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Grimace (composer)
Grimace (; ; also Grymace, Grimache or Magister Grimache) was a French composer-poet in the style of late medieval music. Virtually nothing is known about Grimace's life other than speculative information based on the circumstances and content of his five surviving compositions of ''formes fixes''; three ballades, a virelai and rondeau. He is thought to have been a younger contemporary of Guillaume de Machaut and based in southern France. Three of his works were included in the Chantilly Codex, which is an important source of music. However, along with P. des Molins, Jehan Vaillant and F. Andrieu, Grimace was one of the post-Machaut generation whose music shows few distinctly features, leading scholars to recognize Grimace's work as closer to the style of Machaut. His best known and most often performed work in modern-times is the virelai and proto- battaglia: ''A l’arme A l’arme''. Identity and career Almost nothing is known about Grimace's life other than the autho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grimace - Alarme, Alarme
Grimace may refer to: *A type of facial expression usually of disgust, disapproval, or pain *Grimace (composer), a French composer active in the mid-to-late 14th century *Grimace (character), a McDonaldland marketing character developed to promote the restaurant's milkshakes *Grimace scale, a method of assessing the occurrence or severity of pain {{dab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trebor (composer)
Trebor was a 14th-century composer of polyphonic chansons, active in Navarre and other southwest European courts c. 1380-1400. He may be the same person also called Triboll, Trebol, and Borlet in other contemporaneous sources. His name is likely a reversal of Robert. Music His compositions are associated with the style known as '' ars subtilior'', and six of his works survive in one of the most important surviving manuscripts of ''ars subtilior'' music, the Chantilly Codex. Some of his pieces explicitly reference historical events such as the Aragonese conquest of Sardinia in 1388-89 and the reign of Gaston Febus, the count of Foix. His music was well known to Avignonese composers of the time, such as Grimace and F. Andrieu, who quoted some of his pieces in their works. He is noted for his use of displacement syncopation and sustain In sound and music, an envelope describes how a sound changes over time. It may relate to elements such as amplitude (volume), frequencie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Cuvelier
Johannes Cuvelier (''fl'' c. 1372–d. after 1387) was a composer of the ''Ars subtilior'', whose surviving works are preserved in the Chantilly Codex. He was possibly born in Tournai and worked at the court of Charles V. His most important work is the poem '' La Chanson de Bertrand du Guesclin'', a tribute to the Breton military commander Bertrand du Guesclin Bertrand du Guesclin ( br, Beltram Gwesklin; 1320 – 13 July 1380), nicknamed "The Eagle of Brittany" or "The Black Dog of Brocéliande", was a Breton knight and an important military commander on the French side during the Hundred Years' W .... References Ars subtilior composers 14th-century births Year of death unknown French classical composers Musicians from Tournai 14th-century French composers {{France-composer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over time, of the steps of a dance, or the meter of spoken language and poetry. In some performing arts, such as hip hop music, the rhythmic delivery of the lyrics is one of the most important elements of the style. Rhythm may also refer to visual presentation, as "timed mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Image Archive Of Medieval Music
The Digital Image Archive of Medieval Music (DIAMM) is an online database of all European polyphonic music sources before 1550. Founded in 1998, it is based in Oxford and maintained by the University of Oxford's Music Faculty and the Bodleian Library. Overview It is the only complete listing of all medieval and early modern manuscripts of European polyphonic music. It is founded on a digital archive of images of European medieval and early to high-Renaissance polyphonic music ranging from complete manuscripts to fragments. The collection, created by the University of Oxford and Royal Holloway University of London Royal Holloway, University of London (RHUL), formally incorporated as Royal Holloway and Bedford New College, is a public research university and a constituent college of the federal University of London. It has six schools, 21 academic departm ..., includes metadata for all manuscripts from 800 to 1550 A.D., and most of those from 1550 to 1650, with images for abo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syncopated
