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Gamera Vs
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. Debuting in the 1965 film ''Gamera, the Giant Monster'', the character and the first film were intended to compete with the success of Toho's ''Godzilla'' film series. Since then, Gamera has become a Japanese icon in his own right, appearing in a total of 12 films produced by Daiei Film and later Kadokawa Daiei Studio, and various media. Gamera is depicted as a giant, fire-breathing, prehistoric turtle monster, mutated by exposure to nuclear weapons. In the first film, Gamera is portrayed as aggressive and destructive, though he also saves a child. As the films progressed, Gamera took on a more benevolent role, becoming a protector of humanity, and especially children, from extraterrestrial races and other giant monsters. To date, ''Gamera, the Giant Monster'' is the only film to be released theatrically in the United States; however, it was heavily localized and retitled ''Gammera the Invin ...
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Gamera, The Giant Monster
is a 1965 Japanese Kaiju, ''kaiju'' film directed by Noriaki Yuasa, with special effects by Yonesaburo Tsukiji. Produced and distributed by Daiei Film, it is the first film in the Gamera, ''Gamera'' franchise and the Gamera#Shōwa period (1965–1980), Shōwa era. The film stars Eiji Funakoshi, Harumi Kiritachi, and Junichiro Yamashita. In the film, authorities deal with the attacks of Gamera, a giant prehistoric turtle unleashed in the Arctic by an atomic bomb. The success of ''The Birds (film), The Birds'' and Toho's ''Godzilla'' films influenced studio head Masaichi Nagata to produce a similar film. In 1964, Daiei attempted to produce ''Giant Horde Beast Nezura, Nezura'', with Yuasa directing. However, the project was shut down by the health department, since the project was to have used dozens of live rats. Nagata then conceived Gamera to replace ''Nezura'' on the schedule. Due to a low budget and tight schedule, Yuasa was forced to use outdated equipment, faulty props, and f ...
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UHF Television
UHF television broadcasting is the use of ultra high frequency (UHF) radio for over-the-air transmission of television signals. UHF frequencies are used for both analog and digital television broadcasts. UHF channels are typically given higher channel numbers, like the US arrangement with VHF channels (initially) 1 to 13, and UHF channels (initially) numbered 14 to 83. Compared with an equivalent VHF television transmitter, to cover the same geographic area with a UHF transmitter requires a higher effective radiated power, implying a more powerful transmitter or a more complex antenna. However, the additional channels allow more broadcasters in a given region without causing objectionable mutual interference. UHF broadcasting became possible due to the introduction of new high-frequency vacuum tubes developed by Philips immediately prior to the opening of World War II. These were used in experimental television receivers in the UK in the 1930s, and became widely used during ...
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Cardinal Direction
The four cardinal directions, or cardinal points, are the four main compass directions: north, east, south, and west, commonly denoted by their initials N, E, S, and W respectively. Relative to north, the directions east, south, and west are at 90 degree intervals in the clockwise direction. The ordinal directions (also called the intercardinal directions) are northeast (NE), southeast (SE), southwest (SW), and northwest (NW). The intermediate direction of every set of intercardinal and cardinal direction is called a secondary intercardinal direction. These eight shortest points in the compass rose shown to the right are: # West-northwest (WNW) # North-northwest (NNW) # North-northeast (NNE) # East-northeast (ENE) # East-southeast (ESE) # South-southeast (SSE) # South-southwest (SSW) # West-southwest (WSW) Points between the cardinal directions form the points of the compass. Arbitrary horizontal directions may be indicated by their azimuth angle value. Determination Addi ...
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Snake In Chinese Mythology
Snakes (also known as serpents) are an important motif in Chinese mythology. There are various myths, legends, and folk tales about snakes. Chinese mythology refers to these and other myths found in the historical geographic area(s) of China. These myths include Chinese and other languages, as transmitted by Han Chinese as well as other ethnic groups (of which fifty-six are officially recognized by the current administration of China). Snakes often appear in myth, religion, legend, or tales as fantastic beings unlike any possible real snake, often having a mix of snake with other body parts, such as having a human head, or magical abilities, such as shape-shifting. One famous snake that was able to transform back and forth between a snake and a human being was Madam White Snake in the Legend of the White Snake. Other snakes or snake-like beings sometimes include deities, such as Fuxi and Nüwa and Gong Gong. Sometimes, Fuxi and Nuwa are described as snakes with human heads and som ...
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Japanese Language
is spoken natively by about 128 million people, primarily by Japanese people and primarily in Japan, the only country where it is the national language. Japanese belongs to the Japonic or Japanese- Ryukyuan language family. There have been many attempts to group the Japonic languages with other families such as the Ainu, Austroasiatic, Koreanic, and the now-discredited Altaic, but none of these proposals has gained widespread acceptance. Little is known of the language's prehistory, or when it first appeared in Japan. Chinese documents from the 3rd century AD recorded a few Japanese words, but substantial Old Japanese texts did not appear until the 8th century. From the Heian period (794–1185), there was a massive influx of Sino-Japanese vocabulary into the language, affecting the phonology of Early Middle Japanese. Late Middle Japanese (1185–1600) saw extensive grammatical changes and the first appearance of European loanwords. The basis of the standard dialect moved f ...
