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Gymnase-Enfantin
The Gymnase-Enfantin or Gymnase des Enfants was an entertainment venue formerly located near the Passage de l'Opéra (Galerie du Baromètre, leading to the Salle Le Peletier) in the 9th arrondissement of Paris. It had a capacity of 200 spectators. In 1840–1841 it was known as the Théâtre des Jeunes-Artistes and thereafter as the Théâtre des Jeunes-Comédiens.Wild 1989, pp. 183–184. History Inaugurated in 1829, the Gymnase-Enfantin (named in reference to the Gymnase-Dramatique) presented, as the name suggests, shows only played by children, a genre made popular in the 18th century by the Théâtre des Beaujolais. Several artists made there their debut such as Alphonsine or Clarisse Midroy. In 1839, Auguste de Monval, ''dit'' Saint-Hilaire, became managing director. A victim of a fire 30 July 1843 and although very popular with families,Victor Herbin, ÂNouvelles diverses», ''Le Journal des théâtres'', 6 August 1843, at Gallica. the theatre definitively closed down. T ...
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Clarisse Midroy
Clarisse Midroy, called Clarisse Miroy, and also, more simply, Clarisse, (20 April 1820 – 3 September 1870) was a French actress of the 19th century. Biographie She made her debut at the Gymnase-Enfantin and afterward played at the Théâtre de l'Ambigu-Comique. For thirteen years, from 1841 to 1854, she was Frédérick Lemaître's mistress who imposed her in the plays where he acted ''Agendas'', vol. 1 : 1852-1856, de George Sand et Anne Chevereau, Paris, J. Touzot, 1993, . She was the mother of two, Claire and Carole. Some of her roles * Maritana, street singer in '' Don César de Bazan'' by Dumanoir and Adolphe d'Ennery Adolphe Philippe d'Ennery or Dennery (17 June 181125 January 1899) was a French playwright and novelist. Life Born in Paris, his real surname was Philippe. He obtained his first success in collaboration with Charles Desnoyer in ''Émile, ou le ..., 1844. * Mina de Rantzberg in ''Le Caporal et la Payse'' ou ''Le vieux Caporal'' by Dumanoir and Adolph ...
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Alphonsine
Alphonsine (pseudonym for Jeanne Benoit) (1829 – 10 July 1883) was a French actress. She made her theatrical debut at the Gymnase-Enfantin, an entertainment venue formerly located near the Passage de l'Opéra (Galerie du Baromètre, leading to the Salle Le Peletier) in the 9th arrondissement of Paris. She was described as "one of the most original artistes of our time". She appeared at the Théâtre des Délassements-Comiques, Théâtre des Variétés and the Théâtre du Palais-Royal. A widow of the painter Victor Margaine, she was buried at Père Lachaise Cemetery."Les obsèques de la regrettée Alphonsine......"
''Le Figaro'', 14 July 1883, p 4


