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Geistliches Konzert
Sacred concerto (german: geistliches Konzert, plural , ) is a 17th-century genre of sacred music, characterized as settings of religious texts requiring both vocal soloists and obbligato instrumental forces for performance.geistliches Konzert at Starting from Italian models, the genre flourished primarily in Germany. It is a broad term for various genres of chamber concerto for a small number of voices and instruments popular in Germany during the 17th century and prefiguring the late baroque and solo sacred cantata forms. History Early Baroque The stylistic ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Christoph Bach
Johann Christoph Bach (baptised – 31 March 1703) was a German composer and organist of the Baroque period. He was born at Arnstadt, the son of Heinrich Bach, Johann Sebastian Bach's first cousin once removed and the first cousin of J.S. Bach's father, Johann Ambrosius Bach. He was also the uncle of Maria Barbara Bach, J. S. Bach's first wife and second cousin. Johann Christoph married Maria Elisabeth Wiedemann in 1667. They had seven children, including four sons who became musicians: Johann Nicolaus (10 October 1669 – 4 November 1753), Johann Christoph Jr. (29 August 1676 – 1738), Johann Friedrich (1682–1730), and Johann Michael (1685–unknown). He is not to be confused with Johann Sebastian Bach's son, Johann Christoph Friedrich Bach. Johann Christoph had a reputation as a composer that was only equalled by that of Johann Sebastian within the Bach family during his lifetime. He was organist at Eisenach and later a member of the court chamber orchestra there ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Bach
Heinrich Bach ( – ) was a German organist, composer and a member of the Bach family. Heinrich Bach was born at Wechmar, and is the father of the so-called Arnstadt Line. After the early death of his father, his older brother Johannes Bach continued his music education and taught him organ playing. They moved to Suhl and Schweinfurt. From 1635 to 1641, he was ''Ratsmusikant'' in the Erfurt Ratsmusikanten-Compagnie led by Johannes. From 1641, he became organist in Arnstadt's St. Mary's Church and the Upper Church, a post he kept until his death. In 1642, he married Eva Hoffmann, the younger daughter of Suhl Stadtpfeiffer Hoffmann. Bach died in Arnstadt. Three of his sons, Johann Christoph Bach, Johann Michael Bach and Johann Günther Bach, were musicians. Works Only a few of his works have been preserved: *Cantata '' Ich danke dir, Gott'', a church cantata for the 17th Sunday after Trinity conserved in the Altbachisches Archiv *''Ach, dass ich Wassers gnug hätte'' Vocal Conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Bach
Johann or Johannes Bach (26 November 1604 – buried 13 May 1673) was a German composer and musician of the Baroque. He was the father of the so-called "Erfurt line" of Bach family musicians. Born in Erfurt, Johannes was the eldest son of Johannes Hans Bach and the brother of Christoph Bach and Heinrich Bach. All three were composers. He spent seven years studying under Johann Christoph Hoffmann, a '' stadtpfeifer'' in Suhl. From 1634 he served as organist at St. Johannis church in Schweinfurt, and was later organist at Suhl. In 1635 he became town musician and director of the Raths-Musikanten in Erfurt, and was organist at the town's '' Predigerkirche'' from 1636. His first wife, Barbara Hoffman (a daughter of his teacher), died half an hour after bearing a stillborn son in 1639. Following this he married Hedwig Lämmerhirt, the daughter of a town councilman in Erfurt. His children from this marriage included Johannes Christian Bach, Johann Aegidius Bach, and Johann Nicol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Wolff
Christoph Wolff (born 24 May 1940) is a German musicologist. He is best known for his works on the music, life, and period of Johann Sebastian Bach. Christoph Wolff is an emeritus professor of Harvard University, and was part of the faculty since 1976, and former director of the Bach Archive in Leipzig from 2001 to 2014. Life and career He was born in Solingen, the son of theologian Hans Walter Wolff. He studied organ and historical keyboard instruments, musicology, and art history at the Universities of Berlin, Erlangen, and the Music Academy of Freiburg, receiving a performance diploma in 1963 and a PhD in 1966. Wolff taught music history at Erlangen, Toronto, Princeton, and Columbia Universities before joining the Harvard faculty in 1976 as Professor of Music and retiring in 2014. He was also on the graduate faculty of the Juilliard School from 2010–2018. A member of the American Academy of Arts and Sciences, the American Philosophical Society, the Saxon Academy of Scienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sing-Akademie Zu Berlin
