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Guillaume Beneman
Guillaume Beneman or Benneman (1750 – after 1811) was a prominent Parisian ''ébéniste'', one of several of German extraction, working in the early neoclassical Louis XVI style, which was already fully developed when he arrived in Paris. Beneman arrived in Paris already trained; he was settled in the rue du Faubourg Saint-Antoine when he was received master in 1785 by royal command. He rapidly became the last of the royal cabinet-makers before the French Revolution, working under the direction (and on occasion to the designs) of the sculptor-entrepreneur Jean Hauré, ''fournisseur de la cour'' ("supplier to the Court"). In the service of the ''Garde-Meuble de la Couronne'', he delivered works of irreproachable refinement to the royal residences into the first years of the Revolution. A mark of his humble condition and dependence upon the patronage of the ''Garde-Meuble'' is the payment to him in 1788 of 1527 ''livres'', to enable him to purchase workshop tools for sixteen craftsm ...
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ébéniste
''Ébéniste'' () is a loanword (from French) for a cabinet-maker, particularly one who works in ebony. Etymology and ambiguities As opposed to ''ébéniste'', the term ''menuisier'' denotes a woodcarver or chairmaker in French. The English equivalent for ''ébéniste'', "ebonist", is not commonly used. Originally, an ''ébéniste'' was one who worked with ebony, a favoured luxury wood for mid-17th century Parisian cabinets, originating in imitation of elite furniture being made in Antwerp. The word is 17th-century in origin. Early Parisian ''ébénistes'' often came from the Low Countries themselves; an outstanding example is Pierre Golle, who worked at the '' Gobelins manufactory'' making cabinets and table tops veneered with marquetry, the traditional enrichment of ''ébénisterie'', or "cabinet-work". History ''Ébénistes'' make case furniture, either veneered or painted. Under Parisian guild regulations the application of painted varnishes, generically called '' vernis Mar ...
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Ancien Régime
''Ancien'' may refer to * the French word for "ancient, old" ** Société des anciens textes français * the French for "former, senior" ** Virelai ancien ** Ancien Régime ** Ancien Régime in France {{disambig ...
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Pierre-Philippe Thomire
Pierre-Philippe Thomire (1751–1843) a French sculptor, was the most prominent ''bronzier'', or producer of ornamental patinated and gilt-bronze objects and furniture mounts of the First French Empire. His fashionable neoclassical and Empire style furnishing bronzes (''bronzes d'ameublement'') established the highest standard in refined finish in the craft that the French called that of the ''fondeur-ciseleur'', "founder-finisher". In his pre-Revolutionary training, Thomire appeared first as a ''ciseleur'', in the division of duties that went into the production, for example, of a set of gilt-bronze wall-lights delivered for Marie-Antoinette's card-room, her ''Salon des Jeux'' at Compiègne: under the general supervision of Hauré, the wax and wooden model was carved by Martin, cast by Forestier, and chased by Thomire, as Pierre Verlet was able to show over fifty years ago. He had received his training in the workshop of Pierre Gouthière, the outstanding Parisian ''ciseleur ...
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Gilles Joubert
Gilles Joubert (1689–1775) was a Parisian ''ébéniste'' who worked for the ''Garde-Meuble'' of Louis XV for two and a half decades, beginning in 1748, earning the title ''ébéniste ordinaire du Garde-Meuble'' in 1758, and finally that of ''ébéniste du roi'' ("royal cabinet-maker") on the death of Jean-François Oeben in 1763. He produced case furniture in a robust Rococo style, ranging from simple veneered ''bidets'' to grand commodes that integrated gilt-bronze mounts into the forms of furniture with subtle three-dimensional curves (''bombé''). From the later 1760s his furniture increasingly shows a conservative compromise with the nascent neoclassical style. The date of Joubert's admission to the ''corporation des maiîtres ébénistes'' is missing, along with the early guild archives, but he was already syndic in 1749-50. Much of his furniture was produced before Parisian guild regulations required ''ébénistes'' to stamp their production, and pieces intended for the ...
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Bureau Du Roi
The ''Bureau du Roi'' (, ''the King's desk''), also known as Louis XV's roll-top desk (french: Secrétaire à cylindre de Louis XV), is the richly ornamented royal cylinder desk which was constructed at the end of Louis XV's reign, and is now again in the Palace of Versailles. History The ''Bureau du Roi'' was probably started in 1760, when the commission was formally announced. Its first designer was Jean-François Oeben, the master cabinet maker of the royal arsenal. The first step in its construction was the fabrication of an extremely detailed miniature model in wax. The full scale desk was finished in 1769 by his successor, Jean Henri Riesener, who had married Oeben's widow. Made for the new ''Cabinet du Roi'' at the Palace of Versailles, it was transferred to the Louvre Museum in Paris after the French Revolution, but has been returned to the Palace of Versailles in the 20th century where it stands again in the room where it was standing before the Revolution, i.e. the ''C ...
