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Günter Fleischhauer
Günter Fleischhauer (8 July 1928 – 12 February 2002) was a German musicologist. Life Born in Magdeburg, Fleischhauer attended the . From 1947 to 1952, he studied classical philology with , music education with Fritz Reuter and musicology with Max Schneider at the Martin-Luther-Universität Halle-Wittenberg. In 1952, he became a research assistant at the Institute for Music Education there. From 1955 to 1958, he held a lectureship in continuo and score playing. In 1960, he was awarded a doctorate with the dissertation ''Die Musikergenossenschaften im hellenistischrömischen Altertum. Contributions to the Musical Life of the Romans''. In 1962, he became a lecturer in historical musicology at the Institute of Musicology. After the , he was demoted to Lector in 1969. In 1979 he submitted the B Dissertation ''Methodologische Probleme der Musikhistoriographie, dargestellt an zwei ausgewählten Beispielen, die Musikkulturen der Etrusker und der Römer und die Telemann-Forschung''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magdeburger Telemann-Festtage
The Magdeburg Telemann Festival, first held in , has been held biennially in Magdeburg since in honour of Georg Philipp Telemann, usually around Telemann's birthday, the 14th of March. The first Magdeburg Telemann Festival days were organized 1962, 1965, 1967, 1970, 1973, 1977, 1981, 1984, 1987, primarily under the Cultural Association of the GDR. The 20th Magdeburger Telemann-Festtage in 2010 welcomed conductors associated with the revival of interest in Telemann's music including Reinhard Goebel, Hermann Max, Ludger Rémy, Michael Schneider, Gotthold Schwarz, as well as baritone Klaus Mertens, and gambist Hille Perl Hille Perl (born ''Hildegard Perl'' on 9 March 1965, in Bremen) is a German virtuoso performer of the viola da gamba and lirone. She is considered to be one of the world's finest viola da gamba players, specializing in solo and ensemble music of .... References Further reading * * External links * {{Authority control Music festivals established in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Ruf
Wolfgang Ruf (born 29 August 1941) is a German musicologist and emeritus professor. Life Born in Radolfzell, Ruf studied musicology and history at the University of Freiburg, and obtained his doctorate in 1974. Until 1985 he was a research assistant of Hans Heinrich Eggebrecht at the Institute of Musicology in Freiburg. In 1984 he was habilitated and in 1985 received a professorship for musicology at the Johannes Gutenberg University Mainz. From 1994 to 2006, Ruf worked at the Martin Luther University of Halle-Wittenberg as well as at the Handel House in Halle. Ruf is editor and co-publisher of numerous publications. He is married to , professor of musicology. Awards * 2011: Handel Prize of the city of Halle (Saale). Publications * ''Die Rezeption von Mozarts Le nozze di Figaro bei den Zeitgenossen'' in ''Archiv für Musikwissenschaft'', Beihefte zum Archiv für Musikwissenschaft; vol. 16. Steiner, Wiesbaden 1977. Zugl.: Freiburg (Breisgau), Univ., Philos. Fak., Diss., 1974 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieder Zschoch
Frieder Zschoch (30 March 1932 – 3 March 2016) was a German musicologist. Life Zschoch was born in Großenhain as the second son of the Lutheran pastor Reinhold Zschoch and his wife Hildegard. He grew up in a musical home and received piano and trumpet lessons. In the autumn semester of 1950, he enrolled at the University of Leipzig for the subject musicology. His teachers there were Walter Serauky, Hellmuth Christian Wolff, Richard Petzoldt and Rudolf Eller. In addition, he studied Germanistics from 1950 to 1952 and was a guest student at the Humboldt University of Berlin with Hans-Heinz Dräger for the subject of systematic musicology. In May 1954, he passed the Staatsexamen for musicology in Leipzig. He wrote his diploma thesis on the subject ''Die Verwendung der Trompete in Oper und Sinfonik des Barockzeitalters unter besonderer Berücksichtigung Georg Friedrich Händels'' (The use of the trumpet in opera and symphonic music of the baroque age with special reference t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hartmut Krones
Hartmut Krones (born 15 October 1944) is an Austrian musicologist. Training Born in Vienna, Krones studied German language and literature at the University of Vienna as well as music education, vocal pedagogy and ''Lied and Oratorio'' at the University of Music and Performing Arts Vienna. He also won a doctorate in musicology. Research and teaching Since 1970 Krones had been teaching at the University of Music and Performing Arts Vienna and was appointed full professor and head of the teaching office ''Musikalische Stilkunde und Aufführungspraxis'' in 1987. Since 1996, he has also been heading the Arnold-Schönberg-Institute of this university. In October 2013 Krones retired. Among the focal points of his work as author and editor of numerous publications are historical performance practice, musical symbolism and music of the 20th century. Krones is concerned with identifying meanings in music. Critics have commented critically on his approach, saying that Krones confuses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieter Gutknecht
Dieter Gutknecht (born in 1942) is a German musicologist and former University music director. Life Gutknecht first began his music studies with a focus on performance practice early music, violin and conducting at the State Hochschule für Musik und Tanz Köln. Meanwhile he studied musicology, Germanistik and philosophy in Cologne and Vienna. He passed his state examination in 1968 and his doctorate in 1971. His research topic was ''Investigations on the melodic theory of the Huguenot Psalter'', using the computer. In 1992 Gutknecht habilitated with studies on the history of early music performance practice (1993,1997). Gutknecht was music director of the University of Cologne. At the same time he taught as a lecturer at the Musicological Institute of the University of Cologne from 1970 until his retirement in 2008. Gutknecht published numerous articles on Historically informed performance, ornaments as well as personal articles in ''Die Musik in Geschichte und Gegenwar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Musik In Geschichte Und Gegenwart
''Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik (MGG)'' is one of the world's most comprehensive encyclopedias of music history and musicology, on account of its scope, content, wealth of research areas, and reference to related subjects. It has appeared in two self-contained printed editions and a continuously updated and expanding digital edition, titled ''MGG Online''. Created by Karl Vötterle, the founder of Bärenreiter-Verlag, and Friedrich Blume, professor of musicology at Kiel University, the first edition was published by Bärenreiter-Verlag in Kassel from 1949 through 1986, comprising a total of 17 volumes (''MGG1''; numbered in columns) and reprinted in paperback in 1989. As early as 1989, its new editor Ludwig Finscher began planning a second, revised edition with 29 volumes, which were published from 1994 through 2008 in cooperation with the publisher J.B. Metzler (''MGG2''; with a topical part in 9 volumes and a persons part in 17 volumes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Blume
Friedrich Blume (5 January 1893, in Schlüchtern, Hesse-Nassau – 22 November 1975, in Schlüchtern) was professor of musicology at the University of Kiel from 1938 to 1958. He was a student in Munich, Berlin and Leipzig, and taught in the last two of these for some years before being called to the chair in Kiel. His early studies were on Lutheran church music, including several books on J.S. Bach, but broadened his interests considerably later. Among his prominent works were chief editor of the collected Praetorius edition, and he also edited the important Eulenburg scores of the major Mozart Piano Concertos. From 1949 he was involved in the planning and writing of ''Die Musik in Geschichte und Gegenwart''. Life Blume, son of a tax inspector, studied from 1911 to 1914 at the universities of Munich, Leipzig and Berlin. Initially studying medicine, he then applied himself to musicology, art history and philosophy. After military service and captivity during World War I, he conti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riemann Musiklexikon
The Riemann Musiklexikon (RML), is a music encyclopedia founded in 1882 by Hugo Riemann. The 13th edition appeared in 2012. History The Riemann Musiklexikon is the last undertaking of an individual to write a comprehensive encyclopedia in the field of music. The first edition of the encyclopaedia was published in 1882 under the title ''Hugo Riemann Musik-Lexikon. Theorie und Geschichte der Musik, die Tonkünstler alter und neuer Zeit mit Angabe ihrer Werke, nebst einer vollständigen Instrumentenkunde'' (Hugo Riemann Musik-Lexikon. Theory and history of music, the composers (literally: tone artists) of old and new times with lists of their works, together with a complete description of instruments). In the following editions the volume was constantly expanded; the seventh edition had 1598 pages compared to the first with 1036 pages. The last edition published by Riemann was the eighth (Leipzig 1916). He completely revised the lexicon for the ninth edition which was published in Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Heinrich Eggebrecht
Hans Heinrich Eggebrecht (5 January 1919 – 30 August 1999) was a German musicologist and professor of historical musicology at the Albert-Ludwigs-Universität in Freiburg. Life Eggebrecht was born in Dresden. His father was a Protestant minister and since 1929 superintendent in Prussian Schleusingen and early on sympathized with political right-wing movements. In 1933 he joined the German Christians. At the beginning of his studies in 1937/38 at the in Hirschberg Eggebrecht was a member of the National Socialist German Students' League (NSDStB) and was temporarily active as a music consultant for Hitler Youth. With the beginning of the war he interrupted his music studies. After the military basic training he was transferred in February 1940 to the Feldgendarmerie. According to Claudia Zenck, who evaluated the estate in the Freiburg University Archive, he was only fit for service to a limited extent, also used every opportunity to make music during his training and afterwar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Dahlhaus
Carl Dahlhaus (10 June 1928 – 13 March 1989) was a German musicologist who was among the leading postwar musicologists of the mid to late 20th-century. A prolific scholar, he had broad interests though his research focused on 19th- and 20th-century classical music, both areas in which he made significant advancements. However, he remains best known in the English-speaking world for his writings on Wagner. Dahlhaus wrote on many other composers, including Josquin, Gesualdo, Bach and Schoenberg. He spent the bulk of his career as head of the Berlin Institute of Technology's musicology department, which he raised to an international standard. Dahlhaus pioneered the development of numerous musicological fields, particularly the aesthetics of music, which he raised to a central status. Active as a historian, analyst, editor and organizer, he was massively influential and his work has since incited considerable discussion and debate. Life and career Dahlhaus was born in Hanover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernd Baselt
Bernd Baselt (13 September 1934 – 18 October 1993) was a German musicologist noted for his works on the Baroque composer George Frideric Handel. He was born in Halle, Saxony-Anhalt and died in Hanover. From 1953 to 1955 Baselt studied at the Academy for Music and Theater, and at the Martin Luther University in Halle from 1953 to 1958. He gained professorial rank in music at the university in 1975. Although writing widely on composers (such as Telemann), Baselt's most notable work was the Händel-Werke-Verzeichnis The Händel-Werke-Verzeichnis (abbreviated as HWV) is the Catalogue of Handel's Works. It was published in three volumes (in German) by Bernd Baselt between 1978 and 1986, and lists every piece of music known to have been written by George Fride ... (abbreviated as HWV). The HWV is considered to be the modern-day catalogue of Handel's works, and was published in three volumes (in German) between 1978 and 1986. References 1934 births 1993 deaths 20th-century G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
