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Guccio Di Mannaia
Guccio di Mannaia (Malnaia; Malnaggia; Manaie; Mannaie) was an Italian goldsmith from Siena, Italy active from 1288 to 1322. He is best known for a 13th-century decorated gold-plated chalice which contains the first documented use of translucent enamels using the technique known as basse-taille. Biographical details Little is known about the life of Guccio di Mannaia, and very few works are attributed to him with certainty. He came from a family of Sienese goldsmiths, with his brother (Pino) as well as his three sons (Montigiano, Mannaia, and Jacopo) working in the same trade. He was influenced by Pace di Valentino who was the first Sienese goldsmith working for the papal court (under popes Nicholas III, Martin IV, Honorius IV, and Boniface VIII). In addition, he seems to have been familiar with northern European artworks, such as the Westminster retable in England and the miniatures in illuminated manuscripts of the Parisian Master Honoré, to which the human figures in his w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basse-taille
''Basse-taille'' (bahss-tah-ee) is an enamelling technique in which the artist creates a low-relief pattern in metal, usually silver or gold, by engraving or chasing. The entire pattern is created in such a way that its highest point is lower than the surrounding metal. A translucent enamel is then applied to the metal, allowing light to reflect from the relief and creating an artistic effect. It was used in the late Middle Ages, and then again in the 17th century. Medieval examples The technique had been known to the Ancient Romans, but was lost at the end of the Middle Ages until the 17th century. Translucent enamel is more fragile than opaque enamel, and medieval survivals in good condition are very rare. Medieval examples begin in Italy in the 13th century, with the earliest dated work being a chalice by the Sienese goldsmith Guccio di Mannaia, made for Pope Nicholas IV about 1290, which is part of the collection of the Treasure Museum of the basilica of Saint Francis i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stained Glass
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and ''objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goldsmith
A goldsmith is a Metalworking, metalworker who specializes in working with gold and other precious metals. Nowadays they mainly specialize in jewelry-making but historically, goldsmiths have also made cutlery, silverware, platter (dishware), platters, goblets, decorative and serviceable utensils, and ceremonial or religious items. Goldsmiths must be skilled in forming metal through file (tool), filing, brazing, soldering, sawing, forging, Casting (metalworking), casting, and polishing. The trade has very often included jewelry-making skills, as well as the very similar skills of the silversmith. Traditionally, these skills had been passed along through apprenticeships; more recently jewelry arts schools, specializing in teaching goldsmithing and a multitude of skills falling under the jewelry arts umbrella, are available. Many universities and junior colleges also offer goldsmithing, silversmithing, and metal arts fabrication as a part of their fine arts curriculum. Gold Com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambrogio Lorenzetti
Ambrogio Lorenzetti (; – 9 June 1348) or Ambruogio Laurati was an Italian painter of the Sienese school. He was active from approximately 1317 to 1348. He painted ''The Allegory of Good and Bad Government'' in the Sala dei Nove (Salon of Nine or Council Room) in Siena's Palazzo Pubblico. His elder brother was the painter Pietro Lorenzetti. Biography Lorenzetti was highly influenced by both Byzantine art and classical art forms, and used these to create a unique and individualistic style of painting. His work was exceptionally original. Individuality at this time was unusual due to the influence of patronage on art. Because paintings were often commissioned, individualism in art was infrequently seen. It is known that Lorenzetti engaged in artistic pursuits that were thought to have their origins during the Renaissance, such as experimenting with perspective and physiognomy, and studying classical antiquity.Chiara Frugoni, ''Pietro and Ambrogio Lorenzetti'', (Florence: Scala B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Lorenzetti
Pietro Lorenzetti (; – 1348) or Pietro Laurati was an Italian painter, active between c. 1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance. Overview Little is known of Lorenzetti's life other than that he was (putatively) born in Siena in the late 13th century (c. 1280/90), died there (possibly) in 1348 a victim of the first Black Death pandemic then devastating Europe, and had a younger brother, Ambrogio, also an artist. That the men were brothers was unknown to Vasari because he misread Pietro's surname on a painting in Pistoia's church of San Francesco as "Laurati". Thus the kinship between the artists was missed. Pietro worked in Assisi, Florence, Pistoia, Cortona, and Siena, although the precise chronology is unknown. His work suggests the influence of Duccio (in whose studio he may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Pubblico
