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Gyffard Partbooks
The 'Gyffard' Partbooks (British Library Great_Britain">GB- Great_Britain">GB-British_Library">Lbl.html" ;"title="British_Library.html" ;"title="Great_Britain.html" ;"title="nowiki/>Great Britain">GB-British Library">Lbl">British_Library.html" ;"title="Great_Britain.html" ;"title="nowiki/>Great Britain">GB-British Library">LblAdd. MS 17802–5; also spelled Giffard) are an important set of English Renaissance choral partbooks, containing pieces by composers such as Thomas Tallis and John Sheppard (composer), John Sheppard, as well as additional unnamed composers, which are not found in other sources. This set of four partbooks were probably mostly copied during the reign of Mary I for use at St. Paul's Cathedral, but copying continued to ca. 1580. They are named after one of their early owners, Philip Gyffard. Contents The collection consists of mostly four-voice sacred a cappella choral music (though there are some 3- and 5-voice pieces). The music is arranged liturgically, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Library
The British Library is the national library of the United Kingdom and is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. The British Library is a major research library, with items in many languages and in many formats, both print and digital: books, manuscripts, journals, newspapers, magazines, sound and music recordings, videos, play-scripts, patents, databases, maps, stamps, prints, drawings. The Library's collections include around 14 million books, along with substantial holdings of manuscripts and items dating as far back as 2000 BC. The library maintains a programme for content acquis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Redford
John Redford (c. 1500 - died October or November 1547) was a major English composer, organist, and dramatist of the Tudor period. From about 1525 he was organist at St Paul's Cathedral (succeeding Thomas Hickman). He was choirmaster there from 1531 until his death in 1547. Many of his works are represented in the Mulliner Book. Redford is notable as one of the earliest composers, rather than improvisers, of organ music, having notated a significant quantity of keyboard music, all of it liturgical in function, based on plainchant melodies; a few vocal works by him also survive. As he held the post of Almoner and Master of the Choristers, Redford was responsible for the arrangement of the choristers performances, including writing and directing plays and interludes. The most celebrated of these entertainments is the morality play, '' The Play of Wyt and Science'' (written ca 1530-1550), which exists in one manuscript in the British Library (MS 15233). However, the first five page ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Illuminated Manuscripts
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
15th-century Books
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Mateer
David (; , "beloved one") (traditional spelling), , ''Dāwūd''; grc-koi, Δαυΐδ, Dauíd; la, Davidus, David; gez , ዳዊት, ''Dawit''; xcl, Դաւիթ, ''Dawitʿ''; cu, Давíдъ, ''Davidŭ''; possibly meaning "beloved one". was, according to the Hebrew Bible, the third king of the United Kingdom of Israel. In the Books of Samuel, he is described as a young shepherd and harpist who gains fame by slaying Goliath, a champion of the Philistines, in southern Canaan. David becomes a favourite of Saul, the first king of Israel; he also forges a notably close friendship with Jonathan, a son of Saul. However, under the paranoia that David is seeking to usurp the throne, Saul attempts to kill David, forcing the latter to go into hiding and effectively operate as a fugitive for several years. After Saul and Jonathan are both killed in battle against the Philistines, a 30-year-old David is anointed king over all of Israel and Judah. Following his rise to power, Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Renaissance Composers
This is a list of composers active during the Renaissance period of European history. Since the 14th century is not usually considered by music historians to be part of the musical Renaissance, but part of the Middle Ages, composers active during that time can be found in the List of Medieval composers. Composers on this list had some period of significant activity after 1400, before 1600, or in a few cases they wrote music in a Renaissance idiom in the several decades after 1600. Timeline Burgundian The ''Burgundian School'' was a group of composers active in the 15th century in what is now northern and eastern France, Belgium, and the Netherlands, centered on the court of the Dukes of Burgundy. The school also included some English composers at the time when part of modern France was controlled by England. The ''Burgundian School'' was the first phase of activity of the Franco-Flemish School, the central musical practice of the Renaissance in Europe. Franco-Flemish The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mulliner Book
