Guanqun Yu
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Guanqun Yu
Guanqun Yu (; born 1982) is a Chinese soprano who has sung in opera houses and concert halls internationally. In 2008 she won the Belvedere International Singing Competition and in 2012 she placed 2nd in the Operalia, The World Opera Competition. She is particularly known for portraying heroines in the operas of Wolfgang Amadeus Mozart, Giacomo Puccini, and Giuseppe Verdi. Life and career Born and raised in Yantai, Shandong, Yu graduated from the before going on to study at the Shanghai Conservatory of Music with Fugen Wei and Zhou Xiaoyan. She then became a member of the Young Artist Program at the Teatro Comunale di Bologna where she made her professional opera debut as Elettra in ''Idomeneo''; a role she has subsequently performed at the Teatro Comunale Ferrara, the Teatro Comunale Modena, and the Teatro Municipale in Reggio Emilia. In 2010 she performed the role of Margarete in Arthur Honegger’s ''Jeanne d'Arc au bûcher'' at the Musikverein in Vienna under the baton of ...
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Yu (Chinese Surname)
Yu is the pinyin romanisation of several Chinese family names. However, in the Wade–Giles romanisation system, Yu is equivalent to You in pinyin. "Yu" may represent many different Chinese characters, including 余, 于, 由, 魚 (鱼), 漁(渔), 楀, 俞(兪), 喻 (this character is 35th name on the ''Hundred Family Surnames'' poem), 於, 遇, 虞, 郁, 尉, 禹, 游, 尤, 庾, 娛(娱), and 茹 (Rú). The most common of the Yu surnames are 于, 余, and 俞. In China, 0.62% of the population have the family name 于 in 2002 (about 7.4 million), and this surname is most common in Shandong province and northeastern China. Around 0.41% of the population have the surname 余 in 2002 (over five million), and it is most common in Jiangxi, Zhejiang and Fujian provinces. The 俞 surname represents around 0.12% of China's population. Surname Yu (于) Surname Yu (余) Surname Yu (俞) History Yu () is said to have been derived as a term used by medical practitioners Yu (腧) sinc ...
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Teatro Comunale (Ferrara)
The Teatro Comunale (''Communal Theatre'') in Ferrara is an opera house, located in the Italian region of Emilia-Romagna, and built between 1786 and 1797 with seating for 990. Privately owned theatres with limited seating capacity had existed in the city for many years, but the arrival of Cardinal Spinelli, the new papal envoy, in 1786 spurred the construction of a new public theatre under the architects Cosimo Morelli and Antonio Foschini. However, their disagreements led to conflicting design concepts regarding the elliptical shape of the auditorium which were resolved through compromise. The theatre was finally ready for its inaugural presentation of Portogallo’s ''Gli Orazi e i Curiazi'' on 2 September 1798. The theatre is noted for staging the premiere of an early opera written by Gioacchino Rossini at the age of twenty, '' Ciro in Babilonia'' in March 1812. Between 1825 and 1826 some renovation work was required, followed by some more in 1850, creating the theatre as s ...
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Teatro Regio (Parma)
Teatro Regio di Parma, originally constructed as the Nuovo Teatro Ducale (New Ducal Theatre),Martini, "Before the Teatro Regio", pp. 56 is an opera house and opera company in Parma, Italy. Replacing an obsolete house, the new Ducale achieved prominence in the years after 1829, and especially so after the composer Giuseppe Verdi, who was born near Busseto, some thirty kilometres away, had achieved fame. Also well known in Parma was the conductor Arturo Toscanini, born there in 1867. As has been noted by Lee Marshall, "while not as well known as La Scala in Milan or La Fenice in Venice, the city’s Teatro Regio....is considered by opera buffs to be one of the true homes of the great Italian tradition, and the well-informed audience is famous for giving voice to its approval or disapproval – not just from the gallery." The 1,400-seat auditorium, with four tiers of boxes topped by a gallery, was inaugurated on 16 May 1829 when it presented the premiere of Vincenzo Bellini's '' Za ...
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Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ...
