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Gelobt Sei Gott Im Höchsten Thron
"" (literally: Praised be God on highest throne) is a hymn for Easter in 20 stanzas in German by Michael Weiße, widely known with a later melody by Melchior Vulpius. Shortened, it is part of current Protestant and Catholic German hymnals. History Weiße published his text in 1531 in his hymnal for the Bohemian Brethren, with a melody known from the beginning of the 15th century and used in Czech congregations in Bohemian Hussite hymnals. Weiße structured the text in three parts, two stanzas of praise, fifteen stanzas of narration, and three stanzas of prayer to Jesus. Each stanza consists of three rhyming lines in similar meter, and a "Halleluja" refrain. In 1609, the hymn appeared in the Lutheran hymnal by Melchior Vulpius from Weimar, who composed a different tune and two harmonisations, one for four parts, one for five parts. With this melody, the hymn became widely known in the 19th century by publication in the hymnals of Johann Gottlieb Tucher and Philipp Wackernagel. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncope (music)
A nonchord tone (NCT), nonharmonic tone, or embellishing tone is a note in a piece of music or song that is not part of the implied or expressed chord set out by the harmonic framework. In contrast, a chord tone is a note that is a part of the functional chord (see: factor (chord)). Non-chord tones are most often discussed in the context of the common practice period of classical music, but they can be used in the analysis of other types of tonal music as well, such as Western popular music. Nonchord tones are often categorized as ''accented non-chord tones'' and ''unaccented non-chord tones'' depending on whether the dissonance occurs on an accented or unaccented beat (or part of a beat). Over time, some musical styles assimilated chord types outside of the common-practice style. In these chords, tones that might normally be considered nonchord tones are viewed as chord tones, such as the seventh of a minor seventh chord. For example, in 1940s-era bebop jazz, an F played w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vandenhoeck & Ruprecht
Vandenhoeck & Ruprecht (V&R) is a scholarly publishing house based in Göttingen, Germany. It was founded in 1735 by (1700-1750) in connection with the establishment of the Georg-August-Universität in the same city. After Abraham Vandenhoeck's death in 1750, his English-born widow, Anna Vandenhoeck, née Parry (d. 1787) successfully continued the business together with Carl Friedrich Günther Ruprecht (born 1730), who had entered the business as an eighteen-year-old apprentice in 1748. At the death of Anna Vandenhoeck in 1787, Ruprecht took over the business which he led until his death in 1816, when he was succeeded by his 25-year-old son Carl August Adolf Ruprecht (1791-1861). The management of the company remained in the hands of the Ruprecht family for seven generations. The traditional core areas of the publications of V&R are Theology and Religion, History, Ancient History, Philosophy and Philology. Current production also includes schoolbooks and non-academic publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egil Hovland
Egil Hovland (October 18, 1924 – February 5, 2013) was a Norwegian composer. Hovland was born in Råde. He studied at the Oslo conservatory with Arild Sandvold and Bjarne Brustad, in Copenhagen with Vagn Holmboe, at Tanglewood with Aaron Copland, and in Florence with Luigi Dallapiccola. He was the organist and choir leader in Fredrikstad from 1949 until his death. His many works include two symphonies, a concerto for trumpet and strings, ''Music for Ten Instruments'', a set of variations for two pianos, and a lament for orchestra. His sacred works include a ''Norwegian Te Deum'', a Gloria, a Magnificat, and numerous works for organ, and he was one of the most noted church composers of Norway. He wrote in diverse styles, including Norwegian-Romantic, Gregorian, neo-classical, twelve-tone, aleatoric, and serial. In honor of his work as a composer and organist, in 1983 he was knighted into the Royal Norwegian Order of St. Olav. In 1992, he received the Fritt Ord Honorary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Universal Edition
Universal Edition (UE) is a classical music publishing firm. Founded in 1901 in Vienna, they originally intended to provide the core classical works and educational works to the Austrian market (which had until then been dominated by Leipzig-based publishers). The firm soon expanded to become one of the most important publishers of modern music. History In 1904, UE acquired Aibl publishers, and so acquired the rights to works by Richard Strauss, Max Reger, and other composers, but it was the arrival of Emil Hertzka as managing director in 1907 (who remained until his death in 1932) which really pushed the firm towards new music. Under Hertzka, UE signed contracts with a number of important contemporary composers, including Béla Bartók and Frederick Delius in 1908; Gustav Mahler and Arnold Schoenberg in 1909 (Mahler's '' Symphony No. 8'' was the first work UE acquired an original copyright to); Anton Webern and Alexander von Zemlinsky in 1910; Karol Szymanowski in 1912; Leoš J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petr Eben
