Genetic Studios
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Genetic Studios
Genetic Studios (also known as Genetic Sound) was a recording studio in Streatley, England. History Genetic was established in 1980 by Martin Rushent and Alan Winstanley. The facility was built in a barn at Rushent's home in Streatley. Rushent decided to focus on electronic music after working heavily with guitar-based punk bands in the late 1970s – including The Buzzcocks and The Stranglers. Rushent began the studio after seeing an advertisement for the Roland Micro Composer. He thought the device looked "pretty good", and bought a Roland Jupiter synth to go with it. Rushent purchased Synclavier and Fairlight CMI synthesisers (at £25,000 each) and an MCI console to use in the studio. He spent £35,000 on the studio's air conditioning system, and had a Mitsubishi Electric digital recorder costing £70,000. After the success of '' Dare'' in 1981, Rushent extended the studio to house a second control room and recording booth. The MCI desk was moved to the new rooms, an ...
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Streatley, Berkshire
Streatley is a village and civil parish on the River Thames in Berkshire, England. The village faces Goring-on-Thames. The two places share in their shops, services, leisure, sports and much of their transport. Across the river is railway station and the village cluster adjoins a lock and weir. The west of the village is a mixture of agriculture and woodland plus a golf course. The village has a riverside hotel. Much of Streatley is at steeply varying elevations, ranging from 51m AOD to 185m at Streatley Warren, a hilltop point on its western border forming the eastern end of the Berkshire Downs. This Area of Outstanding Natural Beauty is topped by the 87-mile The Ridgeway path, which crosses the Thames at Goring and Streatley Bridge. Location Streatley is centred north-west of Reading and south of Oxford. Its developed area occupies half of the narrow Goring Gap on the River Thames and is directly across the river from the Oxfordshire village of Goring-on-Thames. The two ...
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Synclavier
The Synclavier is an early digital synthesizer, polyphonic digital sampling system, and music workstation manufactured by New England Digital Corporation of Norwich, Vermont. It was produced in various forms from the late 1970s into the early 1990s. The instrument has been used by prominent musicians. History The original design and development of the Synclavier prototype occurred at Dartmouth College with the collaboration of Jon Appleton, Professor of Digital Electronics, Sydney A. Alonso, and Cameron Jones, a software programmer and student at Dartmouth's Thayer School of Engineering. Synclavier I First released in 1977–78, it proved to be highly influential among both electronic music composers and music producers, including Mike Thorne, an early adopter from the commercial world, due to its versatility, its cutting-edge technology, and distinctive sounds. The early Synclavier I used FM synthesis, re-licensed from Yamaha, and was sold mostly to universities. The ...
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Solid State Logic
Solid State Logic (SSL) is a British company based in Begbroke, Oxfordshire, England that designs and markets audio mixing consoles, signal processors, and other audio technologies for the post-production, video production, broadcast, sound reinforcement and music recording industries. SSL employs over 160 people worldwide and has regional offices in Los Angeles, Milan, New York, Paris, and Tokyo, with additional support provided by an international network of distributors. Solid State Logic is part of the Audiotonix Group. History Early history Solid State Logic was founded by Colin Sanders in 1969 as the first manufacturer of solid-state control systems for pipe organs. Sanders coined the company's name to explain the then-modern technology of transistor and FET switching to organ builders. Sanders also owned and operated Acorn Studios, a recording studio in Stonesfield, Oxfordshire. When he sought a mixing console for recording, with routing flexibility and settings rec ...
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Control Room
A control room or operations room is a central space where a large physical facility or physically dispersed service can be monitored and controlled. It is often part of a larger command center. Overview A control room's purpose is production control, and serves as a central space where a large physical facility or physically dispersed service can be monitored and controlled. Central control rooms came into general use in factories during the 1920s. Control rooms for vital facilities are typically tightly secured and inaccessible to the general public. Multiple electronic displays and control panels are usually present, and there may also be a large wall-sized display area visible from all locations within the space. Some control rooms are themselves under continuous video surveillance and recording, for security and personnel accountability purposes. Many control rooms are occupied on a "24/7/365" basis, and may have multiple people on duty at all times (such as imple ...
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Dare (album)
''Dare'' (released as ''Dare!'' in the United States) is the third studio album by English synth-pop band The Human League, first released in the United Kingdom in October 1981 then subsequently in the US in mid-1982. The album was recorded between March and September 1981 following the departure of founding members Martyn Ware and Ian Craig Marsh, and saw the band shift direction from their previous Avant-garde music, avant-garde electronic style toward a more pop-friendly, commercial sound led by frontman Philip Oakey. ''Dare'' became critically acclaimed and has proved to be a genre-defining album, whose influence can be felt in many areas of pop music. The album and its four singles were large successes, particularly "Don't You Want Me". The album reached number one on the UK Albums Chart and has been certified triple platinum by the British Phonographic Industry (BPI). A remix album based on ''Dare'', ''Love and Dancing'', was released in 1982. History In January 1981 ...
