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Guercino - Ecco Homo
Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666),Miller, 1964 better known as Guercino, or il Guercino , was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style. Biography Giovanni Francesco Barbieri was born into a family of peasant farmers in Cento, a town in the Po Valley mid-way between Bologna and Ferrara.Mahon, 1937a Being cross-eyed, at an early age he acquired the nickname by which he is universally known, Guercino (a diminutive of the Italian noun '' guercio'', meaning 'squinter').Turner, 2003 Mainly self-taught, at the age of 16, he worked as apprentice in the shop of Benedetto Gennari, a painter of the Bolognese School. An early commission was for the decoration with frescos (1615–1616) of Casa Pannini in Cento ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cento
The Middle East Treaty Organization (METO), also known as the Baghdad Pact and subsequently known as the Central Treaty Organization (CENTO), was a military alliance of the Cold War. It was formed in 24 February 1955 by Iran, Iraq, Pakistan, Turkey, and the United Kingdom. The alliance was dissolved in 16 March 1979. US pressure and promises of military and economic aid were key in the negotiations leading to the agreement, but the United States could not initially participate. John Foster Dulles, who was involved in the negotiations as United States Secretary of State under President Dwight D. Eisenhower, claimed that was due to "the pro-Israel lobby and the difficulty of obtaining Congressional Approval." Others said that the reason was "for purely technical reasons of budgeting procedures." In 1958, the US joined the military committee of the alliance. It is generally viewed as one of the least successful of the Cold War alliances. The organisation’s headquarters was in Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marsyas
In Greek mythology, the satyr Marsyas (; grc-gre, Μαρσύας) is a central figure in two stories involving music: in one, he picked up the double oboe (''aulos'') that had been abandoned by Athena and played it; in the other, he challenged Apollo to a contest of music and lost his hide and life. In antiquity, literary sources often emphasize the ''hubris'' of Marsyas and the justice of his punishment. In one strand of modern comparative mythography, the domination of Marsyas by Apollo is regarded as an example of myth that recapitulates a supposed supplanting by the Olympian pantheon of an earlier "Pelasgian" religion of chthonic heroic ancestors and nature spirits. Marsyas was a devoté of the ancient Mother Goddess Rhea/Cybele, and his episodes are situated by the mythographers in Celaenae (or Kelainai), in Phrygia, at the main source of the Meander (the river Menderes in Turkey). Family When a genealogy was applied to him, Marsyas was the son of the "divine" Hyag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcadia (utopia)
Arcadia ( gr, Αρκαδία) refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word ''Arcadia'' to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology. Although commonly thought of as being in line with Utopian ideals, Arcadia differs from that tradition in that it is more often specifically regarded as unattainable. Furthermore, it is seen as a lost, Edenic form of life, contrasting to the progressive nature of Utopian desires. The inhabitants were often regarded as having continued to live after the manner of the Golden Age, without the pride and avarice that corrupted other regions. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memento Mori
''Memento mori'' (Latin for 'remember that you ave todie'Literally 'remember (that you have) to die' , Third Edition, June 2001.) is an artistic or symbolic acting as a reminder of the inevitability of . The concept has its roots in the philosophers of |
Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his earliest surviving works. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Et In Arcadia Ego
''Et in Arcadia ego'' (also known as ''Les bergers d'Arcadie'' or ''The Arcadian Shepherds'') is a 1637–38 painting by Nicolas Poussin (1594–1665), the leading painter of the classical French Baroque style. It depicts a pastoral scene with idealized shepherds from classical antiquity, and a woman, possibly a shepherdess, gathered around an austere tomb that includes this inscription. It is held in the Louvre. Poussin painted two versions of the subject under the same title. His earlier version, painted in 1627, is held at Chatsworth House. An earlier treatment of the theme was painted by Guercino circa 1618–1622, also titled ''Et in Arcadia ego''. Inspiration A tomb with a memorial inscription (to Daphnis) amid the idyllic settings of Arcadia is first described in Virgil's ''Eclogues'' V 42 ff. Virgil took the idealized Sicilian rustics included in the ''Idylls'' of Theocritus and set them in the primitive Greek region of Arcadia (see Eclogues VII and X). The idea was tak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Et In Arcadia Ego (Guercino)
''Et in Arcadia ego'' (also known as ''The Arcadian Shepherds'') is a painting by the Italian Baroque artist Giovanni Francesco Barbieri (Guercino), from c. 1618–1622. It is now on display in the Galleria Nazionale d'Arte Antica of Rome. Description The painting shows two young shepherds staring at a skull, with a mouse and a blowfly, placed onto a cippus with the words "Et in Arcadia ego" (Also in Paradise I am). This phrase is meant as a warning, that even in Arcadia/Paradise, death is always present. The phrase appears for the first time in art and architecture in this work. The iconography of the ''memento mori'' theme symbolised in art by the skull was rather popular in Rome and Venice since Renaissance times. Elias L. Rivers suggested the phrase "Et in Arcadia ego" is derived from a line from Daphnis' funeral in Virgil's Fifth Eclogue ''Daphnis ego in silvis'' ("Daphnis was I amid the woods"), and that it referred to the dead shepherd within the tomb, rather than De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Carracci
Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early-Baroque painter, etcher, and printmaker born in Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619. Biography Ludovico apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice, before returning to his hometown. Together with his cousins Annibale and Agostino Carracci, Ludovico worked in Bologna on the fresco cycles depicting Histories of ''Jason and Medea'' (1584) in Palazzo Fava, and the ''Histories of Romulus and Remus'' (1590-1592) for the Palazzo Magnani. Their individual contributions to these works are unclear, although Annibale, the younger than Ludovico by 5 years had gained fame as the best of the three. This led to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Country Concert
''Country Concert'' is a c.1617 oil on canvas painting by Guercino, now in the Uffizi Gallery The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums ... in Florence, a rare instance of pure pastoral landscape in his oeuvre. References category:1617 paintings category:Landscape paintings category:Paintings by Guercino category:Paintings in the collection of the Uffizi {{17C-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moonlit Landscape
''Moonlit Landscape'' is a c.1616 oil on canvas landscape painting by Guercino, a rare instance of pure landscape in his work. It is now in the Nationalmuseum Nationalmuseum (or National Museum of Fine Arts) is the national gallery of Sweden, located on the peninsula Blasieholmen in central Stockholm. The museum's operations stretches far beyond the borders of Blasieholmen, the nationalmuseum manag ... in Stockholm, to which it was donated in 1936 by court official Gösta Stenman via the Nationalmusei Vänner. References {{Guercino category:Paintings in the collection of the Nationalmuseum Stockholm category:Landscape paintings category:Paintings by Guercino category:1616 paintings category:Paintings in Stockholm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Painting
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