Petr Eben (22 January 1929 – 24 October 2007) was a Czech composer of modern and contemporary classical music, and an organist and choirmaster. His life Born in Žamberk in northeastern Bohemia, Eben spent most of his childhood and early adolescence in Český Krumlov in southern Bohemia. There he studied piano, and later cello and organ. The years of World War II were especially difficult for the young man. Although Eben was raised as a Catholic, his father was a Jew and thus fell foul of the National Socialist occupiers of his homeland. In 1943, aged 14, Eben was captured and imprisoned by the Nazis in Buchenwald, remaining there for the duration of the war. After being released, he was admitted to the Prague Academy for Music, and there he studied piano with František Rauch and composition with Pavel Bořkovec. He graduated in 1954. Beginning in 1955 Eben taught for many years in the music history department at Charles University in Prague. Between 1977 and 1978 he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Ludwig Gerok
Karl Ludwig Wilhelm Gerok (27 January 1906 – 28 June 1975) was a German organist, composer and organ teacher. Career Karl Ludwig Gerok was born in Obersontheim, Oberfischach, the grandson of , a Stuttgart prelate and preacher (''Oberhofprediger'') at the ''Schlosskirche'', the court church of the Old Castle, Stuttgart, Stuttgart palace, and the author of ''Palmblätter''. Karl Ludwig Gerok studied Organ (music), organ at the State University of Music and Performing Arts Stuttgart, Musikhochschule Stuttgart under organist Arnold Strebel and then with Karl Straube in Leipzig. From 1930, Gerok was cathedral organist in Halberstadt. He worked from 1946 as an organ teacher at the School of Church Music (''Kirchenmusikschule'') in Esslingen am Neckar and later at the Musikhochschule Stuttgart where he taught ''Künstlerisches und liturgisches Orgelspiel'' (Concert and church organ playing). Among his students were composer Edgar Rabsch (:de:Edgar Rabsch (Tiefenfurt), de) (1928– ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Pepping
Ernst Pepping (12 September 1901 – 1 February 1981) was a German composer of classical music and academic teacher. He is regarded as an important composer of Protestant sacred music in the 20th century. Pepping taught at the and the . His music includes works for instruments (three symphonies), the church (the motet , the ), and collections including the (Spandau choir book) and the three volume (Great Organ Book), which provides pieces for the entire liturgical year. Career Born Ernst Heinrich Franz Pepping in Duisburg, Pepping first studied to be a teacher. From 1922 to 1926 he studied composition at the Berliner Hochschule für Musik with Walter Gmeindl, a pupil of Franz Schreker. Pepping composed mostly instrumental music until 1928. In 1926 his works (Little serenade for military band) and (Suite for trumpet, saxophone and trombone) were premiered at the Donaueschinger Musiktage. He received the composition award of the Mendelssohn Foundation. In 1929 his (Chorale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Pott (hymnwriter)
Francis Pott (29 December 1832 - 26 October 1909) was an English hymnwriter and Anglican priest. He is noted as the author or translator of a number of popular Christian hymns including " Angel Voices, Ever Singing" and "The Strife is O'er, the Battle Done". His hymns are an established part of the Anglican church music repertoire and commonly feature in hymnals such as ''The New English Hymnal''. Early life Francis Pott was born in Southwark, London, the great-grandson of the surgeon Percivall Pott. His father was the proprietor of the family business, the Potts Vinegar factory (the site occupied today by the Sumner Buildings housing estate), and Francis grew up in a neighbouring house. The family firm was later taken over by Francis's brother, Robert Pott. Education Pott studied classical languages at Brasenose College, Oxford when Edward Bouverie Pusey was an influential figure in the Oxford Movement, graduating with a Bachelor of Arts degree in 1854 and obtaining his Mas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Strife Is O'er, The Battle Done
"The Strife is O'er, the Battle Done" is a Christian hymn that is traditionally sung at Easter to celebrate the Resurrection of Jesus. It was originally a 17th-century Latin hymn, ''"Finita iam sunt proelia"''; the popular English-language version is an 1861 translation by the English hymnwriter Francis Pott. Text The text of the hymn extols the triumphant Christ whose victory over death and Hell is described as a battle, as related in the Harrowing of Hell. The hymn also makes reference to Christ breaking the chains of hell and to Christ in Majesty. Each verse concludes with an '' Alleluya!'' refrain. The strife is o'er, the battle done; Now is the Victor's triumph won; O let the song of praise be sung. Alleluya! Death's mightiest powers have done their worst, And Jesus hath his foes dispersed; Let shouts of praise and joy outburst. Alleluya! On the third morn he rose again Glorious in majesty to reign; O let us swell the joyful strain. Alleluya! He brake the age-bound chai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs Of Praise (hymnal)
''Songs of Praise'' is a 1925 hymnal compiled by Percy Dearmer, Martin Shaw and Ralph Vaughan Williams. The popular ''English Hymnal'' of 1906 was considered too 'High church' by many people, and a new book on broader lines was indicated. It was initially to be called ''Songs of the Spirit'' but in the end the title was changed to ''Songs of Praise'', from the hymn by J. Montgomery, "Songs of Praise the angels sang". Musically, it deliberately omitted several Victorian hymn tunes and substituted " modal" tunes by Shaw and Gustav Holst and descants by Vaughan Williams and by Martin Shaw's brother Geoffrey Shaw. It was hoped by the editors that the book would be found suitable for childrenPreface to ''Songs of Praise'', 1925 edition and this proved to be the case. Many educational authorities used the book, and the national character of ''Songs of Praise'' was established and the book was adopted by a number of churches. Education Authorities and others began to press for the inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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