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Jean-Henri Riesener
Jean-Henri Riesener (german: Johann Heinrich Riesener; 4 July 1734 – 6 January 1806) was a famous German ''ébéniste'' (cabinetmaker), working in Paris, whose work exemplified the early neoclassicism, neoclassical "Louis XVI style". Life and career Riesener was born in Gladbeck, Westphalia, Germany. He moved to Paris, where he apprenticed soon after 1754 with Jean-François Oeben, whose widow he married; he was received master ''ébéniste'' in January 1768. The following year, he began supplying furniture for the Crown and in July 1774 formally became ''ébéniste ordinaire du roi'', "the greatest Parisian ''ébéniste'' of the Louis XVI of France, Louis XVI period." Riesener was responsible for some of the richest examples of furniture in the Louis XVI of France, Louis XVI style, as the French court embarked on furnishing commissions on a luxurious scale that had not been seen since the time of Louis XIV of France, Louis XIV: between 1774 and 1784, he received on average comm ...
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Waddesdon Manor
Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England. Owned by National Trust and managed by the Rothschild Foundation, it is one of the National Trust's most visited properties, with over 463,000 visitors in 2019. The Grade I listed house was built in a mostly Neo-Renaissance style, copying individual features of several French châteaux, between 1874 and 1889 for Baron Ferdinand de Rothschild (1839–1898) as a weekend residence for entertaining and to house his collection of arts and antiquities. As the manor and estate have passed through three generations of the Rothschild family, the contents of the house have expanded to become one of the most rare and valuable collections in the world. In 1957, James de Rothschild bequeathed the house and its contents to the National Trust, opening the house and gardens for the benefit of the general public. Unusually for a National Trust property, the family of James Rothschild, the donor, manage the ...
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Palace Of Versailles
The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, Yvelines, Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, under the direction of the Ministry of Culture (France), French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. Some 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a simple hunting lodge on the site of the Palace of Versailles in 1623 and replaced it with a small château in 1631–34. Louis XIV expanded the château into a palace in several phases from 1661 to 1715. It was a favorite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the ''de facto'' capital of France. This ...
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Bureau Plat
A writing table (French ''bureau plat'') has a series of drawers directly under the surface of the table, to contain writing implements, so that it may serve as a desk. Antique versions have the usual divisions for the inkwell, the blotter and the sand or powder tray in one of the drawers, and a surface covered with leather or some other material less hostile to the quill or the fountain pen than simple hard wood. In form, a writing table is a pedestal desk without the pedestals, having legs instead to hold it up. This is why such tables are sometimes called leg desks. The writing table is often called a "bureau plat" when it is done in a French style such as Louis XVI, Art Nouveau, etc. When a writing table is supported by two legs instead of four, it is usually called a trestle desk. The writing table is also sometimes called a library table, because it was often placed in a home library. This was the room in a house where a gentleman would keep literature and also do his b ...
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Wallace Collection
The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free. It was established in 1897 from the private collection mainly created by Richard Seymour-Conway, 4th Marquess of Hertford (1800–1870), who left both it and the house to his illegitimate son Sir Richard Wallace (1818–1890), whose widow Julie Amelie Charlotte Castelnau bequeathed the entire collection to the nation. The collection opened to permanent public view in 1900 in Hertford House, and remain ...
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Cylinder Desk
The cylinder desk is a desk that resembles a Bureau Mazarin or a writing table equipped with small stacked shelves in front of the user's main work surface, and a revolving cylinder part that comes down to hide and lock up the working papers when the desk is not in use. Like the rolltop desk, which was invented much later, the cylinder desk usually has a fixed work surface: the paperwork does not have to be stored before the desk is shut. Some designs, however, have the capacity to slide the desk surface out a few inches to expand the available work area. The cylinder desk is also called "bureau Kaunitz", as it was allegedly introduced in France in the first half of the 18th century by Wenzel Anton von Kaunitz, then the ambassador of the Habsburg Empire to the French court. Regardless of the authenticity of its origin, the French court adopted this type of desk with great enthusiasm. The difficulty of producing wooden cylinder sections which would not warp over the years ensu ...
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Musée Du Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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