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Grosso Mogul
''Grosso mogul'', also ''Il grosso mogul'', or capitalised '' lGrosso Mogul'' ( heGreat Moghul), RV 208, is a violin concerto in D major by Antonio Vivaldi. The concerto, in three movements, is an early work by the Venetian composer. Around the mid-1710s Johann Sebastian Bach transcribed the concerto for organ, BWV 594, in C major. A simplified version of the violin concerto, RV 208a, without the elaborated cadenzas that appear in manuscript versions of RV 208, and with a different middle movement, was published around 1720 in Amsterdam as concerto #11 of Vivaldi's Op. 7. History Vivaldi's violin concerto in D major, RV 208, survives in three manuscripts: * Vivaldi's autograph score, conserved in Turin. * A copy of the parts, conserved in the in Schwerin. * Another copy of the parts conserved in Cividale del Friuli. The ''Grosso Mogul'' title appears on the Schwerin manuscript, which was written before 1717. According to Mic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Gran Mogol
Sebastiano Biancardi (27 March 1679 – 9 October 1741), known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's '' Ottone in villa'' and Alessandro Scarlatti's '' Tigrane''. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62. Biography Early life Modern accounts of Lalli's life prior to arriving in Venice are largely based on a bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cividale Del Friuli
Cividale del Friuli ( fur, Cividât (locally ); german: Östrich; sl, Čedad) is a town and ''comune'' in the Province of Udine, part of the North-Italian Friuli Venezia Giulia ''regione''. The town lies above sea-level in the foothills of the eastern Alps, by rail from the city of Udine and close to the Slovenian border. It is situated on the river Natisone, which forms a picturesque ravine here. Formerly an important regional power, it is today a quiet, small town that attracts tourists thanks to its medieval center. History Archaeological findings reveal that the area was already inhabited in Paleolithic and Neolithic times. During the Iron Age the region was settled by Veneti and Celts. Due to the location's strategic position on the northeastern frontier of Roman Italy, in 50 BC, the Romans founded there a ''castrum'', which afterwards was transformed by Julius Caesar into a ''forum'' and its name changed into ''Forum Iulii'' ("Julius' marketplace"; Fréjus had the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegro (music)
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to scientific pitch notation, C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Estienne Roger
Estienne Roger (1664 or 1665 in Caen, France – 7 July 1722 in Amsterdam) was a francophone printer, bookseller and publisher of sheet music working in the Netherlands. Life Roger was born a French Huguenot. The revocation of Edict of Nantes in 1685 made him flee with his family to the Netherlands where he settled in Amsterdam. In 1691 he married Marie-Suzanne de Magneville (c. 1671–1712); by that time his father had settled in England. He learned the trade of printing from Antoine Pointel and Jean-Louis de Lorme. In 1696 he opened his own shop in the Kalverstraat. Roger concentrated on histories, grammars, dictionaries, and eventually became a renowned publisher of musical scores. Between 1696 and 1722 he published over 500 editions of music written by a wide range of composers. In some cases, Roger offered mere reprints aiming at the European market he successfully reached (works that had been published by Giuseppe Sala in Venice or Ballard in Paris). His own publications ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxon State And University Library Dresden
The Saxon State and University Library Dresden (full name in german: Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden), abbreviated SLUB Dresden, is located in Dresden, Germany. It is both the regional library (german: Landesbibliothek) for the German State of Saxony as well as the academic library for the Dresden University of Technology (german: Technische Universität Dresden). It was created in 1996 through the merger of the Saxon State Library (SLB) and the University Library Dresden (UB). The seemingly redundant name is to show that the library brings both these institutional traditions together. The SLUB moved into a large new building in 2002 to bring together the inventories of both its predecessors. Its collection numbers nearly nine million, making it one of the largest public archival centers in the Federal Republic of Germany. It holds significant treasures, including the Codex Dresdensis, an octagonal Koran from 1184 and a copy of the Pete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argippo
''Argippo'' is an opera libretto by Domenico Lalli, which in Giovanni Porta's setting premiered in Venice in 1717. Claudio Nicola Stampa's reworked version of the libretto was set as ''L'Argippo'' by . This opera was performed in Milan in 1722. Antonio Vivaldi's ''Argippo'', RV 697, based on Stampa's version of the libretto, was staged in two different versions in 1730, first in Vienna (RV 697-A), and later in Prague (RV 697-B). The music of both of these versions is lost. Vivaldi's setting of the ''Argippo'' libretto partially survives in a pasticcio, RV Anh. 137, which, in the 21st century, was the basis for a reconstruction of the Prague version of Vivaldi's opera. Libretto Domenico Lalli's '' Il gran Mogol'' libretto was set by Francesco Mancini, and performed in the Teatro San Bartolomeo, Naples, in December 1713. In the next two decades this libretto was set as ''Argippo'' by several composers:Freeman, Daniel E. (1992)''The Opera Theater of Cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Porta
Giovanni Porta (c. 1677 – 21 June 1755) was an Italian opera composer. His opera ''Argippo'', to a libretto by Domenico Lalli, was premiered in Venice in 1717.Freeman, Daniel E. (1992)''The Opera Theater of Count Franz Anton Von Sporck in Prague''Stuyvesant, N.Y.: Pendragon Press. p. 166/ref> Porta is believed to have been born in Venice. One of the masters of early 18th-century opera and one of the leading Venetian musicians, Porta made his way from Rome, to Vicenza, to Verona, then London where his opera '' Numitore'' was performed in 1720 by the Royal Academy of Music (1719), and eventually back to Venice and Verona, and finally Munich, where he spent the last 18 years of his life. Selected recordings * Aria ''Madre diletta'' (from Ifigenia in Aulide) on Drama Queens Joyce DiDonato Alan Curtis (conductor) Virgin Classics 2012 * Aria ''Mormorando quelle fronde'' (from La costanza combattuta in amore) on Venezia recital Max Cencic Virgin Classics 2013 * Sinfonia f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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