Guido Lauri
Guido Lauri (23 November 1922 – 27 October 2019) was an Italian dancer, actor, choreographer, ballet master, company director. Born in Rome, he entered the ballet school of then Royal Rome Opera House at 6 years-old and in 1939, after a graduation with full marks, he joined the ballet company with the title of ''primo ballerino étoile''. A very handsome man, an eclectic artist, a ''danseur noble'' with hot-blooded temperament, he excelled in all the classics partnering famous ballerinas such as French Yvette Chauviré, Marina Svetlova, Liane Daydée and Jacqueline Moreau, French/Russian Ludmilla Tchérina, Norwegian Vera Zorina and Italian Attilia Radice, often danced in neoclassical titles by Mikhail Fokin, Vaslav Nijinsky, Léonide Massine and created numerous roles for choreographer Aurel Milloss. As a guest star, soon after the Second World War and during the 50s, he was very much in demand in Italy (La Scala in Milan, Teatro Regio in Turin, La Fenice in Venice, Teat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Tiziana Lauri
Tiziana Lauri (born 25 December 1959) is a retired Italian ballet dancer. Early life and education Daughter of noted dancers Guido Lauri and Anna Maria Paganini, she followed in her parents's footsteps (although against their will) by training with Attilia Radice at the Rome Opera House. She entered the Rome Opera Ballet school at age 13, without having taken any previous dance classes.V. Ottolenghi, ''Triste esame per dieci fatine con coroncina'' - PAESE SERA (July 31, 1977). Dancing career After less than three years at the Rome Opera Ballet school she joined the Rome Opera Ballet company, becoming a soloist at the age of 18. A very versatile, gifted and impetuously talented artist, she danced a wide range of Ballerina roles from Kitri in ''Don Quixote'' to Juliet in ''Romeo and Juliet''. She worked with a variety of personalities such as Rudolf Nureyev, André Prokovsky, Ekaterina Maximova, Vladimir Vasiliev (dancer), Vladimir Vasiliev, Patrick Dupond and many others. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Teatro Di San Carlo
The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent to the Piazza del Plebiscito. It is the oldest continuously active venue for opera in the world, having opened in 1737, decades before either Milan's La Scala or Venice's La Fenice."The Theatre and its history" on the Teatro di San Carlo's official website. (In English). Retrieved 23 December 2013 The opera season runs from late November to July, with the ballet season taking place from December to early June. The house once had a seating capacity of 3,285, but has now been reduced to 1,386 seats. Given its size, structure and antiquity, it was the model for theatres that were l ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Yuri Grigorovich
Yury Nikolayevich Grigorovich (russian: Ю́рий Никола́евич Григоро́вич; born 2 January 1927 in Leningrad) is a Soviet and Russian dancer and choreographer who dominated the Russian ballet for 30 years. Grigorovich was born into a family connected with the Imperial Russian Ballet. He graduated from the in 1946 and danced as a soloist of the until 1962. His staging of [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Pierre Lacotte
Pierre Lacotte (born 4 April 1932) is a French ballet dancer and choreographer who specialised in the reconstruction of lost choreographies of romantic ballets. His mother was an affirmed musician and he manifested very early his interest for dance. After an initial reluctance, his family surrendered to his stubbornness so that Lacotte could become a student of Gustave Ricaux, who taught at the Paris Opera. In 1946 he was engaged in the Paris Opera Ballet and in 1953 became a principal dancer. Among his teachers at the Paris Opera Ballet School where Lubov Egorova, Carlotta Zambelli and the choreographer Serge Lifar, who chose Paulette Dynalix, Claude Bessy and Lacotte as the three interpretive dancers of ''Septuor'', a single-act ballet presented in Paris on 25 January 1950. In 1955 he left the Paris Opera to become a soloist dancer and was invited to perform all over the world. Subsequently, Lacotte founded a ballet company named ''Les Ballets de la Tour Eiffel''. He choreogr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Patricia Neary
Patricia Neary (born October 27, 1942) is an American ballerina, choreographer and ballet director, who has been particularly active in Switzerland. She has also been an ambassador for the Balanchine Trust, bringing George Balanchine's ballets to 60 cities around the globe. Biography Born in Miami, Florida, she first studied there under George Milenoff and Thomas Armour until she attended the School of American Ballet in New York. At the age of 14, she joined the National Ballet of Canada as the youngest dancer in the company. In 1960, she became a member of the New York City Ballet where she performed almost all the ballerina roles in George Balanchine's major works, including two roles he created specially for her in ''Raymonda Variations'' (1961) and ''Jewels'' (1967). She also performed leading roles in ballets by Jerome Robbins, Antony Tudor, John Taras and Merce Cunningham. In 1968, she joined the Geneva Ballet where she performed in and staged Balanchine's ballets. She a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Ninette De Valois
