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Ernst Pepping
Ernst Pepping (12 September 1901 – 1 February 1981) was a German composer of classical music and academic teacher. He is regarded as an important composer of Protestant sacred music in the 20th century. Pepping taught at the and the . His music includes works for instruments (three symphonies), the church (the motet , the ), and collections including the (Spandau choir book) and the three volume (Great Organ Book), which provides pieces for the entire liturgical year. Career Born Ernst Heinrich Franz Pepping in Duisburg, Pepping first studied to be a teacher. From 1922 to 1926 he studied composition at the Berliner Hochschule für Musik with Walter Gmeindl, a pupil of Franz Schreker. Pepping composed mostly instrumental music until 1928. In 1926 his works (Little serenade for military band) and (Suite for trumpet, saxophone and trombone) were premiered at the Donaueschinger Musiktage. He received the composition award of the Mendelssohn Foundation. In 1929 his (Chorale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duisburg
Duisburg () is a city in the Ruhr metropolitan area of the western German state of North Rhine-Westphalia. Lying on the confluence of the Rhine and the Ruhr rivers in the center of the Rhine-Ruhr Region, Duisburg is the 5th largest city in North Rhine-Westphalia and the 15th-largest city in Germany. In the Middle Ages, it was a city-state and a member of the Hanseatic League, and later became a major centre of iron, steel, and chemicals industries. For this reason, it was heavily bombed in World War II. Today it boasts the world's largest inland port, with 21 docks and 40 kilometres of wharf. Status Duisburg is a city in Germany's Rhineland, the fifth-largest (after Cologne, Düsseldorf, Dortmund and Essen) of the nation's most populous federal state of North Rhine-Westphalia. Its 500,000 inhabitants make it Germany's 15th-largest city. Located at the confluence of the Rhine river and its tributary the Ruhr river, it lies in the west of the Ruhr urban area, Germany's larges ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erhard Egidi
Erhard Egidi (23 April 1929 – 8 September 2014) was a German cantor, organist and composer of sacred music. He was ''Kantor'' at the Neustädter Kirche, Hannover, from 1972 to 1991, where he focused on music in church services, but also conducted concerts, with a preference for works of Johann Sebastian Bach and his own teacher Ernst Pepping. He was appointed Kirchenmusikdirektor (church music director), responsible for the church music of Hanover. Career Born in Rheinsberg, he studied in Berlin at the Spandauer Kirchenmusikschule (Spandau academy of church music) with Gottfried Grote, Ernst Pepping and Herbert Schulze. He was cantor at St. Lamberti, Hildesheim from 1954. He included contemporary music, for example in 1957 a concert for Trinity Sunday with works including works by Johann Nepomuk David, Burkhard's '' Die Sintflut'', and Pepping's setting of the Gospel for the Sunday, from the Gospel of John, and a setting of the Epistle, "O welch eine Tiefe des Reichtums". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatsbibliothek Zu Berlin
This is a list of the state libraries (german: Landesbibliothek) for each of the Länder of the Federal Republic of Germany. These libraries hold the right for legal deposit for the publications in their respective state. Landesbibliothek Staatsbibliothek The historic National Libraries of the former Kingdoms, now States of Germany (Länder), are called Staatsbibliothek (state libraries). Among the libraries named Staatsbibliothek are:''Bibliotheken mit Pflichtexemplar in Deutschland''. DBI, Berlin 1995 (Aufstellung über alle Pflichtexemplarbibliotheken und die historische Aufteilung der Pflichtexemplare in Deutschland) * the Bavarian State Library (''Bayerische Staatsbibliothek'' or BSB) in Munich, one of the world's largest libraries and the former library of the Kingdom of Bavaria * the Bamberg State Library (''Staatsbibliothek Bamberg''), a library in Bamberg, Bavaria * the Berlin State Library (''Staatsbibliothek zu Berlin''), the largest academic library in the German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nachlass
''Nachlass'' (, older spelling ''Nachlaß'') is a German word, used in academia to describe the collection of manuscripts, notes, correspondence, and so on left behind when a scholar dies. The word is a compound in German: ''nach'' means "after", and the verb ''lassen'' means "to leave". The plural can be either ''Nachlasse'' or (with Umlaut) ''Nachlässe''. The word is not commonly used in English; and when it is, it is often italicized or printed in capitalized form to indicate its foreign provenance. Editing and preserving a Nachlass The ''Nachlass'' of an important scholar is often placed in a research library or scholarly archive. Other workers in the scholar's area of specialization may obtain permission to comb through the Nachlass, seeking important unpublished scholarly contributions or biographical material. The content of a Nachlass can be catalogued, edited, and in some cases published in book form. Such publication is more difficult for a ''Nachlass'' that conta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Furtwangler , the Dutch national anthem
{{Disambiguation ...