The Palazzo Pubblico (''town hall'') is a palace in Siena, Tuscany, central Italy. Construction began in 1297 to serve as the seat of the Republic of Siena's government, which consisted of the Podestà and Council of Nine, the elected officials who performed executive functions (and judicial ones in secular matters). Architecture The outside of the structure is an example of Italian medieval architecture with Gothic influences. The lower story is stone while the upper crenellated stories are made of brick. The facade of the palace is curved slightly inwards (concave) to reflect the outwards curve (convex) of the Piazza del Campo, Siena's central square, of which the Palace is the focal point. At the top of this facade is a huge round flat bronze plate hristogram the symbol used by Saint Bernardino. It was placed there by the government in 1425 in gratitude to the great preacher, a native Sienese, for his sermons aimed at quelling social and political factionalism and unres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maestà (Simone Martini)
The ''Maestà'' is a large fresco (7.63 x 9.7 m) by Simone Martini. It takes up the whole north wall of the Sala del Mappamondo (or Sala del Consiglio) in the Palazzo Pubblico in Siena. It was created from 1312 to 1315 and is considered one of the artist's masterpieces and one of the most important examples of 14th-century Italian art.Alessandro Bagnoli, ''La Maestà di Simone Martini'', Silvana Editore, Milano, 1999 (Italian) References {{DEFAULTSORT:Maesta (Simone Martini) 1310s paintings Paintings by Simone Martini, Paintings in the Palazzo Pubblico Paintings of the Madonna and Child ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simone Martini
Simone Martini ( – 1344) was an Italian painter born in Siena. He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time. According to late Renaissance art biographer Giorgio Vasari, Simone was instead a pupil of Giotto di Bondone, with whom he went to Rome to paint at the Old St. Peter's Basilica, Giotto also executing a mosaic there. Martini's brother-in-law was the artist Lippo Memmi. Very little documentation of Simone's life survives, and many attributions are debated by art historians. According to E. H. Gombrich, he was a friend of Petrarch and had painted a portrait of Laura. Biography Simone was doubtlessly apprenticed from an early age, as would have been the normal practice. Among his first documented works is the ''Maestà'' of 1315 in the Palazzo Pubblico in Siena. A copy of the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalice Assisi Guccio Di Mannaia 5 Detail St
A chalice (from Latin 'mug', borrowed from Ancient Greek () 'cup') or goblet is a footed cup intended to hold a drink. In religious practice, a chalice is often used for drinking during a ceremony or may carry a certain symbolic meaning. Religious use Christian The ancient Roman ''calix'' was a drinking vessel consisting of a bowl fixed atop a stand, and was in common use at banquets. In Roman Catholicism, Eastern Orthodox Church, Oriental Orthodoxy, Anglicanism, Lutheranism and some other Christian denominations, a chalice is a standing cup used to hold sacramental wine during the Eucharist (also called the Lord's Supper or Holy Communion). Chalices are often made of precious metal, and they are sometimes richly enamelled and jewelled. The gold goblet was symbolic for family and tradition. Chalices have been used since the early church. Because of Jesus' command to his disciples to "Do this in remembrance of me." (), and Paul's account of the Eucharistic rite i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalice Assisi Guccio Di Mannaia 4 Detail Christ
A chalice (from Latin 'mug', borrowed from Ancient Greek () 'cup') or goblet is a footed cup intended to hold a drink. In religious practice, a chalice is often used for drinking during a ceremony or may carry a certain symbolic meaning. Religious use Christian The ancient Roman ''calix'' was a drinking vessel consisting of a bowl fixed atop a stand, and was in common use at banquets. In Roman Catholicism, Eastern Orthodox Church, Oriental Orthodoxy, Anglicanism, Lutheranism and some other Christian denominations, a chalice is a standing cup used to hold sacramental wine during the Eucharist (also called the Lord's Supper or Holy Communion). Chalices are often made of precious metal, and they are sometimes richly enamelled and jewelled. The gold goblet was symbolic for family and tradition. Chalices have been used since the early church. Because of Jesus' command to his disciples to "Do this in remembrance of me." (), and Paul's account of the Eucharistic rite i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chalice Assisi Guccio Di Mannaia 3 Detail Name
A chalice (from Latin 'mug', borrowed from Ancient Greek () 'cup') or goblet is a footed cup intended to hold a drink. In religious practice, a chalice is often used for drinking during a ceremony or may carry a certain symbolic meaning. Religious use Christian The ancient Roman ''calix'' was a drinking vessel consisting of a bowl fixed atop a stand, and was in common use at banquets. In Roman Catholicism, Eastern Orthodox Church, Oriental Orthodoxy, Anglicanism, Lutheranism and some other Christian denominations, a chalice is a standing cup used to hold sacramental wine during the Eucharist (also called the Lord's Supper or Holy Communion). Chalices are often made of precious metal, and they are sometimes richly enamelled and jewelled. The gold goblet was symbolic for family and tradition. Chalices have been used since the early church. Because of Jesus' command to his disciples to "Do this in remembrance of me." (), and Paul's account of the Eucharistic rite i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_basilica_inferiore_di_assisi_(1310-1329).jpg "Click for more on -> Pietro Lorenzetti")
