|
Guillaume De Ferrières
Guillaume de Ferrières, Vidame de Chartres (''c''. 1150 ?April 1204) was a French nobleman, probably the same person as the trouvère whose works are recorded only as by the Vidame de Chartres, his title. Eight songs in total have been attributed to the Vidame, though all but one with conflicting attributions to others. He is not to be confused with Raoul de Ferrières (fl. 1200–10), also a trouvère. Guillaume took part in the Third (1188–92) and Fourth Crusades (1201–4), and died in Romania as part of the latter. A reference in the Vidame's song ''Combien que j'aie demouré'' to a forced sojourn in a "hated land" probably refers to Guillaume's stay in southwestern France in 1188, before the departure of the Crusade, while the leaders ( Richard the Lionheart and Philip Augustus) were squabbling. Further evidence linking the trouvère with Guillaume includes a quotation of two stanzas of the Vidame's most popular song, ''Quant la saison du dous tens s'asseure'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vidame De Chartres (Chansonnier Du Roi)
Vidame de Chartres was a title in the French nobility. There are a few vidame titles in France, of which that of Chartres is probably the best known, because a number of holders have been notable in widely different ways over the centuries. Vidame was originally the name for the commander of a bishop's military force in the Early Middle Ages, when bishops, like other great lords, needed troops for security. The title eventually developed into a heritable noble title, like others linked to a specific estate. The title therefore passed to the new owner when the estate was sold, as happened a number of times in this case. By the later Middle Ages, the title was held by the owner of the Château, chateau and estate of La Ferté-Vidame (documented by 985), Eure-et-Loir, some 40 kilometres from Chartres. In the 17th century the holder was still supposed to pay an annual fee to the Bishop of Chartres (for holding the land associated with the role, while not performing the duties), cer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vidame
Vidame () was a feudal title in France, a term descended from mediaeval Latin . Like the ''avoué'' or ''advocatus'', the ''vidame'' was originally a secular official chosen by the bishop of the diocese—with the consent of the count—to perform functions on behalf of the church's earthly interest that were religiously inappropriate; this especially included violence, even in the service of justice, and to act as protector. Unlike the ''advocatus'', however, the ''vice- dominus'' was at the outset an ecclesiastical official, who acted as the bishop's lieutenant (''locum tenens'') or vicar. But the causes that changed the character of the ''advocatus'' operated also in the case of the ''vidame''. The title of Vidame de Chartres is much the best known, having been held by several people distinguished in various fields and known by the title. Although a vidame was in theory a relatively low-ranking title, in practice under the French medieval system it gained in prestige ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christians Of The Third Crusade
Christians () are people who follow or adhere to Christianity, a monotheistic Abrahamic religion based on the life and teachings of Jesus Christ. The words ''Christ'' and ''Christian'' derive from the Koine Greek title ''Christós'' (Χριστός), a translation of the Biblical Hebrew term '' mashiach'' (מָשִׁיחַ) (usually rendered as ''messiah'' in English). While there are diverse interpretations of Christianity which sometimes conflict, they are united in believing that Jesus has a unique significance. The term ''Christian'' used as an adjective is descriptive of anything associated with Christianity or Christian churches, or in a proverbial sense "all that is noble, and good, and Christ-like." It does not have a meaning of 'of Christ' or 'related or pertaining to Christ'. According to a 2011 Pew Research Center survey, there were 2.2 billion Christians around the world in 2010, up from about 600 million in 1910. Today, about 37% of all Christians live in the A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1204 Deaths
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1150s Births