Wilhelm may refer to: People and fictional characters * William Charles John Pitcher, costume designer known professionally as "Wilhelm" * Wilhelm (name), a list of people and fictional characters with the given name or surname Other uses * Mount Wilhelm, the highest mountain in Papua New Guinea * Wilhelm Archipelago, Antarctica * Wilhelm (crater), a lunar crater See also * Wilhelm scream, a stock sound effect * SS ''Kaiser Wilhelm II'', or USS ''Agamemnon'', a German steam ship * Wilhelmus "Wilhelmus van Nassouwe", usually known just as "Wilhelmus" ( nl, Het Wilhelmus, italic=no; ; English translation: "The William"), is the national anthem of both the Netherlands and the Kingdom of the Netherlands. It dates back to at least 1572 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Messe
''Deutsche Messe'' ("German Mass"; full title: , "German Mass and Order of Worship") was published by Martin Luther in 1526. It followed his work ''Formula missae'' from the year 1523, pertaining to the celebration of a Latin mass. Both of these masses were meant only as suggestions made on request and were not expected to be used exactly as they were, but could be altered. The function of the mass, according to Luther, is to make people hear the word. The German Mass was completely chanted, except for the sermon. Order of Luther's ''Deutsche Messe'' : A spiritual song or a psalm in German : Kyrie eleison (three fold) : Collect (read facing the altar) : Epistle (read facing the people) : A German hymn (by the whole choir) : Gospel (read facing the people) : Creed sung in German : Sermon (on the Gospel) : Paraphrase of the Lord's Prayer : Exhortation to those who will commune : Consecration of the Bread.Geoffrey Wainwright, Karen B. Westerfield Tucker ''The Oxford History of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Order Of Mass
Order of Mass is an outline of a Mass celebration, describing how and in what order liturgical texts and rituals are employed to constitute a Mass. The expression Order of Mass is particularly tied to the Roman Rite where the sections under that title in the Roman Missal also contain a set of liturgical texts that recur in most or in all Eucharistic liturgies (the so-called invariable texts, or '' ordinary'' of the Mass), while the rubrics indicate the rituals, and the insertion points of the variable texts known as the proper of the Mass. Having been virtually unchanged for many centuries, the Roman Catholic Order of Mass changed decisively after the Second Vatican Council. Other Christian denominations have comparable descriptions of their liturgical practices for the Eucharist, which are however usually not called Order of Mass. Sections of the Order of Mass The Order of Mass in Western liturgy generally consists of the following sections: 1. Liturgy of the Word # The Prayers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mode (music)
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. ( Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedhof Heerstraße
The Friedhof Heerstraße cemetery is located at Trakehnerallee 1 (''Trakehner avenue No.1''), district of Charlottenburg-Wilmersdorf in Berlin, Germany, to the east of the Olympic Stadium (Berlin), Olympiastadion. It covers an area of 149,650 square meters. The cemetery was originally named and planned for the local residents of Villenkolonie Heerstraße. It was laid out between 1921 and 1924 around the Sausuhlensee (''Sow's wallow lake''), so called after wallows the wild boar's used there. Created by landscape architect Erwin Barth as a forest cemetery, the chapel was designed by Erich Blunck. Today's cemetery does not reflect its original design. In 1935/36 the original plans for extending the cemetery were dropped and the land was appropriated for landscaping related to the 1936 Summer Olympics; the fact that the non-denominational cemetery contained a number of Jewish graves bolstered the NAZI, Nazis' need to keep the cemetery out of sight. Another problem for the Ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of The Third Reich
The Nazi Germany, Nazi regime in Germany actively promoted and censored forms of art between 1933 and 1945. Upon becoming dictator in 1933, Adolf Hitler gave his personal artistic preference the force of law to a degree rarely known before. In the case of Germany, the model was to be Ancient Greek art, classical Greek and Roman art, seen by Hitler as an art whose exterior form embodied an inner racial ideal. It was, furthermore, to be comprehensible to the average man.Richard Overy, ''The Dictators: Hitler's Germany, Stalin's Russia'', p. 335. This art was to be both heroic art, heroic and Romanticism, romantic. The Nazis viewed the culture of the Weimar period with disgust. Their response stemmed partly from conservative aesthetics and partly from their determination to use culture as propaganda. Theory As indicated by historian Henry Grosshans in his book ''Hitler and the Artists'', Adolf Hitler who Adolf Hitler's rise to power, came to power in 1933 (quote): "saw Greek and Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
