Garshasp
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Garshasp
Garshāsp ( fa, گرشاسپ ) was, in Persian mythology, the last Shah of the Pishdadian dynasty of Persia according to ''Shahnameh''. He was a descendant of Zaav, ruling over the Persian Empire for about nine years. His name is shared with a monster-slaying hero in Iranian mythology. The Avestan form of his name is Kərəsāspa and in Middle Persian his name is Kirsāsp. Garshasp is depicted as a dragonslayer in the Avesta. In Zoroastrian eschatology, Garshasp's resurrection was depicted. His role was to slay the monster Zahhak. Kirsāsp in Zoroastrian literature In the Zoroastrian religious text of the Avesta, Kərəsāspa appears as the slayer of ferocious monsters, including the Gandarəβa and the Aži Sruvara. In later Zoroastrian texts Kirsāsp is resurrected at the end of the world to defeat the monster Dahāg. Kərəsāspa is the son of Θrita and belongs to the Sāma family. Θrita is originally the name of a deity; cf. the Vedic Trita. Kirsāsp and the Aži Sr ...
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Asadi Tusi
Abu Nasr Ali ibn Ahmad Asadi Tusi ( fa, ابونصر علی بن احمد اسدی طوسی; – 1073) was a Persian poet, linguist and author. He was born at the beginning of the 11th century in Tus, Iran, in the province of Khorasan, and died in the late 1080s in Tabriz. Asadi Tusi is considered an important Persian poet of the Iranian national epics. His best-known work is ''Garshaspnameh'', written in the style of the ''Shahnameh''. Life Little is known about Asadi's life. Most of the Khorasan province was under violent attack by Turkish groups; many intellectuals fled, and those who remained generally lived in seclusion. Asadi spent his first twenty years in Ṭūs. From about 1018 to 1038 AD, he was a poet at the court of the Daylamite Abū Naṣr Jastān. Here, in 1055–56, Asadi copied Abū Manṣūr Mowaffaq Heravī's ''Ketāb al-abnīa al-adwīa''. He later went to Nakhjavan and completed his seminal work, the ''Garshāsp-nama'' (dedicated to Abu Dolaf, ruler of Nakh ...
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Garshasp Slays The Dragon Azi-Sruwar
Garshāsp ( fa, گرشاسپ ) was, in Persian mythology, the last Shah of the Pishdadian dynasty of Persia according to ''Shahnameh''. He was a descendant of Zaav, ruling over the Persian Empire for about nine years. His name is shared with a monster-slaying hero in Iranian mythology. The Avestan form of his name is Kərəsāspa and in Middle Persian his name is Kirsāsp. Garshasp is depicted as a dragonslayer in the Avesta. In Zoroastrian eschatology, Garshasp's resurrection was depicted. His role was to slay the monster Zahhak. Kirsāsp in Zoroastrian literature In the Zoroastrian religious text of the Avesta, Kərəsāspa appears as the slayer of ferocious monsters, including the Gandarəβa and the Aži Sruvara. In later Zoroastrian texts Kirsāsp is resurrected at the end of the world to defeat the monster Dahāg. Kərəsāspa is the son of Θrita and belongs to the Sāma family. Θrita is originally the name of a deity; cf. the Vedic Trita. Kirsāsp and the Aži ...
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Pishdadian Dynasty
The Pishdadian dynasty ( fa, دودمان پیشدادیان) is a mythical line of primordial kings featured in Zoroastrian belief and Persian mythology, who are presented in legend as originally rulers of the world but whose realm was eventually limited to ''Ērānshahr'' or Greater Iran. Although there are scattered references to them in the Zoroastrian scriptures the Avesta and later Pahlavi literature, it is through the 11th century Iranian national epic, the ''Shahnameh'', that the canonical form of their legends is known. From the 9th century, Muslim writers, notably Tabari, re-told many of the Pishdadian legends in prose histories and other works. The Pishdadian kings and the stories relating to them have no basis in historical fact, however. According to the ''Shahnameh'', the Pishdadians were the first Iranian dynasty, pre-dating the historical Achaemenids, and ruling for a period of over two thousand years. Their progenitor was Keyumars, the first human and the “Zo ...
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Rostam
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Zahhak
Zahhāk or Zahāk () ( fa, ضحّاک), also known as Zahhak the Snake Shoulder ( fa, ضحاک ماردوش, Zahhāk-e Mārdoush), is an evil figure in Persian mythology, evident in ancient Persian folklore as Azhi Dahāka ( fa, اژی دهاک), the name by which he also appears in the texts of the ''Avesta''. In Middle Persian he is called Dahāg ( fa, دهاگ) or Bēvar Asp ( fa, بیور اسپ) the latter meaning "he who has 10,000 horses". In Zoroastrianism, Zahhak (going under the name Aži Dahāka) is considered the son of Ahriman, the foe of Ahura Mazda. In the '' Shāhnāmah'' of Ferdowsi, Zahhāk is the son of a ruler named Merdās. Etymology and derived words ''Aži'' (nominative ''ažiš'') is the Avestan word for "serpent" or "dragon". It is cognate to the Vedic Sanskrit word ''ahi'', "snake", and without a sinister implication. The original meaning of ''dahāka'' is uncertain. Among the meanings suggested are "stinging" (source uncertain), "burning" (cf. Sanskrit ...
