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Gridnik (typeface)
Gridnik is a geometrical typeface designed by Dutch graphic designer Wim Crouwel, in 1974. It is the digital version of the typewriter typeface ''Olivetti Politene''. History Around 1974, Crouwel was commissioned by typewriter manufacturer Olivetti to design a typeface for their new electric typewriters. The result was a sans serif monoline (all lines are of equal thickness) typeface. Olivetti called it ''Politene''. All characters are based on a square grid, with the 45-degree corners. Before Crouwel could finish the design, the interest for electric typewriters declined, so much so that they did not need the type design anymore. As a consequence, the copyrights of the design went back to Crouwel. At the same time they commissioned Crouwel, they asked Josef Müller-Brockmann to design a typeface as well. Number Postage Stamps The most notable use of Gridnik was on a series of Number Postage Stamps for the Dutch PTT, designed in the same period as the Olivetti commission. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans Serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Copyright
A copyright is a type of intellectual property that gives its owner the exclusive right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require "fixing" copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution. Copyrights can be granted by public law and are in that case considered "territorial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Alphabet (typeface)
New Alphabet is a parametric typeface designed by Wim Crouwel, released in 1967. It embraced the limitations of the display technology that it was displayed on by only using horizontal and vertical strokes. This meant that some of the letters had little resemblance to the letters they were supposed to represent. New Alphabet was notably used on the cover of Joy Division's 1988 compilation album '' Substance''. History New Alphabet was a personal, experimental project of Crouwel. The typeface was designed to embrace the limitations of the cathode ray tube technology used by early data display screens and phototypesetting equipment, and thus only contains horizontal and vertical strokes. Conventional typefaces can suffer under these limitations, because the level of detail is not high enough, restricting legibility. Crouwel wanted to adapt his design to work for the new technologies, instead of adapting the technologies to meet the design. Since his letter shapes only contain hor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fodor (typeface)
Fodor is a geometrical typeface designed by Dutch graphic designer and type designer Wim Crouwel, around 1973. History Fodor was designed for the covers of the magazine published by Museum Fodor in Amsterdam. The main text on the covers were set with an electric typewriter, and the monospaced typeface that it used created strong horizontal and vertical lines. Crouwel made these visible by using a regular pattern of pink dots on an orange background. He then used this grid to draw the letters ''fodor'' and a set of numbers. Later, a complete alphabet was developed from the wordmark.Jan Middendorp, ''Dutch Type'', 010 Publishers, Rotterdam (2004), p. 121. Digital Fodor The digital version of Fodor was made by the type foundry A type foundry is a company that designs or distributes typefaces. Before digital typography, type foundries manufactured and sold metal and wood typefaces for hand typesetting, and matrices for line-casting machines like the Linotype and M ... ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grid (graphic Design)
In graphic design, a grid is a structure (usually two-dimensional) made up of a series of intersecting straight (vertical, horizontal, and angular) or curved lines (grid lines) used to structure content. The grid serves as an armature or framework on which a designer can organize graphic elements (images, glyphs, paragraphs, etc.) in a rational, easy-to-absorb manner. A grid can be used to organize graphic elements in relation to a page, in relation to other graphic elements on the page, or relation to other parts of the same graphic element or shape. The less-common printing term "reference grid," is an unrelated system with roots in the early days of printing. History Antecedents Before the invention of movable type a system based on optimal proportions had been used to arrange handwritten text on pages. One such system, known as the Villard Diagram, was in use at least since medieval times. Evolution of the modern grid After World War II, a number of graphic designers, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boldface
In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. It is the equivalent of prosody stress in speech. Methods and use The most common methods in Western typography fall under the general technique of emphasis through a change or modification of font: ''italics'', boldface and . Other methods include the alteration of LETTER CASE and as well as and *additional graphic marks*. Font styles and variants The human eye is very receptive to differences in "brightness within a text body." Therefore, one can differentiate between types of emphasis according to whether the emphasis changes the " blackness" of text, sometimes referred to as typographic color. A means of emphasis that does not have much effect on blackness is the use of ''italics'', where the text is written in a script style, or '' oblique'', where the vertical orientation of each letter of the text is slanted to the left ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Type Foundry
