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Gösta Neuwirth
Gösta Neuwirth (; born 6 January 1937) is an Austrian musicologist, composer and academic teacher. He studied in Vienna and Berlin, where he wrote a dissertation on harmony in Franz Schreker's ''Der ferne Klang''. He has taught at universities and music schools including the Musikhochschule Graz, University of Graz, Universität der Künste Berlin and University of Freiburg. His compositions include a string quartet and a chamber opera. Life Born in Vienna, Neuwirth comes from a musical family; the pianist Harald Neuwirth is his brother, whose daughter Olga Neuwirth is a composer. He received instruction in violin and piano starting in 1944. He studied composition with Karl Schiske at the Wiener Musikakademie, and music and theatre at the University of Vienna. His dissertation topic in musicology, Anton Webern, was not accepted. After a brief period as a journalist at the ' in Graz, he continued his studies from 1963 at the Free University of Berlin with Adam Adrio. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Music And Performing Arts Vienna
The University of Music and Performing Arts Vienna (german: link=no, Universität für Musik und darstellende Kunst Wien, abbreviated MDW) is an Austrian university located in Vienna, established in 1817. With a student body of over three thousand, it is the largest institution of its kind in Austria, and one of the largest in the world. In 1817, it was established by the Society for the Friends of Music. It has had several names: ''Vienna Conservatory'', ''Vienna Academy'' and in 1909 it was nationalized as the ''Imperial Academy of Music and the Performing Arts''. In 1998, the University assumed its current name to reflect its university status, attained in a wide 1970 reform for Austrian ''Arts Academies''. In 2019, the Universität für Musik und Darstellende Kunst Wien (MDW) was named one of the "best performing arts schools in the world" by the ''CEOWORLD'' magazine. The university With a student body of more than 3000, the Universität für Musik und Darstellende Kunst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanspeter Kyburz
Hanspeter Kyburz (born 8 July 1960) is a contemporary Swiss composer of classical music, known for applying electronic music techniques to his productions. Career Kyburz was born in Lagos, Nigeria to Swiss parents. In 1980, he began studying music composition, first in Graz with A. Dobrowolsky and Gösta Neuwirth, then, from 1982–1990, with Gösta Neuwirth and Frank Michael Beyer at the Universität der Künste in Berlin, later with Hans Zender in Frankfurt. In 1990, he received the Boris Blacher Prize and won a Cité internationale des arts scholarship for 1990/91 in Paris. In 1991, Kyburz began collaborating with the Insel-Musik-Konzerte group in Berlin. His study of music theory as well as the philosophy and history of art assured him acquisition of the Magistertitels title. He was awarded the Schneider-Schott Music Prize in 1996, and the Förderpreis Prize from the Berlin Akademie der Künste in 1994. He has held lectures on electronic music production in Germany, Austr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabel Mundry
Isabel Mundry (born 20 April 1963) is a German composer. Life and work Isabel Mundry was born in Schlüchtern (Germany) in 1963 and studied composition at the Hochschule der Künste and electronic music, musicology and history at the Berlin Technische Universität. From 1991 to 1994 she taught at the Hochschule der Künste Berlin and furthered her studies in Frankfurt with Hans Zender and later researched at the IRCAM in Paris. In addition to her teaching activities in Berlin, she held teaching appointments in Zürich and at the Frankfurt University of Music and Performing Arts. Isabel Mundry was the first resident composer of the Staatskapelle in Dresden. She previously held a similar position at the Tong Yong Festival, the Lucerne Festival and the Mannheim National Theater. Mundry's compositions are characterized by a highly individualized musical language, full of variants and nuances: "She hardly ever repeats herself; each time, sounds and sequences of sounds are articu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnulf Herrmann
Arnulf Herrmann (born in Heidelberg, 12 December 1968) is a German composer. After studying piano with Gernot Sieber at the Richard Strauss Conservatory in Munich he enrolled at the Hochschule für Musik Carl Maria von Weber, where he studied composition with Wilfried Krätzschmar and piano with Arkadi Zenzipér. In 1995/96 he was a pupil of Gérard Grisey and Emmanuel Nunes at the Conservatoire de Paris (CNSMDP), after which he completed his training with Hartmut Fladt and Jörg Mainka (theory) and with Friedrich Goldmann, Gösta Neuwirth, and Hanspeter Kyburz at the Universität der Künste Berlin. In 1999/2000 he attended a post-graduate course in composition and new technologies at IRCAM in Paris. His awards include the Hanns Eisler Composition Prize (2001), the Stuttgart Composition Prize (2003), and the International Rostrum of Composers (for ''Terzenseele'', 2006). In 2008 he was awarded the Förderpreis Musik (of the Kunstpreis Berlin) and a scholarship to the Villa M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Friedrich Haas
