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Gapless Playback
Gapless playback is the uninterrupted playback of consecutive audio tracks, such that relative time distances in the original audio source are preserved over track boundaries on playback. For this to be useful, other artifacts (than timing-related ones) at track boundaries should not be severed either. Gapless playback is common with compact discs, gramophone records, or tapes, but is not always available with other formats that employ compressed digital audio. The absence of gapless playback is a source of annoyance to listeners of music where tracks are meant to segue into each other, such as some classical music (opera in particular), progressive rock, concept albums, electronic music, and live recordings with audience noise between tracks. Causes of gaps Playback latency Various software, firmware and hardware components may add up to a substantial delay associated with starting playback of a track. If not accounted for, the listener is left waiting in silence as the player ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fade (audio Engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). A recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and crossfades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio is smooth, without any prominent glitches.Langford, S. 2014. Digital Audio Editing. Burlington: Focal Press. pp. 47-57. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and -outs can also be used to change the characteristics of a sound, such as to soften the attack in vocals where very plosive (‘b’, ‘d’, and ‘p’) s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ITunes
iTunes () is a software program that acts as a media player, media library, mobile device management utility, and the client app for the iTunes Store. Developed by Apple Inc., it is used to purchase, play, download, and organize digital multimedia, on personal computers running the macOS and Windows operating systems, and can be used to rip songs from CDs, as well as play content with the use of dynamic, smart playlists. Options for sound optimizations exist, as well as ways to wirelessly share the iTunes library. Originally announced by Apple CEO Steve Jobs on January 9, 2001, iTunes' original and main focus was music, with a library offering organization and storage of Mac users' music collections. With the 2003 addition of the iTunes Store for purchasing and downloading digital music, and a version of the program for Windows, it became a ubiquitous tool for managing music and configuring other features on Apple's line of iPod media players, which extended to the iPh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foobar2000
foobar2000 (often abbreviated as fb2k or f2k) is a freeware audio player for Microsoft Windows, iOS and Android developed by Peter Pawłowski. It has a modular design, which provides user flexibility in configuration and customization. Standard "skin" elements can be individually augmented or replaced with different dials and buttons, as well as visualizers such as waveform, oscilloscope, spectrum, spectrogram (waterfall), peak and smoothed VU meters. foobar2000 offers third-party user interface modifications through a software development kit (SDK). foobar2000 supports many audio file formats, has many features for organizing metadata, files, and folders, and has a converter interface for use with command line encoders. To maximize audio fidelity in cases where resampling or downscaling in bit depth is required, it provides noise shaping and dithering. There are a number of official and third-party components which add many additional features. The core is closed source, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nero AG
Nero AG (known as Ahead Software AG until 2005) is a German computer software company that is especially well known for its CD/DVD/ BD burning suite, ''Nero Burning ROM''. The company's main product is Nero 2019, a piece of software that comprises burning, file conversion, media management, and video editing functions and was updated on an annual basis, though new releases have not occurred for several years. History Richard Lesser founded the company as ''Ahead Software GmbH'' in 1995. The company changed its name (and legal form) to ''Ahead Software AG'' in 2001 and again to Nero AG in 2005. The Nero Group includes foreign subsidiaries in Glendale, California, United States (''Nero Inc.'', founded in 2001), in Yokohama, Japan (''Nero K.K.'', founded in 2004), and Hangzhou, China (''Nero Ltd.'', founded in 2007). The USA and Japan operations are sales offices, while the Chinese subsidiary operates exclusively to provide internal development services for the company. In May ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MPEG-4 Part 14
MPEG-4 Part 14 or MP4 is a digital multimedia container format most commonly used to store video and audio, but it can also be used to store other data such as subtitles and still images. Like most modern container formats, it allows streaming over the Internet. The only filename extension for MPEG-4 Part 14 files as defined by the specification is .mp4. MPEG-4 Part 14 (formally ISO/IEC 14496-14:2003) is a standard specified as a part of MPEG-4. Portable media players are sometimes advertised as "MP4 players", although some are simply MP3 players that also play AMV video or some other video format, and do not necessarily play the MPEG-4 Part 14 format. History MPEG-4 Part 14 is an instance of the more general ISO/IEC 14496-12:2004 (MPEG-4 Part 12: ISO base media file format) which is directly based upon the QuickTime File Format which was published in 2001. MPEG-4 Part 14 is essentially identical to the QuickTime File Format, but formally specifies support for Initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Advanced Audio Coding
Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. Designed to be the successor of the MP3 format, AAC generally achieves higher sound quality than MP3 encoders at the same bit rate. AAC has been standardized by ISO and IEC as part of the MPEG-2 and MPEG-4 specifications.ISO (2006ISO/IEC 13818-7:2006 - Information technology -- Generic coding of moving pictures and associated audio information -- Part 7: Advanced Audio Coding (AAC), Retrieved on 2009-08-06ISO (2006, Retrieved on 2009-08-06 Part of AAC, HE-AAC ("AAC+"), is part of MPEG-4 Audio and is adopted into digital radio standards DAB+ and Digital Radio Mondiale, and mobile television standards DVB-H and ATSC-M/H. AAC supports inclusion of 48 full-bandwidth (up to 96 kHz) audio channels in one stream plus 16 low frequency effects ( LFE, limited to 120 Hz) channels, up to 16 "coupling" or dialog channels, and up to 16 data streams. The quality for stereo is satisf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LAME
Lame or LAME may refer to: Music * "Lame" (song) by Unwritten Law * ''Lame'' (album) by Iame People * Ibrahim Lame (born 1953), Nigerian educator and politician * Jennifer Lame (), American film editor * Quintín Lame (1880–1967), Colombian rebel * Lame Kodra, pen name of Sejfulla Malëshova (1900–1971), Albanian politician and writer Technology * LAME, audio encoding computer software * Lame (armor), a single plate of a suit of armour * Lame (kitchen tool), a blade for scoring bread loaves * Licensed Aircraft Maintenance Engineer (''LAME'' or ''L-AME''), professional title and qualification Other uses * A limp or lameness, a leg impairment ** Lameness (equine) in horses **Any physical disability (by extension) * Lame language, a Nigerian, Bantoid dialect cluster See also * Lamé (other) * List of people known as the Lame * Lago delle Lame, a lake in Liguria, Italy * Lamer, hacker slang term * Lamestream media In journalism, mainstream media (MSM) is a te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus (audio Format)
Opus is a lossy audio coding format developed by the Xiph.Org Foundation and standardized by the Internet Engineering Task Force, designed to efficiently code speech and general audio in a single format, while remaining low-latency enough for real-time interactive communication and low-complexity enough for low-end embedded processors. Opus replaces both Vorbis and Speex for new applications, and several blind listening tests have ranked it higher-quality than any other standard audio format at any given bitrate until transparency is reached, including MP3, AAC, and HE-AAC. Opus combines the speech-oriented LPC-based SILK algorithm and the lower-latency MDCT-based CELT algorithm, switching between or combining them as needed for maximal efficiency. Bitrate, audio bandwidth, complexity, and algorithm can all be adjusted seamlessly in each frame. Opus has the low algorithmic delay (26.5 ms by default) necessary for use as part of a real-time communication link, networke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speex
Speex is an audio compression codec specifically tuned for the reproduction of human speech and also a free software speech codec that may be used on VoIP applications and podcasts. It is based on the CELP speech coding algorithm.Xiph.OrIntroduction to CELP Coding Retrieved 2009-09-01 Speex claims to be free of any patent restrictions and is licensed under the revised (3-clause) BSD license. It may be used with the Ogg container format or directly transmitted over UDP/ RTP. It may also be used with the FLV container format. The Speex designers see their project as complementary to the Vorbis general-purpose audio compression project. Speex is a lossy format, ''i.e.'' quality is permanently degraded to reduce file size. The Speex project was created on February 13, 2002. The first development versions of Speex were released under LGPL license, but as of version 1.0 beta 1, Speex is released under Xiph's version of the (revised) BSD license. Speex 1.0 was announced on March ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vorbis
Vorbis is a free and open-source software project headed by the Xiph.Org Foundation. The project produces an audio coding format and software reference encoder/decoder (codec) for lossy audio compression. Vorbis is most commonly used in conjunction with the Ogg container format and it is therefore often referred to as Ogg Vorbis. Vorbis is a continuation of audio compression development started in 1993 by Chris Montgomery. Intensive development began following a September 1998 letter from the Fraunhofer Society announcing plans to charge licensing fees for the MP3 audio format. The Vorbis project started as part of the Xiphophorus company's Ogg project (also known as OggSquish multimedia project). Chris Montgomery began work on the project and was assisted by a growing number of other developers. They continued refining the source code until the Vorbis file format was frozen for 1.0 in May 2000. Originally licensed as LGPL, in 2001 the Vorbis license was changed to the BSD lic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musepack
Musepack or MPC is an open source lossy audio codec, specifically optimized for transparent compression of stereo audio at bitrates of 160–180 (manual set allows bitrates up to 320) kbit/s. It was formerly known as MPEGplus, MPEG+ or MP+. Development of MPC was initiated in 1997 by Andree Buschmann and later assumed by Frank Klemm, and as of 2004 is maintained by the Musepack Development Team (MDT) with assistance from Buschmann and Klemm. Encoders and decoders are available for Microsoft Windows, Linux and Mac OS X, and plugins for several third-party media players available from the Musepack website, licensed under the GNU Lesser General Public License (LGPL) or BSD licenses, and an extensive list of programs supporting the format. Technical details Musepack was developed using the MP2 codec as a starting point, but many features have since been added, including: * subband selectable M/S encoding (as in AAC) * Huffman coding (as in MP3 and AAC, but more efficient). S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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