Theatres

* ''Voilà l'plaisir Mesdames !'',

Salle Le Peletier
The Salle Le Peletier or Lepeletier (sometimes referred to as the Salle de la rue Le Peletier or the Opéra Le Peletier) was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the garden of the Hôtel de Choiseul on the rue Lepeletier. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique (1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique (1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra (1870–1873). History When Louis XVIII of France, King Louis XVIII's nephew, Charles Ferdinand, Duke of Berry, Charles Ferdinand, duc de Berry, was fatally ...
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9th Arrondissement Of Paris
The 9th arrondissement of Paris (''IXe arrondissement'') is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is referred to as the neuvième (; "ninth"). The arrondissement, called Opéra, is located on the right bank of the River Seine. It contains many places of cultural, historical, and architectural interest, including the Palais Garnier, home to the Paris Opera, Boulevard Haussmann, and its large department stores Galeries Lafayette and Printemps. The arrondissement has many theaters including Folies Bergères, Théatre Mogador and Théatre de Paris. Along with the 2nd and 8th arrondissements, it hosts one of the business centers of Paris, located around the Opéra. Geography The land area of this arrondissement is 2.179 km2 (0.841 sq. miles, or 538 acres). Main streets and squares * Place de l'Opéra * Boulevard des Capucines (partial) * Boulevard des Italiens (partial) * Rue des Martyrs (partial) * Boulevard Haussma ...
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Théâtre Du Gymnase Marie Bell
The Théâtre du Gymnase or Théâtre du Gymnase Marie Bell, is a theatre in Paris, at 38 Boulevard Bonne-Nouvelle in the 10th arrondissement of Paris, 10th arrondissement (métro : Bonne Nouvelle (Paris Métro), Bonne Nouvelle). History Inaugurated on December 23, 1820 by Charles-Gaspard Delestre-Poirson, Delestre-Poirson, the théâtre du Gymnase came to serve as a training-theatre for students of the conservatoire national supérieur d'art dramatique, conservatoire, where they could appear solely in one-act plays or adaptations of longer plays into one-act plays. Poirson quickly added two-act plays to the theatre's repertoire, then 3-act plays, and drew up an exclusive contract with Eugène Scribe to supply them. He installed gas lighting in 1823 and in the following year, with the permission of the Caroline Ferdinande Louise, duchesse de Berry, duchesse de Berry, the theatre was granted the title of ''théâtre de Madame''. Closed for renovation in 1830, the theatre reopen ...
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Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ...
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Théâtre Comte
The Théâtre Comte, also called Théâtre des Jeunes-Élèves (the latter name revived from a previous theatre, on a different site, in the rue de Thionville, that had been closed down by Napoleon's decree of June 1807), was a Parisian entertainment venue founded by the ventriloquist and magician Louis Comte in 1820. The building was located in the passage des Panoramas of the 2nd arrondissement of Paris. The comedian Hyacinthe made his debut in the place in 1821. In 1826, Louis Comte had to leave the passage des Panoramas for security reasons. He then commissioned the architects Allard and Brunneton the construction of a new hall in the Choiseul area being redeveloped at that time. With double access to passage Choiseul and rue Neuve-Ventadour (current rue Monsigny), it was inaugurated on 23 January 1827. In 1846, a law prohibiting children to play in the Theaters, Louis Comte gave up the direction to his son Charles. Jacques Offenbach took the lease in 1855 and set up his thà ...
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Théâtre De Paris
The Théâtre de Paris is a theatre located at 15, rue Blanche in the 9th arrondissement of Paris. It includes a second smaller venue, the Petit Théâtre de Paris. History The first theatre on the site was built by the Duke of Richelieu in 1730. Baron Ogny bought it in 1779 and renamed it Folie-Richelieu. Then during the First Empire it was directed by Fortunée Hamelin, a celebrated member of the ''Merveilleuses'' ("marvelous women") of the Directoire era. In 1811, the Folie-Richelieu was transformed into a park, then demolished completely in 1851 in the redevelopment under Baron Haussmann. It became the site of the church of Sainte-Trinité de Paris with part of the site becoming a roller skating rink. In 1880, using plans by the architects Aimé Sauffroy and Ferdinand Grémailly, part of the rink became the Palace Théâtre and, after a further restoration in 1891 by Édouard Niermans, the Casino de Paris. After that, the rest of the rink, near the present rue Blanche, was d ...
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WorldCat
WorldCat is a union catalog that itemizes the collections of tens of thousands of institutions (mostly libraries), in many countries, that are current or past members of the OCLC global cooperative. It is operated by OCLC, Inc. Many of the OCLC member libraries collectively maintain WorldCat's database, the world's largest bibliographic database. The database includes other information sources in addition to member library collections. OCLC makes WorldCat itself available free to libraries, but the catalog is the foundation for other subscription OCLC services (such as resource sharing and collection management). WorldCat is used by librarians for cataloging and research and by the general public. , WorldCat contained over 540 million bibliographic records in 483 languages, representing over 3 billion physical and digital library assets, and the WorldCat persons dataset (Data mining, mined from WorldCat) included over 100 million people. History OCLC OCLC, Inc., doing bus ...
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Former Theatres In Paris
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ad ...
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