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Gwynne Howell
Gwynne Howell (born 13 June 1938) is a Welsh operatic bass, known particularly for his performances of Verdi and Wagner roles. Life and career Born in Gorseinon, Wales, he studied at the RMCM, where he sang Leporello in concert, and Hunding, Fasolt, and Pogner in staged performances. He joined the Sadler's Wells Theatre in 1968, and the Royal Opera House in 1970. He was also a regular guest at the English National Opera and the Welsh National Opera. His roles have included most of the major bass roles of the Verdi and Wagner repertories, such as: Miller, Sparafucile, Ferrando, Padre Guardiano, Phillip II, Landgrave, Hans Sachs, Gurnemanz, etc. He continued into his seventies to sing small roles on stage: Simone in ''Gianni Schicchi'' at the Royal Opera House in 2009 and 2016, Titurel from ''Parsifal'' at the Royal Opera House in 2007 under Bernard Haitink, and Schigolch in ''Lulu'' at the Metropolitan Opera in 2010. Howell took part in the premieres of two of Peter M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Forza Del Destino
' (; ''The Power of Fate'', often translated ''The Force of Destiny'') is an Italian opera by Giuseppe Verdi. The libretto was written by Francesco Maria Piave based on a Spanish drama, ' (1835), by Ángel de Saavedra, 3rd Duke of Rivas, with a scene adapted from Friedrich Schiller's '' Wallensteins Lager'' (''Wallenstein's Camp''). It was first performed in the Bolshoi Kamenny Theatre of Saint Petersburg, Russia, on 29 November 1862 O.S. (N.S. 10 November). ' is frequently performed, and there have been a number of complete recordings. In addition, the overture (to the revised version of the opera) is part of the standard repertoire for orchestras, often played as the opening piece at concerts. Performance history Revisions After its premiere in Russia, ''La forza'' underwent some revisions and made its debut abroad with performances in Rome in 1863 under the title ''Don Alvaro''. Performances followed in Madrid (with the Duke of Rivas, the play's author, in attend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnes Baltsa
Agni Baltsa ( el, Aγνή Mπάλτσα; also known as Agnes Baltsa; born 19 November 1944) is a leading Greek mezzo-soprano singer. Baltsa was born in Lefkada. She began playing piano at the age of six, before moving to Athens in 1958 to concentrate on singing. She graduated from the Greek National Conservatoire in 1965 and then travelled to Munich to continue studying on a Maria Callas scholarship. Baltsa made her first appearance in an opera in 1968 as Cherubino in ''The Marriage of Figaro'' at Frankfurt Opera, before going on to appear as Octavian in ''Der Rosenkavalier'' at the Vienna State Opera in 1970. Under the guidance of Herbert von Karajan, she became a regular at the prestigious Salzburg Festival. She became ''Kammersängerin'' of the Vienna State Opera in 1980. Her best-known performance is that of Carmen by Georges Bizet, which she has sung a number of times with noted tenors such as José Carreras, Neil Shicoff, and others. She has also sung works by Mozart (no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Capuleti E I Montecchi
''I Capuleti e i Montecchi'' (''The Capulets and the Montagues'') is an Italian opera (''Tragedia lirica'') in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of ''Romeo and Juliet'' for an opera by Nicola Vaccai called '' Giulietta e Romeo'' and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare. Bellini was persuaded to write the opera for the 1830 Carnival season at the Teatro La Fenice in Venice, with only a month and a half available for composition. He succeeded by appropriating a large amount of music previously written for his unsuccessful opera '' Zaira''. The first performance of ''I Capuleti e i Montecchi'' took place on 11 March 1830. Composition history After ''Zaira'' Following the poor reception which ''Zaira'' received in Parma, Bellini returned to Milan by the end of June 1829 with no contract for another opera in sight. Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Doctor Of Myddfai
''The Doctor of Myddfai'' is an opera in two acts composed by Peter Maxwell Davies to a libretto by David Pountney. The work premiered at the New Theatre in Cardiff on 5 June 1996, performed by the Welsh National Opera and conducted by Richard Armstrong. The libretto was adapted from an ancient Welsh legend related to the Lady of the Lake legend. The original tale is reinterpreted in terms of a mysterious disease, knowledge of which the authorities are trying to suppress. The opera takes place in a totalitarian society similar to that envisioned in Orwell's ''1984'', with a supreme ruler, mechanistic bureaucracy and endless war. Roles Synopsis :Time: The near future :Place: The Welsh town of Myddfai (part of a larger European dictatorship) Background legend A shepherd fell in love with beautiful girl who appeared in Llyn y Fan Fach, a lake where he was tending his flock. He married her after passing the test of distinguishing her from her two sisters. However, there was a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taverner (opera)