115 may refer to: *115 (number), the number *AD 115, a year in the 2nd century AD *115 BC, a year in the 2nd century BC *115 (Hampshire Fortress) Corps Engineer Regiment, Royal Engineers, a unit in the UK Territorial Army *115 (Leicestershire) Field Park Squadron, Royal Engineers, a unit in the UK Territorial Army *115 (New Jersey bus) * ''115'' (barge), a whaleback barge *115 km, rural locality in Russia *The homeless emergency telephone number in France 11/5 may refer to: * 11/5, an American hip hop group from San Francisco, California * November 5 (month–day date notation) * May 11 (day–month date notation) * , a type of regular hendecagram In geometry, a hendecagram (also endecagram or endekagram) is a star polygon that has eleven vertices. The name ''hendecagram'' combines a Greek numeral prefix, '' hendeca-'', with the Greek suffix ''-gram''. The ''hendeca-'' prefix derives f ... 1/15 may refer to: * January 15 (month–day date notation) See also * Moscovium ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodore Karp
Theodore Cyrus Karp (17 July 1926 – 5 November 2015) was an American musicologist. His principal area of study was Secular music, mainly mediaeval monophony, especially the music of the trouvères. He was a major contributor in this area to the ''Grove Dictionary of Music and Musicians''. Biography Born in New York, New York, he attended Queens College of the City University of New York, where he received his B.A. in 1947. He later attended the Juilliard School of Music and, from 1949 to 1950, the Catholic University of Leuven. He returned to New York University, where he studied under Curt Sachs and Gustave Reese. He received his PhD from New York University in 1960. In 1963 he was taken on as a faculty member by the University of California at Davis and in 1971 became a music professor. He moved to Northwestern University in 1973, where he was dean of the department until 1988 and a professor until his retirement in 1996. Besides trouvère monophony, Karp wrote articles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blason Meslay, Vidame De Chartres
Blason is a form of poetry. The term originally comes from the heraldic term "blazon" in French heraldry, which means either the codified description of a coat of arms or the coat of arms itself. The Dutch term is Blazoen, and in either Dutch or French, the term is often used to refer to the coat of arms of a chamber of rhetoric. History The term forms the root of the modern words "emblazon", which means to celebrate or adorn with heraldic markings, and "blazoner", one who emblazons. The terms "blason", "blasonner", "blasonneur" were used in 16th-century French literature by poets who, following Clément Marot in 1536, practised a genre of poems that praised a woman by singling out different parts of her body and finding appropriate metaphors to compare them with. It is still being used with that meaning in literature and especially in poetry. One famous example of such a celebratory poem, ironically rejecting each proposed stock metaphor, is William Shakespeare's Sonnet 130: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang'' – 'af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octosyllabic
The octosyllable or octosyllabic verse is a line of verse with eight syllables. It is equivalent to tetrameter verse in trochees in languages with a stress accent. Its first occurrence is in a 10th-century Old French saint's legend, the '' Vie de Saint Leger''; another early use is in the early 12th-century Anglo-Norman '' Voyage de saint Brendan''. It is often used in French, Italian, Spanish and Portuguese poetry. While commonly used in couplets, typical stanzas using octosyllables are: décima, some quatrains, redondilla. In Spanish verse, an octosyllable is a line that has its seventh syllable stressed, on the principle that this would normally be the penultimate syllable of a word (''Lengua Castellana y Literatura'', ed. Grazalema Santillana. El Verso y su Medida, p. 46). If the final word of a line does not fit this pattern, the line could have eight or seven or nine syllables (as normally counted), thus – :1 / 2 / 3 / 4 / 5 / Gra/NA/da :1 / 2 / 3 / 4 / 5 / M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Decasyllabic
Decasyllable ( Italian: ''decasillabo'', French: ''décasyllabe'', Serbian: ''десетерац'', ''deseterac'') is a poetic meter of ten syllables used in poetic traditions of syllabic verse. In languages with a stress accent (accentual verse), it is the equivalent of pentameter with iambs or trochees (particularly iambic pentameter). Medieval French heroic epics (the '' chansons de geste'') were most often composed in 10 syllable verses (from which, the decasyllable was termed "heroic verse"), generally with a regular caesura after the fourth syllable. (The medieval French romance (''roman'') was, however, most often written in 8 syllable (or ''octosyllable'') verse.) Use of the 10 syllable line in French poetry was eclipsed by the 12 syllable alexandrine line, particularly after the 16th century. Paul Valéry's great poem "The Graveyard by the Sea" (Le Cimetière marin) is, however, written in decasyllables. Similarly, South Slavic and in particular Serbian epi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