In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of rhythm": a "placement of rhythmic stresses or accents where they wouldn't normally occur". It is the correlation of at least two sets of time intervals. Syncopation is used in many musical styles, especially dance music. According to music producer Rick Snoman, "All dance music makes use of syncopation, and it's often a vital element that helps tie the whole track together". Syncopation can also occur when a strong harmony is simultaneous with a weak beat, for instance, when a 7th-chord is played on the second beat of measure or a dominant chord is played at the fourth beat of a measure. The latter occurs frequently in tonal cadences for 18th- and early-19th-century music and is the usual conclusion of any section. A hemiola (the equivalent Latin term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Music
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John I Of Aragon
John I (27 December 1350 – 19 May 1396), called by posterity the Hunter or the Lover of Elegance, but the Abandoned in his lifetime, was the King of Aragon from 1387 until his death. Biography John was the eldest son of Peter IV and his third wife, Eleanor, who was the daughter of Peter II of Sicily. He was born in Perpignan, capital of the Rousillon, which at that time was part of the Principality of Catalonia, in the Crown of Aragon. He was a man of character, with a taste for verse. He was a Francophile and married Violant of Bar against the wishes of his father, who had wanted him to marry a princess of Sicily. His last marriage was happy. His wife frequently participated in government, since the king was often ill. Once on the throne, John abandoned his father's relatively Anglophile policy and made an alliance with France. He continued Aragon's support for the Pope of the Avignon line, Clement VII, in the Western Schism. John also made an alliance with Castile, and confi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaston III, Count Of Foix
Gaston Fébus (also spelt Phoebus) (30 April 1331 – 1391) was the eleventh count of Foix (as Gaston III) and twenty-fourth viscount of Béarn (as Gaston X) from 1343 until his death. Early life Gaston was born either in Orthez or Foix, the eldest son of Gaston II/IX (1308–1343). As the lord's eldest son, he was given the dynastic name, Gaston. He later adopted Fébus as a nickname. In its classic spelling, Phoebus, it is one of the names of the sun-god, Apollo, and is apt because of Gaston Fébus's golden hair. His native language was Gascon (a dialect of Occitan), but he was also fluent in French. He wrote a treatise on hunting in French, and an Occitan song, ''Se Canta'', has been ascribed to him. One contemporary chronicler, Jean Froissart, records that he "very willingly spoke to me not in his native Gascon but in proper and elegant French".Paul Cohen, "Linguistic Politics on the Periphery: Louis XIII, Béarn, and the Making of French as an Official Language in Early M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilbert Reaney
Gilbert Reaney (11 January 1924 – 22 March 2008) was an English musicologist who specialized in medieval and Renaissance music, theory and literature. Described as "one of the most prolific and influential musicologists of the past century", Reaney made significant contributions to his fields of expertise, particularly on the life and works of Guillaume de Machaut, as well as medieval music theory. Born in Sheffield, Reaney studied French and music at the University of Sheffield, where he received three degrees: a Bachelor of Arts, Bachelor of Music and Master of Arts. For the latter, he wrote a dissertation on the ''formes fixes'' of Machaut, inaugurating a life-long scholarly interest in the composer. After stints at the Universities of Reading, Birmingham, and Hamburg he became an associate professor at the University of California, Los Angeles. He was a Professor of Music there from 1963 until his retirement in 1997. A long-time associate of the American Institute of M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secular Music
Non-religious secular music and sacred music were the two main genres of Western music during the Middle Ages and Renaissance era. The oldest written examples of secular music are songs with Latin lyrics.Grout, 1996, p. 60 However, many secular songs were sung in the vernacular language, unlike the sacred songs that followed the Latin language of the Church. These earliest types were known as the chanson de geste (song of deeds) and were popular amongst the traveling jongleurs and minstrels of the time.Grout, 1996, p. 61 The largest collection of secular music from this period comes from poems of celebration and chivalry of the troubadours from the south of France. These poems contain clever rhyme-schemes, varied use of refrain-lines or words, and different metric patterns. The minstrels of this time were not themselves poets or composers. Instead they adapted the compositions of others to sing, play, and dance to in their own unique versions. Other styles included love songs, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