A type foundry is a company that designs or distributes typefaces. Before digital typography, type foundries manufactured and sold metal and wood typefaces for hand typesetting, and matrices for line-casting machines like the Linotype and Monotype, for letterpress printers. Today's digital type foundries accumulate and distribute typefaces (typically as digitized fonts) created by type designers, who may either be freelancers operating their own independent foundry, or employed by a foundry. Type foundries may also provide custom type design services. England In England, type foundries began in 1476, when William Caxton introduced the printing press, importing at least some of the type that he used in printing. Until William Caslon (1692–1766), however, English type generally had a poor reputation with the best type imported from Holland. Only after Caslon had established his Caslon foundry in Chiswell Street, did the City of London become a major centre for the i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postal, Telegraph And Telephone Service
A postal, telegraph, and telephone service (or PTT) is a government agency responsible for postal mail, telegraph, and telephone services. Such monopolies existed in many countries, though not in North America or Japan. Many PTTs have been partially or completely privatised in recent years. In some of these privatisations, the PTT was renamed completely (such as KPN in the Netherlands, Orange S.A. in France, BT Group in the United Kingdom, Swisscom in Switzerland, Telstra in Australia, Spark in New Zealand, Chunghwa Telecom in Taiwan, A1 Telekom Austria Group in Austria, TDC Group in Denmark, Telia Company in Sweden and Finland, Telenor in Norway, Singtel in Singapore and Síminn in Iceland), whereas in others, the name of the privatised corporation has been only slightly modified, such as PT Telkom in Indonesia, Deutsche Telekom in Germany, Kosovo Telecom in Kosovo, Telekom Malaysia in Malaysia and Post Luxembourg POST Luxembourg, formerly known as Entreprise des Postes et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Müller-Brockmann
Josef Müller-Brockmann (9 May 1914 – 30 August 1996) was a Swiss graphic designer, author, and educator, he was a Principal at Muller-Brockmann & Co. design firm. He was a pioneer of the International Typographic Style. Müller-Brockmann is recognized for his simple designs and his clean use of typography, shapes and colors which inspire many graphic designers in the 21st century. Early life and education Josef Müller was born May 9, 1914 in Rapperswil, Switzerland. He studied architecture, design and art history at both the University of Zurich at Gewerbeschule, and Zurich University of the Arts (also known as Kunstgewerbeschule Zurich), where he studied with Ernst Keller and Alfred Willimann. He apprenticed in design and advertising with Walter Diggelman. In 1936, he opened his Zurich design studio specializing in graphic design, exhibition design, and photography. In 1937, he joined the Swiss Werkbund (Swiss Association of Artists and Designers). His favorite typefac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sans Serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VOX-ATypI Classification
In typography, the Vox-ATypI classification makes it possible to classify typefaces into general classes. Devised by Maximilien Vox in 1954, it was adopted in 1962 by the Association Typographique Internationale (ATypI) and in 1967 as a British Standard, as British Standards Classification of Typefaces (BS 2961:1967), which is a very basic interpretation and adaptation/modification of the earlier Vox-ATypI classification. On April 27, 2021, ATypI announced that they had de-adopted the system, and that they were establishing a working group building towards a new, larger system incorporating the different scripts of the world. Vox proposed a nine-type classification which tends to group typefaces according to their main characteristics, often typical of a particular century (15th, 16th, 17th, 18th, 19th, 20th century), based on a number of formal criteria: downstroke and upstroke, forms of serifs, stroke axis, x-height, etc. Although the Vox-ATypI classification defines archetypes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olivetti
Olivetti S.p.A. is an Italian manufacturer of computers, tablets, smartphones, printers and other such business products as calculators and fax machines. Headquartered in Ivrea, in the Metropolitan City of Turin, the company has been part of the TIM Group since 2003. One of the first commercial programmable desktop calculators, the Programma 101, was produced by Olivetti in 1964 and was a commercial success. History Founding The company was founded as a typewriter manufacturer by Camillo Olivetti in 1908 in the Turin commune of Ivrea, Italy. The firm was mainly developed by his son Adriano Olivetti, whose utopian vision led not only the company's worldwide expansion and commercial sucess, but also influenced business practice, politics, and culture. Olivetti opened its first overseas manufacturing plant in 1930, and its Divisumma electric calculator was launched in 1948. Olivetti produced Italy's first electronic computer, the transistorised Elea 9003, in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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