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Garmon
The garmon ( rus, гармо́нь, p=gɐˈrmonʲ, links=yes, from rus, гармо́ника, p=gɐˈrmonʲɪkə, r=garmonika, cognate of English ''harmonica''), commonly called garmoshka, is a kind of Russian button accordion, a free-reed wind instrument. A garmon has two rows of buttons on the right side, which play the notes of a diatonic scale, and at least two rows of buttons on the left side, which play the primary chords in the key of the instrument as well as its relative harmonic minor key. Many instruments have additional right-hand buttons with useful accidental notes, additional left-hand chords for playing in related keys, and a row of free-bass buttons, to facilitate playing of bass melodies. The term "Garmon" means overcomer, winner or "noble" believed epistemologically to derive from the term for "blue" which nobility wore. It is believed perhaps Russian aristocratic, tzars and or royal leadership had garmons played in their courts. The garmons can be of ...
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Garmon Left Hand Solfège
The garmon ( rus, гармо́нь, p=gɐˈrmonʲ, links=yes, from rus, гармо́ника, p=gɐˈrmonʲɪkə, r=garmonika, cognate of English ''harmonica''), commonly called garmoshka, is a kind of Russian button accordion, a free-reed wind instrument. A garmon has two rows of buttons on the right side, which play the notes of a diatonic scale, and at least two rows of buttons on the left side, which play the primary chords in the key of the instrument as well as its relative harmonic minor key. Many instruments have additional right-hand buttons with useful accidental notes, additional left-hand chords for playing in related keys, and a row of free-bass buttons, to facilitate playing of bass melodies. The term "Garmon" means overcomer, winner or "noble" believed epistemologically to derive from the term for "blue" which nobility wore. It is believed perhaps Russian aristocratic, tzars and or royal leadership had garmons played in their courts. The garmons can be o ...
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Garmon Right Hand Solfège
The garmon ( rus, гармо́нь, p=gɐˈrmonʲ, links=yes, from rus, гармо́ника, p=gɐˈrmonʲɪkə, r=garmonika, cognate of English ''harmonica''), commonly called garmoshka, is a kind of Russian button accordion, a free-reed wind instrument. A garmon has two rows of buttons on the right side, which play the notes of a diatonic scale, and at least two rows of buttons on the left side, which play the primary chords in the key of the instrument as well as its relative harmonic minor key. Many instruments have additional right-hand buttons with useful accidental notes, additional left-hand chords for playing in related keys, and a row of free-bass buttons, to facilitate playing of bass melodies. The term "Garmon" means overcomer, winner or "noble" believed epistemologically to derive from the term for "blue" which nobility wore. It is believed perhaps Russian aristocratic, tzars and or royal leadership had garmons played in their courts. The garmons can be ...
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Khromka
Khromka (russian: хро́мка, ''khromka'') is a type of Russian garmon ( unisonoric diatonic button accordion). It is the most widespread variant in Russia and in the former USSR. Nearly all Russian garmons made since the mid of the 20th century are khromkas. History Since 1830s when first Russian diatonic accordions (named ''garmonika, garmon'' or ''garmoshka'' after german: Harmonika) began being produced in Tula many regional variations appeared. One of them were one-row accordions from Vyatka (called ''severyanka'' from ''sever'' "North") and from Livny (called ''livenka''). Their important feature was that it was unisonoric (the same note is produced on pressing and drawing the bellows), while all other European types including Russian ones were bisonoric (two notes are produced on pressing and drawing the bellows). From those types under the probable influence of two-row bisonoric German accordions the first khromkas were made in 1890s. At first they were one ...
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Livenka (music)
The livenka (russian: ливенка) or Livenskaya garmoshka (russian: Ливенская гармошка) is a specific variety of accordion used in Russian folk music, specifically in the region around the town of Livny (Oryol Oblast), from which the instrument takes its name. Description *The livenka is a unisonoric instrument, meaning that each button produces the same tone, regardless of the direction of the bellows. *The right-hand buttons (of which there may be 12 to 15) play the notes of the ''obikhodnyy'' pitch set, which may also be thought of as a series of overlapping Mixolydian modes. (Banin, A.A. 1997. p.161) *The left-hand levers play intervals of thirds or fourths, so that adjacent levers operated simultaneously will play a triad. *The livenka has a very long bellows, when compared to other accordions—sometimes having forty folds, and extending to over a meter in length. History The name of the inventor of the livenka was not preserved. It is believed to hav ...