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Stiffelio
''Stiffelio'' is an opera in three acts by Giuseppe Verdi, from an Italian libretto by Francesco Maria Piave. The origin of this was the novel ''Le pasteur d’hommes'', by Émile Souvestre, which was published in 1838. This was adapted into the French play ''Le pasteur, ou L'évangile et le foyer'' by Souvestre together with Eugène Bourgeois. (Its premiere was on 10 February 1849 at the Théâtre de la Porte Saint-Martin in Paris.) That play was in turn translated into Italian by Gaetano Vestri as ''Stifellius''; this formed the basis of Piave's libretto. Verdi's experience in Naples for ''Luisa Miller'' had not been a good one and he returned home to Busseto to consider the subject for his next opera. The idea for ''Stiffelio'' came from his librettist and, entering into a contract with his publisher, Ricordi, he agreed to proceed, leaving the decision as to the location of the premiere to Ricordi. This became the Teatro Grande (now the Teatro Comunale Giuseppe Verdi) in Triest ...
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Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ...
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Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ...
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Teatro Giuseppe Verdi
''Teatro Giuseppe Verdi'' (the Giuseppe Verdi Theatre) is a small opera house located in a wing of the Rocca dei Marchesi Pallavicino on the Piazza Giuseppe Verdi in Busseto, Italy, a town closely associated with the life of the opera composer, Giuseppe Verdi. From the 13th century, the “rocca” or “fortress” was the family’s palace; it is now the city hall after being acquired by the municipality in 1856. The theatre opened on 15 August 1868 and seats 300. Prior to 1856, a theatre existed in the same location, and while plans to build a new one were begun in 1845, nothing happened until the municipality took over. Designed by Pier Luigi Montecchini, the theatre is located on an upper level of the City Hall and is reached by a large staircase. Outside the theatre is a bust of Verdi by Giovanni Dupré. The interior is traditionally horseshoe-shaped with three rows of boxes and an elegantly designed ceiling featuring four medallions representing comedy, tragedy, melo ...
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Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ...
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Bertrand De Billy
Bertrand de Billy (born Paris, 11 January 1965) is a French conductor. He attended a Jesuit school, but only started serious musical studies when he was around 14–15; he studied piano and violin.Bertrand de Billy, chef d’orchestre, interview with Valéry Fleurquin, 3 January 2007, in French
accessed 7 February 2014.
After his career as an instrumental musician, de Billy began his conducting career in . He later moved to and built up his career as an opera conductor. His professional operatic conducting debu ...
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Musikverein
The ( or ; ), commonly shortened to , is a concert hall in Vienna, Austria, which is located in the Innere Stadt district. The building opened in 1870 and is the home of the Vienna Philharmonic orchestra. The acoustics of the building's 'Great Hall' () have earned it recognition alongside other prominent concert halls, such as the Konzerthaus Berlin, Konzerthaus in Berlin, the Concertgebouw in Amsterdam and Symphony Hall, Boston, Symphony Hall in Boston. With the exception of Boston's Symphony Hall, none of these halls was built in the modern era with the application of architectural acoustics, and all share a long, tall and narrow Shoebox style, shoebox shape. Building The 's main entrance is situated on Musikvereinsplatz, between Karlsplatz and . The building is located behind the Hotel Imperial that fronts on Kärntner Ring, which is part of the Vienna Ring Road (Ringstraße). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, Society of Frien ...
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Jeanne D'Arc Au Bûcher
''Jeanne d'Arc au bûcher'' (''Joan of Arc at the Stake'') is an oratorio by Arthur Honegger, originally commissioned by Ida Rubinstein. It was set to a libretto by Paul Claudel, and the work runs about 70 minutes. It premiered on 12 May 1938 in Basel, with Rubinstein as Jeanne, and Jean Périer in the speaking role of Brother Dominique, with the Basel Boys Choir singing the children's chorus part, and Paul Sacher conducting. The drama takes place during Joan of Arc's last minutes on the stake, with flashbacks to her trial and her younger days. Honegger entitled his work a ''dramatic oratorio'', adding speaking roles and actors. The work has an important part for the ondes Martenot, an early electronic instrument (played at the premiere by its inventor Maurice Martenot). Claudel's dramatic frame provided Honegger with a space – between heaven and earth, past and present – where he could mix styles from the popular to the sublime. A hybrid work: partly oratorio and partly ope ...
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