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Shahnameh
The ''Shahnameh'' or ''Shahnama'' ( fa, شاهنامه, Šāhnāme, lit=The Book of Kings, ) is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 "distichs" or couplets (two-line verses), the ''Shahnameh'' is one of the world's longest epic poems. It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater region influenced by Persian culture such as Armenia, Dagestan, Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic. The work is of central importance in Persian culture and Persian language, regarded as a literary masterpiece, and definitive of the ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it traces the historical ...
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Dragonslayer
A dragonslayer is a person or being that slays dragons. Dragonslayers and the creatures they hunt have been popular in traditional stories from around the world: they are a type of story classified as type 300 in the Aarne–Thompson classification system. They continue to be popular in modern books, films, video games and other forms of entertainment. Dragonslayer-themed stories are also sometimes seen as having a chaoskampf theme - in which a heroic figure struggles against a monster that epitomises chaos. Description A dragonslayer is often the hero in a "Princess and dragon" tale. In this type of story, the dragonslayer kills the dragon in order to rescue a high-class female character, often a princess, from being devoured by it. This female character often then becomes the love interest of the account. One notable example of this kind of legend is the story of Ragnar Loðbrók, who slays a giant serpent, thereby rescuing the maiden, Þóra borgarhjörtr, whom he later ma ...
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Zaav
Zaav, Zav or Zou ( fa, زاو or زو) is the tenth Shah of the Pishdadian dynasty of Persia according to ''Shahnameh''. He was a descendant of Nowzar Nowzar () is the ninth Shah of the Pishdadian dynasty of Persia according to ''Shahnameh''. He is the son of Manuchehr and becomes the Shah of Iran after his father's death. His reign of seven years comes to an end when he is killed by Afrasiab d ... and ruled over Iran about five years. Mythological kings Pishdadian dynasty {{Shahnameh-stub ...
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Gandharva
A gandharva () is a member of a class of celestial beings in Dharmic religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. Gandharvas have been associated with the historical Gandhara region. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). Hinduism In Hinduism, the gandharvas (, , , , , , ; , ) are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the sun / in the heavenly waters) which watches over the Soma (apparently) for the benef ...
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Greater Persia
Greater Iran ( fa, ایران بزرگ, translit=Irān-e Bozorg) refers to a region covering parts of Western Asia, Central Asia, South Asia, Xinjiang, and the Caucasus, where both Iranian culture and Iranian languages have had a significant presence and impact. Historically, this was a region long-ruled by the dynasties of various Iranian empires, under whose rule the local populace incorporated considerable aspects of Persian culture through extensive inter-contact, or alternatively where sufficient Iranian peoples settled to still maintain communities who patronize their respective cultures; it roughly corresponds geographically to the Iranian plateau and its bordering plains. The Encyclopædia Iranica uses the term ''Iranian Cultural Continent'' to describe this region. In addition to the modern state of Iran, the term "Greater Iran" includes all of the territory ruled by various Iranian peoples throughout history, including in Mesopotamia, the eastern half of ...
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Black Magic
Black magic, also known as dark magic, has traditionally referred to the use of supernatural powers or magic for evil and selfish purposes, specifically the seven magical arts prohibited by canon law, as expounded by Johannes Hartlieb in 1456. During his period of scholarship, A. E. Waite provided a comprehensive account of black magic practices, rituals and traditions in ''The Book of Ceremonial Magic'' (1911). It is also sometimes referred to as the "left-hand path". In modern times, some find that the definition of black magic has been convoluted by people who define magic or ritualistic practices that they disapprove of as black magic. The seven ''Artes prohibitae'' of black magic The seven ''artes prohibitae'' or ''artes magicae'', arts prohibited by canon law, as expounded by Johannes Hartlieb in 1456, their sevenfold partition reflecting that of the artes liberales and artes mechanicae, were: #necromancy #geomancy #hydromancy #aeromancy #pyromancy #chiromancy #scap ...
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Nariman (father Of Sām)
Nariman ( fa, نریمان) is an ancient Persian name meaning "faith and brightness." He is the son of Gershasp, and father of Sām who himself is grandfather of Rostam the hero (Rostam's Father was Zal). Nariman in Shahnameh Nariman was reported in Shahnameh at the time of Fereydun.But this report cannot be credible. His life should be related laters According to the Shahnameh, Nariman was one of Fereydun allies during the reign of Fereydun. Nariman perished in the war that led to the siege of a fortress on Mount Sepand. This story is told by Zāl for Rostam use both this parameter and , birth_date to display the person's date of birth, date of death, and age at death) --> , death_place = Kabulistan , death_cause = With the conspiracy of his half-brother Shaghad, he fell into a w ... to persuade him Nariman revenge on the inhabitants of the castle. References Sources * Ferdowsi Shahnameh. From the Moscow version. Mohammed Publishing. External li ...
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