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Free Reed Aerophone
A free reed aerophone is a musical instrument that produces sound as air flows past a vibrating reed in a frame. Air pressure is typically generated by breath or with a bellows. In the Hornbostel–Sachs system, it is number: 412.13 (a member of interruptive free aerophones). Free reed instruments are contrasted with non-free or enclosed reed instruments, where the timbre is fully or partially dependent on the shape of the instrument body, Hornbostel–Sachs number: 42 (flute, reed, and brass). Operation The following illustrations depict the type of reed typical of harmonicas, pitch pipes, accordions, and reed organs as it goes through a cycle of vibration. One side of the reed frame is omitted from the images for clarity; in reality, the frame completely encloses the reed. Airflow over one side of the reed (labeled “AR”) creates a region of low pressure on that side (see the Bernoulli's principle article for details), causing the reed to flex towards the low-pressure si ...
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Free-bass System
A free-bass system is a system of left-hand bass buttons on an accordion, arranged to give the performer greater ability to play melodies with the left-hand and form one's own chords. The left-hand buttonboard consists of single-note buttons with a range of three octaves or more, in contrast to the standard Stradella bass system, which offers a shorter range of single bass notes, plus preset major, minor, dominant seventh, and diminished chord buttons. (Pressing a single preset chord button sounds a three-note chord.) The term "free-bass system" refers to various left-hand manual systems that provide this functionality:Dan Lindgren,Free-bass Systems Compared The Stradella system does not have buttons for different octaves of the bass notes, which limits the types of melodies and basslines that can be performed with the left hand. * Two related layouts exist as mirror versions of the chromatic button accordion, these were marketed in the US by the Giulietti company as "bassetti" ...
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Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ...
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Diatonic And Chromatic
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational convention in me ...
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Oryol Oblast
Oryol Oblast (russian: Орло́вская о́бласть, ''Orlovskaya oblast''), also known as Orlovshchina (russian: Орловщина) is a federal subjects of Russia, federal subject of Russia (an oblast). Its administrative center is the types of inhabited localities in Russia, city of Oryol. Population: 714,094 (Estimate 2022) (Russian Census (2010), 2010 Census — 786,935). Geography It is located in the southwestern part of the Central Federal District, in the Central Russian Upland. In terms of area, at it is one of the smallest federal subjects. From north to south, it extends for more than , and from west to east—for over . Kaluga Oblast border it to the north-west; Tula Oblast is located to the north; Lipetsk Oblast — to the east; Kursk Oblast — to the south, and Bryansk Oblast is to the west. There are of black earth soils (chernozems) in the oblast, which amounts to three-quarters of the world chernozem reserves. Climate The climate is tempera ...
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Circle Of Fifths
In music theory, the circle of fifths is a way of organizing the 12 chromatic pitches as a sequence of perfect fifths. (This is strictly true in the standard 12-tone equal temperament system — using a different system requires one interval of diminished sixth to be treated as a fifth). If C is chosen as a starting point, the sequence is: C, G, D, A, E, B (=C), F (=G), C (=D), A, E, B, F. Continuing the pattern from F returns the sequence to its starting point of C. This order places the most closely related key signatures adjacent to one another. It is usually illustrated in the form of a circle. Definition The circle of fifths organizes pitches in a sequence of perfect fifths, generally shown as a circle with the pitches (and their corresponding keys) in a clockwise progression. Musicians and composers often use the circle of fifths to describe the musical relationships between pitches. Its design is helpful in composing and harmonizing melodies, building chords, and ...
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Busking Accordionist
Street performance or busking is the act of performing in public places for gratuities. In many countries, the rewards are generally in the form of money but other gratuities such as food, drink or gifts may be given. Street performance is practiced all over the world and dates back to antiquity. People engaging in this practice are called street performers or buskers in the United Kingdom. Outside of New York, ''buskers'' is not a term generally used in American English. Performances are anything that people find entertaining, including acrobatics, animal tricks, balloon twisting, caricatures, clowning, comedy, contortions, escapology, dance, singing, fire skills, flea circus, fortune-telling, juggling, magic, mime, living statue, musical performance, one man band, puppeteering, snake charming, storytelling or reciting poetry or prose, street art such as sketching and painting, street theatre, sword swallowing, ventriloquism and washboarding. Buskers may b ...
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Slovenian Music
In the minds of many foreigners, Slovenian folk music means a form of polka that is still popular today, especially among expatriates and their descendants. However, there are many styles of Slovenian folk music beyond polka and waltz. , , , and are a few of the traditional music styles and dances. Prehistory The Divje Babe flute, an artifact found in a cave near Cerkno, Slovenia, is possibly the oldest known musical instrument ever. Its age is estimated at approximately 55,000 years. The history of modern Slovenian music can be traced back to the 5th century, when Christianity spread in Carantania. Liturgical hymns (''kyrie Eleison'') were introduced, and became the first plainchant to make a connection to the peoples' language. Classical music Medieval During the medieval era, secular music was as popular as church music, including wandering minnesingers. Jurij Slatkonja, a Carniolan conductor and composer from Novo Mesto, became the director of the Vienna Boys' Choir i ...
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