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Gymnopedie (Sutcliffe)
Gymnopedie may refer to: *Gymnopaedia, a festival or dance in ancient Greece *''Gymnopédies'', a series of three compositions by French composer Erik Satie#Works, Erik Satie *''Gymnopedies'', a series of three compositions by Australian-American composer Peggy_Glanville-Hicks#Works, Peggy Glanville Hicks {{Disambig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gymnopaedia
The Gymnopaedia was an annual festival celebrated exclusively in ancient Sparta, helped to define Spartan identity. It featured generations of naked Spartan men participating in war dancing and choral singing, with a large emphasis placed on age and generational groups. It is believed that celebration of this festival began in 668 BCE to honour a Spartan victory in Thyrea. The festival likely evolved over time to celebrate other Spartan victories such as that over the Argives in the Battle of the Champions. The Gymnopaedia was primarily in honour of Apollo, but also celebrated Artemis and Leto, who served as representations of the childhood which would soon be left behind by the young participants. Though the festival was ritualistic, it should not necessarily be interpreted as religious. Pausanias describes the Gymnopaedia as "a festival which the Lacedaemonians take more seriously than any other" (Paus. 3.11.9). Etymology The word ''Gymnopaedia'' derives from the ancient Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gymnopédies
The ''Gymnopédies'' (), or ''Trois Gymnopédies'', are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1888, but they were at first published individually: the first and the third in 1888, the second in 1895. History The work's unusual title comes from the French form of gymnopaedia, the ancient Greek word for an annual festival where young men danced naked – or perhaps simply unarmed. The source of the title has been a subject of debate. Satie and his friend Alexis Roland-Manuel maintained that he adopted it after reading Gustave Flaubert's novel ''Salammbô'', while others see a poem by J. P. Contamine de Latour as the source of Satie's inspiration, since the first ''Gymnopédie'' was published in the magazine ''La Musique des familles'' in the summer of 1888 together with an excerpt of Latour's poem ''Les Antiques'', where the term appears. However, it remains uncertain whether the poem was composed befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