Georg Friedrich Haas (born 16 August 1953 in Graz, Austria) is an Austrian composer. In a 2017 ''Classic Voice'' poll of the greatest works of art music since 2000, pieces by Haas received the most votes (49), and his composition ''in vain'' (2000) topped the list. Education and career Georg Friedrich Haas grew up in Tschagguns, Vorarlberg and studied composition with Gösta Neuwirth and Iván Erőd and piano with Doris Wolf at the University of Music and Performing Arts Graz, Austria. Since 1978, he has been teaching at the Hochschule as an instructor, and since 1989 as an associate professor in counterpoint, contemporary composition techniques, analysis, and introduction to microtonal music. Haas is a founding member of the Graz composers' collective ''Die andere Seite''. He composes in a cottage in Fischbach, Styria. Haas completed two years of postgraduate studies at the University of Music and Performing Arts Vienna with Friedrich Cerha, participated in the Darmstädter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Ablinger
Peter Ablinger (born 15 March 1959) is an Austrian composer. Ablinger was born in 1959 in Schwanenstadt in Upper Austria. He attended the graphic HTL Linz and studied jazz piano from 1977 to 1982 in Graz. He also studied composition with Gösta Neuwirth in Graz and Roman Haubenstock-Ramati in Vienna. Since 1982 he has lived in Berlin. Ablinger focused on chamber music ensembles to 1994, after which he was also involved in electro-acoustics and sound installation. Since 1980 he is working on plant complex "White / Whitish," which deals with various aspects of the white noise, and proved to be very use of different media: instruments, installations, objects, electro-acoustic pieces, note plays, prose, plays, music without sound ; total of 36 parts. In 2005 he was said to have put on a "unique opera project" in Graz. Since 1993 he has been a visiting professor at several universities in Graz, Darmstadt, Hamburg and Prague. In May 2012 Ablinger was appointed as a new member of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernhard Lang
Bernhard Lang (born 24 February 1957 Linz, Austria) is an Austrian composer, improviser and programmer of musical patches and applications. His work can be described as contemporary classical, with roots, however, in various genres such as 20th-century avant-garde, European classical music, jazz, free jazz, rock, punk, techno, EDM, electronica, electronic music, and computer-generated music. His works range from solo pieces and chamber music to large ensemble pieces and works for orchestra and musical theatre. Besides music for concert halls, Lang designs sound and music for theatre, dance, film and sound installations. Bernhard Lang came to prominence with his work cycle ''Differenz/Wiederholung'' (''Difference/Repetition''), composed between 1998 and 2013, in which he illuminated and examined the themes of reproductive and DJ cultures based on the philosophic work of Gilles Deleuze. Sociocultural and societally critical questions, as in ''Das Theater der Wiederholungen''/''The Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schönberg Complete Edition
The ''Arnold Schönberg Complete Edition'' (German: ''Arnold Schönberg Gesamtausgabe'') is a historical-critical edition of the complete compositional works of Arnold Schoenberg, which is intended to serve both scholarship and musical practice. The edition is published by Schott Music in Mainz and the Universal Edition in Vienna. History The edition was created in December 1965 by Schoenberg's pupil and later assistant Josef Rufer at the headquarters of the Mainz music publisher Schott Music. Initially the Volkswagen Foundation was able to secure funding, until the 1980 edition was included in the state-funded . Since then it has been supervised by the Academy of Sciences and Literature in Mainz. The first volume appeared in print in 1966. The office is located in Berlin and cooperates with the Arnold Schönberg Center in Vienna. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatsbibliothek Zu Berlin
This is a list of the state libraries (german: Landesbibliothek) for each of the Länder of the Federal Republic of Germany. These libraries hold the right for legal deposit for the publications in their respective state. Landesbibliothek Staatsbibliothek The historic National Libraries of the former Kingdoms, now States of Germany (Länder), are called Staatsbibliothek (state libraries). Among the libraries named Staatsbibliothek are:''Bibliotheken mit Pflichtexemplar in Deutschland''. DBI, Berlin 1995 (Aufstellung über alle Pflichtexemplarbibliotheken und die historische Aufteilung der Pflichtexemplare in Deutschland) * the Bavarian State Library (''Bayerische Staatsbibliothek'' or BSB) in Munich, one of the world's largest libraries and the former library of the Kingdom of Bavaria * the Bamberg State Library (''Staatsbibliothek Bamberg''), a library in Bamberg, Bavaria * the Berlin State Library (''Staatsbibliothek zu Berlin''), the largest academic library in the German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
