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Gwydyr Mansions
Gwydyr Mansions is a block of mansion flats in the centre of Hove, part of the English coastal city of Brighton and Hove. Built on the initiative of a Baptist pastor and designed by the prolific architecture firm of Clayton & Black, the "elegant" Flemish Renaissance-style building dates from 1890 and overlooks a central square. As originally built, the block had a restaurant and barber shop for residents; the latter is still operational. History The Wick estate was a large area of land north of the ancient village of Hove. Sir Isaac Lyon Goldsmid, part of the Goldsmid banking dynasty, bought most of the land for development in 1830. The estate was in size and consisted of farmland, pastures and woodland. Until then, Thomas Scutt and Thomas Read Kemp owned the land: they developed the high-class Brunswick estate on part of it, and sold the rest to Goldsmid. Residential and commercial development was gradual but steady for the rest of the 19th century. One of the main developm ...
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Brighton And Hove
Brighton and Hove () is a city and unitary authority in East Sussex, England. It consists primarily of the settlements of Brighton and Hove, alongside neighbouring villages. Often referred to synonymously as Brighton, the City of Brighton and Hove is England's most populous seaside resort, as well as the second most populous urban area in South East England. It is administered by Brighton and Hove City Council, which is currently in Green minority control. In 2014, Brighton and Hove City Council formed the Greater Brighton City Region with neighbouring local authorities. It can be considered both a coastal and a downland city benefiting from both the sea and the chalk hill grasslands that it is nestled in. Unification In 1992 a government commission was set up to conduct a structural review of local government arrangements across England. In its draft proposals for East Sussex, the commission suggested two separate unitary authorities be created for the towns of Brighton ...
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Jewish Emancipation
Jewish emancipation was the process in various nations in Europe of eliminating Jewish disabilities, e.g. Jewish quotas, to which European Jews were then subject, and the recognition of Jews as entitled to equality and citizenship rights. It included efforts within the community to integrate into their societies as citizens. It occurred gradually between the late 18th century and the early 20th century. Jewish emancipation followed the Age of Enlightenment and the concurrent Haskalah, or Jewish Enlightenment. Various nations repealed or superseded previous discriminatory laws applied specifically against Jews where they resided. Before the emancipation, most Jews were isolated in residential areas from the rest of the society; emancipation was a major goal of European Jews of that time, who worked within their communities to achieve integration in the majority societies and broader education. Many became active politically and culturally within wider European civil society as Je ...
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Residential Buildings Completed In 1890
A residential area is a land used in which housing predominates, as opposed to industrial and commercial areas. Housing may vary significantly between, and through, residential areas. These include single-family housing, multi-family residential, or mobile homes. Zoning for residential use may permit some services or work opportunities or may totally exclude business and industry. It may permit high density land use or only permit low density uses. Residential zoning usually includes a smaller FAR (floor area ratio) than business, commercial or industrial/manufacturing zoning. The area may be large or small. Overview In certain residential areas, especially rural, large tracts of land may have no services whatever, such that residents seeking services must use a motor vehicle or other transportation, so the need for transportation has resulted in land development following existing or planned transport infrastructure such as rail and road. Development patterns may be regu ...
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Vitreous Marble
Pigmented structural glass, also known generically as structural glass and as vitreous marble, and marketed under the names Carrara glass, Sani Onyx, and Vitrolite, among others, is a high-strength, colored glass. Developed in the United States in 1900, it was widely used around the world in the first half of the 20th century in Art Deco and Streamline Moderne buildings. It also found use as a material for signs, tables, and areas requiring a hygienic surface. Over time, the trademarked name "vitrolite" became a generic term for the glass. Overview Pigmented structural glass was developed in 1900 in the United States by the Marrietta Manufacturing Company of Indianapolis, Indiana. The product was made by combining borax, cryolite, kaolinite, manganese, silica, feldspar, and fluorspar. The fluorides made the glass opaque. These materials were fused into glass at a temperature of and then annealed. The annealing process took much longer than it did for plate glass, often las ...
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Crow-stepped Gable
A stepped gable, crow-stepped gable, or corbie step is a stairstep type of design at the top of the triangular gable-end of a building. The top of the parapet wall projects above the roofline and the top of the brick or stone wall is stacked in a step pattern above the roof as a decoration and as a convenient way to finish the brick courses. A stepped parapet may appear on building facades with or without gable ends, even upon a false front, however. Geography The oldest examples can be seen in Ghent (Flanders, Belgium) and date from the 12th century: the house called ''Spijker'' on ''Graslei'', and some other Romanesque buildings in this city. From there, they were spread in the whole of Northern Europe as from the 13th century, in particular in cities of the Hanseatic League (with brick Gothic style), then in Central Europe at the next century. These gables are numerous in Belgium, Netherlands, all Germany, Denmark, Sweden, Poland, Baltic States, Switzerland, and some parts ...