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Mitsubishi Electric
, established on 15 January 1921, is a Japanese multinational electronics and electrical equipment manufacturing company headquartered in Tokyo, Japan. It is one of the core companies of Mitsubishi. The products from MELCO include elevators and escalators, high-end home appliances, air conditioning, factory automation systems, train systems, electric motors, pumps, semiconductors, digital signage, and satellites. In the United States, products are manufactured and sold by Mitsubishi Electric United States headquartered in Cypress, California. History MELCO was established as a spin-off from the Mitsubishi Group's other core company Mitsubishi Heavy Industries, then Mitsubishi Shipbuilding, as the latter divested a marine electric motor factory in Kobe, Nagasaki. It has since diversified to become the major electronics company. MELCO held the record for the fastest elevator in the world, in the 70-story Yokohama Landmark Tower, from 1993 to 2005. The company acquired Nihon ...
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Music Center Incorporated
Music Center Incorporated (MCI) is the former name of a United States manufacturer of professional audio equipment that operated from 1955 until 1982 when it was acquired by the Sony Corporation. The company is credited with a number of world firsts: commercialising the 24-track multi-track recorder, the tape Auto Locator and in-line mixing console. History During the late 1950s Grover 'Jeep' Harned, the founder of MCI, owned and operated a small record and stereo servicing outlet in Ft. Lauderdale, Florida. He also designed and built custom audio equipment such as mixing consoles, audio preamplifiers and general record electronics at the request of customers like Mack Emerman, the owner of the nearby Criteria Recording Studios. Harned's growing list of record industry contacts led in time to regular referrals, and then to long term service contracts. In addition he installed commercial sound systems for the Parker Playhouse, Pirate's Worlds and Fort Lauderdale International A ...
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Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History Origins: 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, ''Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, Ryrie asked ...
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Roland Jupiter (other)
Roland Jupiter is a series of synthesizers produced by the Roland Corporation. List Analog synths *Roland Jupiter-4 (1978) *Roland Jupiter-8 (1981) *Roland Jupiter-6 (1982) *Roland MKS-80 Super Jupiter (1984) Digital synths *Roland JP-8000 (1996) / JP-8080 (1998) * Roland Jupiter-50 (2011) * Roland Jupiter-80 (2011) * Roland Jupiter-Xm (2019) * Roland Jupiter-X (2020) Software synths * Roland Cloud Jupiter 8 {{SIA Jupiter Jupiter is the fifth planet from the Sun and the largest in the Solar System. It is a gas giant with a mass more than two and a half times that of all the other planets in the Solar System combined, but slightly less than one-thousandth t ... Musical instruments invented in the 1970s Musical instruments invented in the 1980s ...
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Martin Rushent
Martin Charles Rushent (11 July 1948 – 4 June 2011) was an English record producer, best known for his work with The Human League, The Stranglers and Buzzcocks. Early life Rushent was born on 11 July 1948 in Enfield, Middlesex. His father was a car salesman. Rushent attended Minchenden Grammar School in Southgate, Middlesex. Career Early career Rushent's first experience in a recording studio was at EMI House in London's Manchester Square, when his school band (of which he was the lead singer) had the opportunity to record a demo. After leaving school, Rushent, who had already experimented with his father's 4-track recorder, worked at a chemical factory before working for his father while applying for studio jobs. After numerous rejections, Rushent was employed by Advision Studios as a 35mm film projectionist. After approximately three months, Rushent began working in the audio department as a tape operator alongside Tony Visconti. He worked on sessions for Fleetwoo ...
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Roland MC-4 Microcomposer
The Roland MC-4 MicroComposer was an early microprocessor-based music sequencer released by Roland Corporation. It could be programmed using the ten key numeric keyboard or a synthesizer keyboard using the keyboard's control voltage and gate outputs. It was released in 1981 with a list price of US$3,295 (¥430,000 Japanese yen, JPY) and was the successor to the Roland MC-8 Microcomposer, MC-8, which in 1977 was the first microprocessor-based digital sequencer. Like its predecessor, the MC-4 is a Polyphony and monophony in instruments, polyphonic CV/Gate sequencer.Chris Carter (British musician), Chris CarterROLAND MC8 MICROCOMPOSER ''Sound on Sound'', Vol.12, No.5, March 1997 Information This sequencer was released before the advent of MIDI, and viewed by some composers to have more accurate timing (music), timing. The MC-4 has an output patchbay to the right of the control panel, allowing you to patch the MC-4 to a synthesizer using 3.5mm patch cords. There are four channels of o ...
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The Stranglers
The Stranglers are an English rock band who emerged via the punk rock scene. Scoring 23 UK top 40 singles and 19 UK top 40 albums to date in a career spanning five decades, the Stranglers are one of the longest-surviving bands to have originated in the UK punk scene. Formed as the Guildford Stranglers in Guildford, Surrey, in early 1974, they originally built a following within the mid-1970s pub rock scene. While their aggressive, no-compromise attitude had them identified by the media with the emerging UK punk rock scene that followed, their idiosyncratic approach rarely followed any single musical genre, and the group went on to explore a variety of musical styles, from new wave, art rock and gothic rock through the sophisti-pop of some of their 1980s output. They had major mainstream success with their 1982 single "Golden Brown". Their other hits include " No More Heroes", "Peaches", " Always the Sun", " Skin Deep" and " Big Thing Coming". The Stranglers' early sou ...
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