''Taverner'' is an opera with music and libretto by Peter Maxwell Davies. It is based on the life of the 16th-century English composer John Taverner, but in what Davies himself acknowledged was a non-realistic treatment. The gestation for the opera dated as far back as 1956 during Davies's years in Manchester, and continued when he went to Princeton University in 1962. Davies produced several instrumental works related to the opera during this gestation period, including the ''Points and Dances from 'Taverner and the ''Second Fantasia on John Taverner's "In Nomine"''. Davies had completed the opera in 1968, but lost parts of the score in a fire at his Dorset cottage in 1969, which necessitated recomposition. Davies employs a theme from the 'Benedictus' of Taverner's Mass ''Gloria Tibi Trinitas'' as a recurring motif throughout the work. This theme, taken from the section beginning 'in nomine omini, gained popularity among later composers of the English renaissance in the form of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Maxwell Davies
Sir Peter Maxwell Davies (8 September 1934 – 14 March 2016) was an English composer and conductor, who in 2004 was made Master of the Queen's Music. As a student at both the University of Manchester and the Royal Manchester College of Music, Davies formed a group dedicated to contemporary music called the New Music Manchester with fellow students Harrison Birtwistle, Alexander Goehr, Elgar Howarth and John Ogdon. Davies’s compositions include eight works for the stage—from the monodrama ''Eight Songs for a Mad King'', which shocked the audience in 1969, to ''Kommilitonen!'', first performed in 2011—and ten symphonies, written between 1973 and 2013. As a conductor, Davies was artistic director of the Dartington International Summer School from 1979 to 1984 and associate conductor/composer with the Royal Philharmonic Orchestra from 1992 to 2002, holding the latter position with the BBC Philharmonic Orchestra as well. Early life and education Davies was born in Holly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lulu (opera)
''Lulu'' (composed from 1929 to 1935, premièred incomplete in 1937 and complete in 1979) is an opera in three acts by Alban Berg. Berg adapted the libretto from Frank Wedekind's two ''Lulu'' plays, ''Erdgeist'' ('' Earth Spirit'', 1895) and ''Die Büchse der Pandora'' (''Pandora's Box'', 1904). The opera tells the story of a mysterious young woman known as Lulu, who follows a downward spiral from a well-kept mistress in Vienna to a street prostitute in London, while being both a victim and a purveyor of destruction. It explores the idea of the '' femme fatale'' and the duality between her feminine and masculine qualities. Berg died before completing the third and final act, and in the following decades the opera was typically performed incomplete. Since the 1979 publication of the version including Friedrich Cerha's orchestration of the act 3 sketches, it has become standard. ''Lulu'' is especially notable for using serialism at a time that was particularly inhospitable to it. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Haitink
Bernard Johan Herman Haitink (; 4 March 1929 – 21 October 2021) was a Dutch conductor and violinist. He was the principal conductor of several international orchestras, beginning with the Royal Concertgebouw Orchestra in 1961. He moved to London, as principal conductor of the London Philharmonic Orchestra from 1967 to 1979, music director at Glyndebourne Opera from 1978 to 1988 and of the Royal Opera House from 1987 to 2002, when he became principal conductor of the Staatskapelle Dresden. Finally, he was principal conductor of the Chicago Symphony Orchestra from 2006 to 2010. The focus of his prolific recording was classical symphonies and orchestral works, but he also conducted operas. He conducted 90 concerts at The Proms in London, the last on 3 September 2019 with the Vienna Philharmonic. His awards include Grammy Awards and the 2015 Gramophone Award for his lifetime achievements. Early life Haitink was born on 4 March 1929 in Amsterdam, the son of Willem Haitink, a civi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal (opera)
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gianni Schicchi
() is a comic opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, composed in 1917–18. The libretto is based on an incident mentioned in Dante's ''Divine Comedy''. The work is the third and final part of Puccini's (The Triptych)three one-act operas with contrasting themes, originally written to be presented together. Although it continues to be performed with one or both of the other operas, is now more frequently staged either alone or with short operas by other composers. The aria is one of Puccini's best known, and one of the most popular arias in opera. Puccini had long considered writing a set of one-act operas which would be performed together in a single evening, but faced with a lack of suitable subjects and opposition from his publisher, he repeatedly put the project aside. However, by 1916 Puccini had completed the one-act tragedy and, after considering various ideas, he began work the following year on the solemn, religious, all- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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