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Oriel Window
An oriel window is a form of bay window which protrudes from the main wall of a building but does not reach to the ground. Supported by corbels, bracket (architecture), brackets, or similar cantilevers, an oriel window is most commonly found projecting from an upper floor but is also sometimes used on the ground floor. Oriel windows are seen in Arab architecture in the form of mashrabiya and in Turkish are known as ''şahnişin'' or ''cumba''. In Islamic culture, these windows and balconies project from the street-front of a house, providing an area in which women could peer out and see the activities below while remaining invisible. Origins According to the ''Oxford English Dictionary'', the term ''oriel'' is derived from Anglo-Norman language, Anglo-Norman ' and Late Latin ', both meaning "gallery" or "porch", perhaps from Classical Latin ' ("curtain"). * Oriel College, Oxford, took its name from a balcony or oriel window forming a feature of a building which occupied the ...
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Bay Window
A bay window is a window space projecting outward from the main walls of a building and forming a bay in a room. Types Bay window is a generic term for all protruding window constructions, regardless of whether they are curved or angular, or run over one or multiple storey A storey (British English) or story (American English) is any level part of a building with a floor that could be used by people (for living, work, storage, recreation, etc.). Plurals for the word are ''storeys'' (UK) and ''stories'' (US). T ...s. In plan, the most frequently used shapes are isosceles trapezoid (which may be referred to as a ''canted (architecture), canted bay window'') and rectangle. But other polygonal shapes with more than two corners are also common as are curved shapes. If a bay window is curved it may alternatively be called ''bow window.'' Bay windows in a triangular shape with just one corner exist but are relatively rare. A bay window supported by a corbel, Bracket (archite ...
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Cant (architecture)
A cant in architecture is an angled (oblique-angled) line or surface that cuts off a corner. Something with a cant is ''canted''. Canted facades are a typical of, but not exclusive to, Baroque architecture. The angle breaking the facade is less than a right angle, thus enabling a canted facade to be viewed as, and remain, one composition. Bay windows frequently have canted sides. A cant is sometimes synonymous with ''chamfer A chamfer or is a transitional edge between two faces of an object. Sometimes defined as a form of bevel, it is often created at a 45° angle between two adjoining right-angled faces. Chamfers are frequently used in machining, carpentry, fu ...'' and '' bevel''. References Architectural elements Building engineering {{Architecturalelement-stub ...
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Cartouche (design)
A cartouche (also cartouch) is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low-relief design. Since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian . Such cartouches are characteristically stretched, pierced and scrolling. Another cartouche figures prominently in the 16th-century title page of Giorgio Vasari's '' Lives of the Most Excellent Painters, Sculptors, and Architects'', framing a minor vignette with a pierced and scrolling papery cartouche. The engraved trade card of the London clockmaker Percy Webster shows a vignette of the shop in a scrolling cartouche frame of Rococo design that is composed entirely of scrolling devices. Gallery Ostia, horrea epagathiana 01.JPG, Roman rectangular cartouche on the frieze of the entrance of Horrea Epagathiana et Epaphroditiana, Ostia, Rome, 145-150 AD Heiligtum mainz4.jpg, Roman rectangular ca ...
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Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek temples, Et ...
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Anta (architecture)
An anta (pl. antæ, antae, or antas; Latin, possibly from ''ante'', "before" or "in front of"), or sometimes parastas (pl. parastades), is an architectural term describing the posts or pillars on either side of a doorway or entrance of a Greek temple – the slightly projecting piers which terminate the walls of the naos. It differs from the pilaster, which is purely decorative, and does not have the structural support function of the anta. Anta In contrast to columns or pillars, antae are directly connected with the walls of a temple. They owe their origin to the vertical posts of timber employed in the early, more primitive palaces or temples of Greece, as at Tiryns and in the Temple of Hera at Olympia. They were used as load-bearing structures to carry the roof timbers, as no reliance could be placed on walls built with unburnt brick or in rubble masonry with clay mortar. Later, they became more decorative as the materials used for wall construction became sufficient to su ...
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Tuscan Order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's ''Etymologies'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ''Regole generali di ...
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