The Sing-Akademie zu Berlin, also known as the Berliner Singakademie, is a musical (originally choral) society founded in Berlin in 1791 by Carl Friedrich Christian Fasch, harpsichordist to the court of Prussia, on the model of the 18th-century London Academy of Ancient Music. Early history The origins of the Singakademie are difficult to discern because the group was initially intended as a private gathering of music lovers and only later became a public institution. The Singakademie grew out of a small circle of singers who met regularly in the garden house of the privy councillor Milow. Their weekly meetings seemed to have resembled those of the then popular ''Singethees.'' Carl Friedrich Zelter describes them as rather informal meetings: "One gathered in the evening, drank tea, spoke, talked, in short entertained oneself; and the matter itself was only secondary." Singer and songwriter Charlotte Caroline Wilhelmine Bachmann was one of the original founding members. Until the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Christoph Bach
Georg Christoph Bach (6 September 1642 – 27 April 1697) was a German composer. He was the son of Christoph Bach and the elder brother of Johann Sebastian Bach's father Johann Ambrosius Bach. Life Georg Christoph Bach was born in Erfurt, Germany, in 1642. He was trained in music in Arnstadt and attended the Casimirianum in Coburg and later Leipzig University. In 1668, he became cantor and organist in Themar, and from 1688 until his death he was the cantor at St. Johannis in Schweinfurt, where his uncles Johann and Heinrich Bach had been organists. Works His most well known work is ''Siehe, wie fein und lieblich ist es'' for two tenors, bass, violin, three gambas and continuo. It was composed on his 47th birthday and a visit to Schweinfurt by his two younger twin brothers. Four of his chorale cantatas are extant, on the hymns "Vom Himmel hoch, da komm ich her", "O wie selig seid ihr doch, ihr Frommen", "O Haupt voll Blut und Wunden", and "Meinen Jesum laß ich nicht". A Schw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Michael Bach
:''To be distinguished from Johann Michael Bach (1745–1820)'' Johann Michael Bach (baptised , Arnstadt, Schwarzburg-Sondershausen – , Gehren) was a German composer of the Baroque period. He was the brother of Johann Christoph Bach, as well as first cousin, once removed and father-in-law of Johann Sebastian Bach (he was the father of J.S. Bach's first wife Maria Barbara Bach). He is sometimes referred to as the "Gehrener Bach" to distinguish him from the "Wuppertaler Bach", Johann Michael Bach (1745–1820).''Hugo Riemann (1849-1919): Leben, Werk und Wirkung'' Michael Arntz - 1999 "Es gab sogar noch einen weiteren bühnentauglichen Schreiber in der Dynastie, Johann Michael Bach hieß er, ... fand sein Auskommen als Musiklehrer eines Gymnasiums im bergischen Elberfeld, heute Wuppertal, wo er 1820 mit 75 Jahren starb." Life Johann Michael was born at Arnstadt, the son of Heinrich Bach, who was the great uncle of Johann Sebastian Bach. In 1673, Johann Michael became the orga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Schneider (music Historian)
Max Schneider (20 July 1875 – 5 May 1967) was a German music historian. Life Born in Eisleben, Schneider studied musicology at the University of Leipzig with Hermann Kretzschmar and Hugo Riemann and composition with Salomon Jadassohn. After his time as second Kapellmeister in Halle from 1897 to 1901, he continued his studies of music history with Kretzschmar. In 1904, he moved to Berlin, where he worked from 1905 to 1915 as a "scientific assistant" at the Alte Bibliothek. At the Royal Music Institute of Berlin, Schneider learnt orchestration and received the title of professor in 1913. In 1915, he accepted a professorship at the University of Breslau; two years later he obtained his doctorate with a dissertation on the beginnings of the basso continuo. From 1927, he was director of the in Breslau. In 1928, he succeeded Arnold Schering as professor for musicology at the Martin-Luther-University of Halle-Wittenberg. After 1933, Schneider was member of the organizations Natio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
