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Groovin' (Ben E
"Groovin" is a song written by American singer songwriters Felix Cavaliere and Eddie Brigati, initially recorded by their group the Young Rascals in 1967. Cavaliere was inspired to compose the song by his girlfriend Adrienne Buccheri, whom he only got to meet every Sunday amidst heavy touring and recording. Musically, the song differs from most of band's previous output, leaving the garage rock genre for Latin American influences, such as baião. Lyrically, "Groovin tells the tale of a narrator spending time with his partner on a Sunday afternoon. The song was arranged and recorded at the Talentmasters Studios, New York City in March of 1967. Initially, Atlantic Records were skeptical of releasing "Groovin as a single, given that it deviated from their previous output. After hearing it, disc jockey Murray the K convinced Jerry Wexler to release it. "Groovin was released as a single on April 10, 1967 backed by "Sueño". It became a commercial hit, reaching number-one on the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Young Rascals
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War (American Band)
War (originally called Eric Burdon and War) is an American funk/rock/soul band from Long Beach, California, known for several hit songs (including "Spill the Wine", "The World Is a Ghetto", "The Cisco Kid", " Why Can't We Be Friends?", "Low Rider", and " Summer"). Formed in 1969, War is a musical crossover band that fuses elements of rock, funk, jazz, Latin, rhythm and blues, psychedelia, and reggae. According to music writer Colin Larkin, their "potent fusion of funk, R&B, rock and Latin styles produced a progressive soul sound", while Martin C. Strong calls them "one of the fiercest progressive soul combos of the '70s". Their album ''The World Is a Ghetto'' was '' Billboards best-selling album of 1973. The band transcended racial and cultural barriers with a multi-ethnic line-up. War was subject to many line-up changes over the course of its existence, leaving member Leroy "Lonnie" Jordan as the only original member in the current line-up; four other members created a new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upstate New York
Upstate New York is a geographic region consisting of the area of New York State that lies north and northwest of the New York City metropolitan area. Although the precise boundary is debated, Upstate New York excludes New York City and Long Island, and most definitions of the region also exclude all or part of Westchester and Rockland counties, which are typically included in Downstate New York. Major cities across Upstate New York from east to west include Albany, Utica, Binghamton, Syracuse, Rochester, and Buffalo. Upstate New York is divided into several subregions: the Hudson Valley (of which the lower part is sometimes debated as to being "upstate"), the Capital District, the Mohawk Valley region, Central New York, the Southern Tier, the Finger Lakes region, Western New York, and the North Country. Before the European colonization of the United States, Upstate New York was populated by several Native American tribes. It was home to the Iroquois Confederacy, an i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Distortion (music)
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Cornish
Gene Cornish (born May 14, 1944) is a Canadian-American guitarist and harmonica player. He is an original member of the popular 1960s blue-eyed soul band The Young Rascals. From 1965 to 1970, the band recorded eight albums and had thirteen singles that reached Billboard's Top 40 chart. In 1997, as a founding member of The Rascals, Cornish was inducted into the Rock & Roll Hall of Fame. Early life Early in his life, Cornish and his mother moved from Ontario to Rochester, New York. He became a talented guitar and harmonica player at a young age. In his later teen years (early 1960s) he made the rounds of the local clubs and bars in his area and worked with a number of bands (even performing as a single artist on occasion). Career in music In 1962, Gene Cornish with The Gene Cornish Nobles released "Winner Take All" backed with "Since I Lost You" on Vassar 319. As the composers of the latter, "R. Cornish – G. Cornish" is printed on B side label. It was well-made in the manner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Better Run
"You Better Run" is a song by the Young Rascals. Written by group members Eddie Brigati and Felix Cavaliere, it was released as the band's third single in 1966 and reached the top 20 in the United States. This song is noted for its repeated roller coaster musical chords in the bass guitar, going from C to B-flat to C to E-flat to B-flat to C. Critical reception A review in a 1966 issue of ''Billboard'' magazine described the song as a "big-beat wailer" and a "strong follow-up to 'Good Lovin'. In the book ''Pioneers of Rock and Roll'', author Harry Sumrall wrote that the song represented the apex of the band's sound and complimented guitarist Gene Cornish's "slashing chords". AllMusic's Matthew Greenwald called it "a classic garage rocker with a punkish energy hatshowcased the band's live chops to a great effect, as well as Felix Cavaliere's awesome soul-inflected vocals." Music journalist Fred Bronson noted that "You Better Run" was a commercial disappointment, having peaked at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue-eyed Soul
Blue-eyed soul (also called white soul) is rhythm and blues (R&B) and soul music performed by white artists. The term was coined in the mid-1960s, to describe white artists whose sound was similar to that of the predominantly-black Motown and Stax record labels. Though many R&B radio stations in the United States in that period would only play music by black musicians, some began to play music by white acts considered to have "soul feeling"; their music was then described as "blue-eyed soul." 1960s Georgie Woods, a Philadelphia radio DJ, is thought to have coined the term "blue-eyed soul" in 1964, initially to describe The Righteous Brothers, then white artists in general who received airplay on rhythm and blues radio stations. The Righteous Brothers in turn named their 1964 LP ''Some Blue-Eyed Soul''. According to Bill Medley of the Righteous Brothers, R&B radio stations who played their songs were surprised to find them to be white when they turned up for interviews, and one DJ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Ain't Gonna Eat Out My Heart Anymore
"I Ain't Gonna Eat Out My Heart Anymore" is a song written by Pam Sawyer and Laurie Burton in 1965. Originally envisioned to be recorded by a British Invasion artist, the song was extremely well liked by American rock group the Young Rascals, and they subsequently recorded the song and released it as their debut single in November 1965 through Atlantic Records. Though only a marginal hit, reaching number 52 on the ''Billboard'' Hot 100, it largely established the band on the American music scene. It has since been included on several albums by the band, including their eponymous debut album, and several compilation albums, including '' Time Peace: The Rascals' Greatest Hits'', on which it was the opening track. The song is heavily characterized by lead vocalist Eddie Brigati's spoken word during the verses, and is one of the only songs by the band to feature their initial lineup with Brigati on lead vocals; subsequent releases primarily feature Felix Cavaliere on lead vocals. Upon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Lovin'
"Good Lovin is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. Original version The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The Young Rascals' version The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin rose to the top of the ''Billboard'' Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rascals 1969
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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