional Korean plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument.Jan. 11, 200''Korean Instruments'' Seoul Metropolitan Government It is similar with other Asian instruments like Chinese ''guzheng'', Japanese ''koto'', Mongolian ''yatga'', Vietnamese ''đàn tranh'', Sundanese ''kacapi'' and Kazakh ''jetigen''. History Pungryu gayageum (beopgeum, jeongak gayageum) According to the '' Samguksagi'' (1146), a history of the Three Kingdoms of Korea, the ''gayageum'' was developed around the sixth century in the Gaya confederacy by King Gasil (also known as Haji of Daegaya) after he observed an old Chinese instrument. He ordered a musician named Wu Ruk to compose music that could be played on the instrument. The original name was ''gayago''(or ''gayatgo'') and later'' gayageu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinawi
''Sinawi'', sometimes spelled ''shinawi'', is a traditional Korean music. It is performed improvisationally by a musical ensemble, and traditionally accompanies the rites of Korean shamanism. The style first emerged in the Chungcheong and Jeolla provinces, but is now widespread. The traditional sinawi ensemble followed the principle of ''sam-hyeon-yuk-gak'' (三絃六角), with two flutes, a '' haegeum'', a ''daegeum'', a ''janggu'' hourglass-drum, and a large '' buk'' drum. However, today other traditional Korean instruments such as the ''gayageum'' and '' geomungo'' are also often included. See also * Gut (ritual) Gut (, also romanised kut or goot) are the rites performed by Korean shamans, involving offerings and sacrifices to gods, spirits and ancestors. They are characterised by rhythmic movements, songs, oracles and prayers. These rites are meant to ... * Muak * Sinism * Korean culture Korean styles of music Korean traditional music {{Korea-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanjo (music)
''Sanjo'', literally meaning 'scattered melodies', is a style of traditional Korean music, involving an instrumental solo accompanied by drumming on the ''janggu'', an hourglass-shaped drum. The art of ''sanjo'' is a real crystallization of traditional Korean melody and rhythm which may have been handed down by rote generation after generation. The drummer who beats the ''janggu'' also makes '' chuimsae'' (exclamations) in order to please the audience. The audience can also express their excited feeling with ''chuimsae'' while listening to ''sanjo''. A big ''chuimsae'' indicates a good performance, so the musician can make a better performance. Like ''pansori'', ''chuimsae'' plays an important role in ''sanjo''. Without ''chuimsae'', the music is meaningless. ''Chuimsae'' connects musician and audience during a ''sanjo'' performance. Almost every Korean traditional musical instrument is used in ''sanjo'': gayageum, geomungo, daegeum, haegeum, piri, taepyeongso, ajaeng, danso. ''Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Tuning
In music, there are two common meanings for tuning: * Tuning practice, the act of tuning an instrument or voice. * Tuning systems, the various systems of pitches used to tune an instrument, and their theoretical bases. Tuning practice Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones. Tuning is usually based on a fixed reference, such as A = 440 Hz. The term "''out of tune''" refers to a pitch/tone that is either too high (sharp) or too low (flat) in relation to a given reference pitch. While an instrument might be in tune relative to its own range of notes, it may not be considered 'in tune' if it does not match the chosen reference pitch. Some instruments become 'out of tune' with temperature, humidity, damage, or simply time, and must be readjusted or repaired. Different methods of sound production require different methods of adjustment: * Tuning to a pitch with one's voic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bamboo
Bamboos are a diverse group of evergreen perennial flowering plants making up the subfamily Bambusoideae of the grass family Poaceae. Giant bamboos are the largest members of the grass family. The origin of the word "bamboo" is uncertain, but it probably comes from the Dutch or Portuguese language, which originally borrowed it from Malay or Kannada. In bamboo, as in other grasses, the internodal regions of the stem are usually hollow and the vascular bundles in the cross-section are scattered throughout the stem instead of in a cylindrical arrangement. The dicotyledonous woody xylem is also absent. The absence of secondary growth wood causes the stems of monocots, including the palms and large bamboos, to be columnar rather than tapering. Bamboos include some of the fastest-growing plants in the world, due to a unique rhizome-dependent system. Certain species of bamboo can grow within a 24-hour period, at a rate of almost an hour (equivalent to 1 mm every 90 seco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