Dame Ninette de Valois (born Edris Stannus; 6 June 1898 – 8 March 2001) was an Irish-born British dancer, teacher, choreographer, and director of classical ballet. Most notably, she danced professionally with Serge Diaghilev's Ballets Russes, later establishing the Royal Ballet, one of the foremost ballet companies of the 20th century and one of the leading ballet companies in the world. She also established the Royal Ballet School and the touring company which became the Birmingham Royal Ballet. She is widely regarded as one of the most influential figures in the history of ballet and as the "godmother" of English and Irish ballet. Life Early life and family Ninette de Valois was born as Edris Stannus on 6 June 1898 at Baltyboys House, an 18th-century manor house near the town of Blessington, County Wicklow, Ireland, then still part of the United Kingdom. A member of a gentry family, she was the second daughter of Lieutenant Colonel Thomas Stannus DSO,Montgomery-Massingber ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Roland Petit
Roland Petit (13 January 192410 July 2011) was a French ballet company director, choreographer and dancer. He trained at the Paris Opera Ballet school, and became well known for his creative ballets. Life and work The son of shoe designer Rose Repetto, Petit was born in Villemomble, near Paris. He trained at the Paris Opéra Ballet school under Gustave Ricaux and Serge Lifar and began to dance with the corps de ballet in 1940. He founded the Ballets des Champs-Élysées in 1945 and the Ballets de Paris in 1948, at Théâtre Marigny, with Zizi Jeanmaire as star dancer. Petit collaborated with Constant Lambert (''Ballabile'' - 1950), Henri Dutilleux (''Le Loup'' - 1953), Serge Gainsbourg, Yves Saint-Laurent and César Baldaccini and participated in several French and American films. He returned to the Paris Opéra in 1965 to mount a production of ''Notre Dame de Paris'' (with music by Maurice Jarre). He continued to direct ballets for the largest theatres of France, Italy, Germ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Rudolf Nureyev
Rudolf Khametovich Nureyev ( ; Tatar/ Bashkir: Рудольф Хәмит улы Нуриев; rus, Рудо́льф Хаме́тович Нуре́ев, p=rʊˈdolʲf xɐˈmʲetəvʲɪtɕ nʊˈrʲejɪf; 17 March 19386 January 1993) was a Soviet-born ballet dancer and choreographer. Nureyev is regarded by some as the greatest male ballet dancer of his generation.Lord of the dance – Rudolf Nureyev at the National Film Theatre, London, 1–31 January 2003 , by John Percival, '''', 26 December 2002. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Anton Dolin (ballet Dancer)
Sir Anton Dolin (27 July 190425 November 1983) was an English ballet dancer and choreographer. Biography Dolin was born in Slinfold in Sussex as Sydney Francis Patrick Chippendall Healey-Kay but was generally known as Patrick Kay or "Pat" to his friends. He was the second of three sons of Henry George Kay (1852-1922) and his wife, Helen Maude Chippendall Healey (1869-1960), from Dublin. He trained at Serafina Astafieva's school at The Pheasantry in London's King's Road.Decharne, Max. (2005) ''King's Road: The Rise and Fall of the Hippest Street in the World''. London: Weidenfeld & Nicolson, p. 23. He joined Sergei Diaghilev's Ballets Russes in 1921, was a principal there from 1924, and was a principal with the Vic-Wells Ballet in the 1930s. There he danced with Alicia Markova, with whom he went on to found the Markova-Dolin Ballet and the London Festival Ballet. He joined Ballet Theatre when it was formed in 1940 and remained there as a dancer and choreographer until 1946. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Guido Lauri Hollywood
Guido is a given name Latinised from the Old High German name Wido. It originated in Medieval Italy. Guido later became a male first name in Austria, Germany, the Low Countries, Scandinavia, Spain, Portugal, Latin America and Switzerland. The meaning of the name is debated, with various sources indicating the Germanic "Wido" means "wood" and others connecting the Italian form "Guido" to the latinate root for "guide". The slang term ''Guido'' is used in American culture to refer derogatorily to an urban working-class Italian or Italian-American male who is overly aggressive or macho with a tendency for certain conspicuous behavior. It may also be used as a more general ethnic slur for working-class urban Italian Americans. People Given name ;Medieval times *Guido of Acqui (–1070), bishop of Acqui, Italy * Guido of Anderlecht (–1012), Belgian saint *Guido of Arezzo (–after 1033), Italian music theorist *Guido da Velate, (died 1071) bishop of Milan *Guido Bonatti (died ), Ita ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
GUIDO LAURI Danzatore
Guido is a given name Latinised from the Old High German name Wido. It originated in Medieval Italy. Guido later became a male first name in Austria, Germany, the Low Countries, Scandinavia, Spain, Portugal, Latin America and Switzerland. The meaning of the name is debated, with various sources indicating the Germanic "Wido" means "wood" and others connecting the Italian form "Guido" to the latinate root for "guide". The slang term ''Guido'' is used in American culture to refer derogatorily to an urban working-class Italian or Italian-American male who is overly aggressive or macho with a tendency for certain conspicuous behavior. It may also be used as a more general ethnic slur for working-class urban Italian Americans. People Given name ;Medieval times *Guido of Acqui (–1070), bishop of Acqui, Italy * Guido of Anderlecht (–1012), Belgian saint *Guido of Arezzo (–after 1033), Italian music theorist *Guido da Velate, (died 1071) bishop of Milan *Guido Bonatti (died ), Ita ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |