Grytten Church
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Grytten Church
Grytten Church ( no, Grytten kyrkje) is a parish church of the Church of Norway in Rauma Municipality in Møre og Romsdal county, Norway. It is located near the mouth of the Rauma River in the village of Veblungsnes. It is the church for the Grytten parish which is part of the Indre Romsdal prosti (deanery) in the Diocese of Møre. The red, wooden church was built in an octagonal design in 1829 using plans drawn up by the architect S.H. Aspaas, possibly using the Sør-Fron Church as a model. The church seats about 250 people. There are four large columns which support the tower. Inside the church, there is a tall, wide wooden crucifix, possibly from the 13th century. The church has a so-called pulpit altar ( no, Prekestolalter), which is a pulpit centrally located directly above the altar (according to the style of Sør-Fron Church). The two church bells are from the previous churches. History The earliest existing historical records of Grytten Church date back to 1364, but it ...
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Rauma Municipality
Rauma is a municipality in Møre og Romsdal county, Norway. It is part of the traditional district of Romsdal. The administrative centre is the town of Åndalsnes. Other settlements in Rauma include the villages of Måndalen, Innfjorden, Veblungsnes, Verma, Isfjorden, Eidsbygda, Rødven, Åfarnes, and Mittet. Most settlement in the municipality is located along the fjords and in the Romsdalen valley. The municipality surrounds part of the southern end of Romsdalsfjorden and the Isfjorden and it also includes the Romsdalen valley and Romsdalsalpene mountains. In the lower part of the valleys and around Romsdal Fjord and Rødvenfjorden are driven agriculture with emphasis on livestock. The clothing industry has traditionally been a dominant industry in the municipality, especially in Isfjorden. In the summer, Rauma has a fairly large amount of tourist traffic. The top tourist attractions include mountain climbing/hiking, salmon fishing, Trollstigen, and the historic Rødven ...
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Pulpit Altar
A pulpit altar or pulpit-altar is an altar in a church that is built together with a pulpit that is designed as an extension above the altar, so the pulpit, altar, and altarpiece form one unit. This type of altar is typical in a Baroque style church whereas earlier medieval churches and many more modern churches tend to have the more common free-standing pulpit that was set apart from the altar. This design became popular after the Protestant Reformation in Lutheran churches. It was first built to emphasize the importance of the sermon and the preaching of the Word of God in the worship service. It also symbolizes that the Word of God stands together with the sacraments (Holy Ccommunion) which takes place on the altar below. The first pulpit altars appeared in the German areas of Europe and in the baroque churches of the 1600s and 1700s. Sometimes the organ was placed above the pulpit as well to symbolize that music was also central to the church. Germany The oldest surviving pulpit ...
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Timber-framed
Timber framing (german: Holzfachwerk) and "post-and-beam" construction are traditional methods of building with heavy timbers, creating structures using squared-off and carefully fitted and joined timbers with joints secured by large wooden pegs. If the structural frame of load-bearing timber is left exposed on the exterior of the building it may be referred to as half-timbered, and in many cases the infill between timbers will be used for decorative effect. The country most known for this kind of architecture is Germany, where timber-framed houses are spread all over the country. The method comes from working directly from logs and trees rather than pre-cut dimensional lumber. Hewing this with broadaxes, adzes, and draw knives and using hand-powered braces and augers (brace and bit) and other woodworking tools, artisans or framers could gradually assemble a building. Since this building method has been used for thousands of years in many parts of the world, many styles ...
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Rectory
A clergy house is the residence, or former residence, of one or more priests or ministers of religion. Residences of this type can have a variety of names, such as manse, parsonage, rectory or vicarage. Function A clergy house is typically owned and maintained by a church, as a benefit to its clergy. This practice exists in many denominations because of the tendency of clergy to be transferred from one church to another at relatively frequent intervals. Also, in smaller communities, suitable housing is not as available. In addition, such a residence can be supplied in lieu of salary, which may not be able to be provided (especially at smaller congregations). Catholic clergy houses in particular may be lived in by several priests from a parish. Clergy houses frequently serve as the administrative office of the local parish, as well as a residence. They are normally located next to, or at least close to, the church their occupant serves. Partly because of the general conservati ...
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Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ...
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Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the church, but in some cases it is an annex or separate building (as in some monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the service. They will return there at the end of the service to remove their vestments and put away any of the vessels used during the s ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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Church Porch
A church porch is a room-like structure at a church's main entrance. A porch protects from the weather to some extent. Some porches have an outer door, others a simple gate, and in some cases the outer opening is not closed in any way. The porch at St Wulfram's Church, Grantham, like many others of the period, has a room above the porch. It once provided lodging for the priest, but now houses the Francis Trigge Chained Library. Such a room is sometimes called a parvise which spelt as parvis normally means an open space or colonnade in front of a church entrance. In Scandinavia and Germany the porch of a church is often called by names meaning weaponhouse. It used to be believed that visitors stored their weapons there because of a prohibition against carrying weapons into the sanctuary, or into houses in general; this is now considered apocryphal by most accepted sources, and the weaponhouse is considered more likely to have functioned as a guardroom or armoury to store weapons in ...
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Norwegian Directorate For Cultural Heritage
The Directorate for Cultural Heritage ( no, Riksantikvaren or ''Direktoratet for kulturminneforvaltning'') is a government agency responsible for the management of cultural heritage in Norway. Subordinate to the Norwegian Ministry of the Environment, it manages the '' Cultural Heritage Act of June 9, 1978''. The directorate also has responsibilities under the Norwegian Planning and Building Law. Cultural Heritage Management in Norway The directorate for Cultural Heritage Management is responsible for management on the national level. At the regional level the county municipalities are responsible for the management in their county. The Sami Parliament is responsible for management of Sámi heritage. On the island of Svalbard the Governor of Svalbard has management responsibilities. For archaeological excavations there are five chartered archeological museums. History The work with cultural heritage started in the early 1900s, and the first laws governing heritage findings came ...
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Stave Church
A stave church is a medieval wooden Christian church building once common in north-western Europe. The name derives from the building's structure of post and lintel construction, a type of timber framing where the load-bearing ore-pine posts are called ''stafr'' in Old Norse (''stav'' in modern Norwegian). Two related church building types also named for their structural elements, the post church and palisade church, are often called 'stave churches'. Originally much more widespread, most of the surviving stave churches are in Norway. The only remaining medieval stave churches outside Norway are those of ''circa'' 1500 Hedared stave church in Sweden and one Norwegian stave church relocated in 1842 to contemporary Karpacz in the Karkonosze mountains of Poland (at the time being a part of the Kingdom of Prussia). One other church, the Anglo-Saxon Greensted Church in England, exhibits many similarities with a stave church but is generally considered a palisade church. Construct ...
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Aslak Bolt's Cadastre
''Aslak Bolt's cadastre'' ( no, Aslak Bolts jordebog; written 1432–1433) is a Norwegian cadastre, a detailed register of properties and incomes of the Archdiocese of Nidaros. History Aslak Bolt's cadastre was a register of land ownership with the Archdiocese of Nidaros. The cadastre comprises more than 3000 farms, with information about scope and volume of income. The document is originally written on the instruction of archbishop Aslak Bolt (c. 1380 – 1450), Archbishop of the Diocese of Nidaros. It was probably completed in 1432 and 1433, with later supplements and corrections. The properties of the archdiocese included several thousand farms. The records in the land register are arranged topographically by counties within the diocese. The cadastre is regarded as an important primary historical source, both for historical economic research, and for research of place names. The original document was written on pergament and is now deposited at the National Archives ...
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