The Mulliner Book (British Library Add MS 30513) is a historically important musical commonplace book compiled probably between about 1545 and 1570, by Thomas Mulliner, about whom practically nothing is known, except that he figures in 1563 as ''modulator organorum'' (organist) of Corpus Christi College, Oxford. He is believed to have previously resided in London, where John Heywood inscribed the title page of the manuscript ''Sum liber thomas mullineri / iohanne heywoode teste.'' ('I am Thomas Mulliner's book, with John Heywood as witness.') A later annotation on the same page states that: ''T. Mulliner was Master of St Pauls school'', but this has so far proved unsupportable. The provenance of the MS is unknown before it appears in the library of John Stafford Smith in 1776. After passing through the hands of Edward Francis Rimbault the MS was given to the British Museum in 1877 by William Hayman Cummings. Contents Of the 121 keyboard pieces over half are based on Catholic litur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peterhouse Partbooks
The Peterhouse partbooks are a collection of English partbooks dating from the sixteenth and seventeenth centuries. They are named "Peterhouse" after Peterhouse, Cambridge, Peterhouse in Cambridge, where the books were kept for some time, and are now preserved in the Cambridge University Library. They are handwritten manuscripts, all written on paper. At some point in the mid-eighteenth century, the books were rebound, although the Pagination, foliation and indices remained unchanged. Partbooks In partbook format, each of the voice parts has its own book; hence, here, there are separate books for the Triplex, Medius, Contratenor, Tenor, Bassus, and Organ parts. Partbooks were a practical way of circulating polyphony; each voice part could be copied much more quickly in separate volumes than in score format, individual books used less paper overall than one single volume in score format, they were cheaper to produce and easier for larger groups to sing from, and each singer only nee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caius Choirbook
The Caius Choirbook is an illuminated choirbook dating to the early sixteenth century and containing music by Tudor-period composers. The book appears to originate from Arundel in Sussex, and to have been created sometime in the late 1520s; the then Master of Arundel College, Edward Higgons, seems to have presented it to the collegiate chapel of Saint Stephen's in Westminster, where he was a canon beginning in 1518. The choirbook is now housed at Gonville and Caius College, Cambridge. The major contributors to the Caius Choirbook are Robert Fayrfax and Nicholas Ludford; between them they contributed at least eleven of its fifteen pieces. Music by older composers, such as Edmund Stourton and Walter Lambe, may be found in the Lambeth and Eton Choirbooks, but not in the Caius Choirbook. Other composers represented in the Caius Choirbook include William Cornysh, Edmund Turges, and Henry Prentes. There is in addition a Mass by William Pasche, based upon ''Christus resurgens'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lambeth Choirbook
The Lambeth Choirbook – also known as the Arundel Choirbook – is an illuminated choirbook dating to the sixteenth century. It contains music for 7 Masses, 4 Magnificats, and 8 motets. Much of the music is by Tudor-period composers. The major contributors are Robert Fayrfax and Nicholas Ludford; between them they contributed at least ten of its nineteen pieces. Only three of Fayrfax's works have his name attached to them, but five other pieces are known as his; these, along with two by Ludford, are known from concordances in the Caius Choirbook and other manuscripts. Seven anonymous pieces exist in the book: *''Ave Dei Patris filia'' *''Ave mundi spes Maria'' *''Gaude flore virginali'' *''Salve regina'' *two ''Magnificats'' *''Vidi aquam egredientem de templo'' (antiphon at the Aspersion before Mass during Eastertide). No concordances for any of these have been traced, and it seems possible that further works by Fayrfax and Ludford might exist among them. The book also co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eton Choirbook
The Eton Choirbook (Eton College MS. 178) is a richly illuminated manuscript collection of England, English sacred music composed during the late 15th century. It was one of very few collections of Latin liturgical music to survive the English Reformation, Reformation, and hence is an important source. It originally contained music by 24 different composers; however, many of the pieces are damaged or incomplete. It is one of three large choirbooks surviving from early-Tudor England (the others are the Lambeth Choirbook and the Caius Choirbook). The Choirbook was compiled between approximately 1500 and 1505 for use at Eton College; its present binding dates from the mid 16th century. 126 folios remain of the original 224, including the index. In the original, there were a total of 93 separate compositions; however only 64 remain either complete or in part. Some of the 24 composers are known only because of their inclusion in the Eton Choirbook. John Browne (composer), John Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