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East Asian Mythology
{{Short description, none This is a list of mythologies native to Asia: * Buddhist mythology *Chinese mythology *Christian mythology (in Western Asia) *Georgian mythology *Greek mythology (see Greco-Buddhism) * Hindu mythology **Ayyavazhi mythology **Tamil mythology **Vedic mythology *Hittite mythology and religion *Indo-Iranian mythology **Ossetian mythology **Persian mythology **Scythian mythology *** Assianism **Zoroastrianism *Indonesian mythology **Balinese mythology *Islamic mythology * Japanese mythology **Oomoto **Shinto *Kanglei mythology *Korean mythology *Meitei mythology (Manipuri mythology) *Mesopotamian mythology **Ancient Mesopotamian religion ** Babylonian mythology *Mongol mythology **Tengriism (indigenous Mongol & Turkic belief) *Philippine mythology ** Anito ** Gabâ **Kulam * Semitic mythology and **Arabian mythology **Jewish mythology *Shamanism in Siberia * Tungusic creation myth *Turkic mythology ** Tatar mythology *Vietnamese mythology Vietnamese mythology ...
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Chinese Constellations
Traditional Chinese astronomy has a system of dividing the celestial sphere into asterisms or constellations, known as "officials" (Chinese ''xīng guān''). The Chinese asterisms are generally smaller than the constellations of Hellenistic tradition. The Song dynasty (13th-century) Suzhou planisphere shows a total of 283 asterisms, comprising a total of 1,565 individual stars. The asterisms are divided into four groups, the Twenty-Eight Mansions (, ''Èrshíbā Xiù'') along the ecliptic, and the Three Enclosures of the northern sky. The southern sky was added as a fifth group in the late Ming Dynasty based on European star charts, comprising an additional 23 asterisms. The Three Enclosures (, ''Sān Yuán'') include the Purple Forbidden Enclosure, which is centered on the north celestial pole and includes those stars which could be seen year-round,Needham, J.Astronomy in Ancient and Medieval China. ''Philosophical Transactions of the Royal Society of London''. Series A, ...
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Four Symbols
The Four Symbols (, literally meaning "four images"), are four mythological creatures appearing among the Chinese constellations along the ecliptic, and viewed as the guardians of the four cardinal directions. These four creatures are also referred to by a variety of other names, including "Four Guardians", "Four Gods", and "Four Auspicious Beasts". They are the Azure Dragon of the East, the Vermilion Bird of the South, the White Tiger of the West, and the Black Tortoise (also called "Black Warrior") of the North. Each of the creatures is most closely associated with a cardinal direction and a color, but also additionally represents other aspects, including a season of the year, an emotion, virtue, and one of the Chinese "five elements" (wood, fire, earth, metal, and water). Each has been given its own individual traits, origin story and a reason for being. Symbolically, and as part of spiritual and religious belief and meaning, these creatures have been culturally important ac ...
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Black Tortoise
The Black Tortoise () is one of the Four Symbols of the Chinese constellations. Despite its English name, it is usually depicted as a tortoise entwined together with a snake. The name used in East Asian languages does not mention either animal; the alternative name "Black Warrior ~ Dark Warrior ~ Mysterious Warrior" is a more faithful translation. It represents the north and the winter season, thus it is sometimes called Xuanwu (Black Tortoise, lit. Black Warrior) of the North (). In Japan, it is named Genbu. It is said to protect Kyoto on the north side, being one of the four guardian spirits that protect the city. It is represented by the Kenkun Shrine, which is located on top of Mt Funaoka in Kyoto. The creature's name is identical to that of the important Taoist god Xuanwu, who is sometimes (as in ''Journey to the West'') portrayed in the company of a turtle and a snake. History During the Han dynasty, people often wore jade pendants that were in the shape of turtl ...
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Mothra
is a fictional monster, or ''kaiju'', that first appeared in the 1961 film '' Mothra'', produced and distributed by Toho Studios. Mothra has appeared in several Toho ''tokusatsu'' films, most often as a recurring character in the ''Godzilla'' franchise. She is typically portrayed as a colossal sentient larva (caterpillar) or imago, accompanied by two miniature fairies speaking on her behalf. Unlike other Toho monsters, Mothra is a largely heroic character, having been variously portrayed as a protector of her own island culture,'' Mothra'' (1961). Directed by Ishirō Honda. Toho the Earth'' Godzilla vs. Mothra'' (1992). Directed by Takao Okawara. Toho and Japan.'' Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack'' (2001). Directed by Shusuke Kaneko. Toho. Mothra's design is influenced by silk worms, their imagos, and those of giant silk moths in the family Saturniidae. The character is often depicted hatching offspring (in some cases, twins) when approaching ...
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Knockoff
Counterfeit consumer goods (or counterfeit and fraudulent, suspect items - CFSI) are goods, often of inferior quality, made or sold under another's brand name without the brand owner's authorization. Sellers of such goods may infringe on either the trademark, patent or copyright of the brand owner by passing off its goods as made by the brand owner.Chaudhry, Peggy E., Zimmerman, Alan. ''The Economics of Counterfeit Trade: Governments, Consumers, Pirates and Intellectual Property Rights'', Springer Science & Business Media (2009) Counterfeit products made up 5 to 7% of world trade in 2013,"Challenging the Counterfeit Connector Conundrum"
''Connector Supplier'', November 4, 2013

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Godzilla
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. The character first appeared in the 1954 film ''Godzilla'' and became a worldwide pop culture icon, appearing in various media, including 32 films produced by Toho, four American films and numerous video games, novels, comic books and television shows. Godzilla has been dubbed the "King of the Monsters", a phrase first used in ''Godzilla, King of the Monsters!'' (1956)'','' the Americanized version of the original film. Godzilla is an enormous, destructive, prehistoric sea monster awakened and empowered by nuclear radiation. With the nuclear bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons. Others have suggested that Godzilla is a metaphor for the United States, a giant beast woken from its slumber which then takes terrible vengeance on Japan. As the film series expan ...
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