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Grete Wiesenthal
Grete Wiesenthal (9 December 1885 – 22 June 1970) was an Austrian dancer, actor, choreographer, and dance teacher. She transformed the Viennese Waltz from a staple of the ballroom into a wildly ecstatic dance. She was trained at the Vienna Court Opera, but left to develop her own more expressive approach, creating ballets to music by Franz Schreker, Clemens von Franckenstein, and Franz Salmhofer, as well as dancing in her own style to the waltzes of Johann Strauss II. She is considered a leading figure in modern dance in Austria. Early life Grete Wiesenthal was born in Vienna on 9 December 1885, daughter of the painter Franz Wiesenthal and his wife Rosa (née Ratkovsky). She had five sisters and a brother. At the age of ten she joined the ballet school of the Court Opera in Vienna, as did her sister Elsa, and from 1901 to 1907 she worked as a dancer there. In 1907, the conductor and composer Gustav Mahler gave her the leading role of Fenella in ''La Muette de Portici'', ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austria-Hungary
Austria-Hungary, often referred to as the Austro-Hungarian Empire,, the Dual Monarchy, or Austria, was a constitutional monarchy and great power in Central Europe between 1867 and 1918. It was formed with the Austro-Hungarian Compromise of 1867 in the aftermath of the Austro-Prussian War and was dissolved shortly after its defeat in the First World War. Austria-Hungary was ruled by the House of Habsburg and constituted the last phase in the constitutional evolution of the Habsburg monarchy. It was a multinational state and one of Europe's major powers at the time. Austria-Hungary was geographically the second-largest country in Europe after the Russian Empire, at and the third-most populous (after Russia and the German Empire). The Empire built up the fourth-largest machine building industry in the world, after the United States, Germany and the United Kingdom. Austria-Hungary also became the world's third-largest manufacturer and exporter of electric home appliances, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Muette De Portici
''La muette de Portici'' (''The Mute Girl of Portici'', or ''The Dumb Girl of Portici''), also called ''Masaniello'' () in some versions, is an opera in five acts by Daniel Auber, with a libretto by Germain Delavigne, revised by Eugène Scribe. The work has an important place in music history as the earliest French grand opera. It is also known for its alleged role in the Belgian Revolution of 1830. Background The opera was first given at the Salle Le Peletier of the Paris Opéra on 29 February 1828. The role of Masaniello was taken by the famous tenor Adolphe Nourrit and Princess Elvire was sung by Laure Cinti-Damoreau. The dancer Lise Noblet played the mute title role, a part later taken by other dancers such as Marie Taglioni, Fanny Elssler and Pauline Leroux, also the actress Harriet Smithson (the future wife of Hector Berlioz). Alphonse was created by Alexis Dupont, who was Lise Noblet's brother-in-law. The conductor at the premiere was Henri Valentino.; ; ; . Other sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Vaudeville
The Théâtre du Vaudeville was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mainly put on "petites pièces mêlées de couplets sur des airs connus", including vaudevilles. After the theatre on the rue de Chartres burned down in 1838, the Vaudeville temporarily based itself on boulevard de Bonne-Nouvelle before in 1841 setting up in the Salle de la Bourse on the Place de la Bourse in the 2e arrondissement. This building was demolished in 1869. Eugène Labiche and Henri Meilhac put on several of their works there, and it also hosted Jules Verne's play ''Onze jours de siège'' (1861). Other writers whose works were put on there were Edmond Gondinet, Alexandre Bisson, Théophile Marion Dumersan, Jean-François Bayard, Narcisse Fournier and Gaston Arman de Caillavet. In 1852, ''La Dame aux camélias'' by Alexandre Dumas fils was put on here. For the first time in the era, there were over 100 consecutive perfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Hippodrome
The Hippodrome is a building on the corner of Cranbourn Street and Charing Cross Road in the City of Westminster, London. The name was used for many different theatres and music halls, of which the London Hippodrome is one of only a few survivors. ''Hippodrome'' is an archaic word referring to places that host horse races and other forms of equestrian entertainment. History Hippodrome The London Hippodrome was opened in 1900. It was designed by Frank Matcham for Moss Empires chaired by Edward Moss and built for £250,000 as a hippodrome for circus and variety performances. The venue gave its first show on 15 January 1900, a music hall revue entitled "Giddy Ostend" with Little Tich. The conductor was Georges Jacobi. Entry to the venue was through a bar, dressed as a ship's saloon. The performance space featured both a proscenium stage and an arena that sank into a 230 ft, 100,000 gallon water tank (about 400 tons, when full) for aquatic spectacles. The tank featured eigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsches Theater (Berlin)
The Deutsches Theater is a theater in Berlin, Germany. It was built in 1850 as Friedrich-Wilhelm-Städtisches Theater, after Frederick William IV of Prussia. Located on Schumann Street (Schumannstraße), the Deutsches Theater consists of two adjoining stages that share a common, classical facade. The main stage was built in 1850, originally for operettas. Adolf L'Arronge founded the Deutsches Theater in 1883 with the ambition of providing Berliners with a high-quality ensemble-based repertory company on the model of the German court theater, the Meiningen Ensemble, which had been developed by Georg II, Duke of Saxe-Meiningen and his colleagues to become "the most widely admired and imitated company in Europe", thanks to its historically accurate sets and costumes, vividly-realized crowd scenes, and meticulous directorial control.Banham (1998a) and (1998b). Otto Brahm, the leading exponent of theatrical Naturalism in Germany, took over the direction of the theater in 1894, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On The Beautiful Blue Danube
"The Blue Danube" is the common English title of "An der schönen blauen Donau", Op. 314 (German for "By the Beautiful Blue Danube"), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, "The devil take the waltz, my only regret is for the coda—I wish that had been a success!" After the original music was written, the words were added by the Choral Association's poet, Joseph Weyl. Strauss later added more music, and Weyl needed to change some of the words. Strauss adapted it into a purely orchestral version for the 1867 Paris World's Fair, and it became a great success in this form. The instrumental version is by far the most commonly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruth St Denis
Ruth St. Denis (born Ruth Denis; January 20, 1879 – July 21, 1968) was an American pioneer of modern dance, introducing eastern ideas into the art. She was the co-founder of the American Denishawn School of Dancing and Related Arts and the teacher of several notable performers. Biography Ruth St. Denis was born on January 20, 1879. She was raised on a small farm in New Jersey, daughter of Ruth Emma ( Hull) Denis (a physician by training), and Thomas Laban Denis, an inventor, where she studied both Christian Science and theosophy. As a child, she learned exercises based on François Delsarte's Society Gymnastics and Voice Culture. This was the beginning of St. Denis's dance training, and was instrumental in developing her technique later in life. In 1894, after years of practicing Delsarte poses, she debuted as a skirt dancer for Worth's Family Theatre and Museum. From this modest start, she progressed to touring with an acclaimed producer and director, David Belasco. While tou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isadora Duncan
Angela Isadora Duncan (May 26, 1877 or May 27, 1878 – September 14, 1927) was an American dancer and choreographer, who was a pioneer of modern contemporary dance, who performed to great acclaim throughout Europe and the US. Born and raised in California, she lived and danced in Western Europe, the US and the Soviet Union from the age of 22 until her death at age 50 when her scarf became entangled in the wheel and axle of the car in which she was travelling in Nice, France. Early life Isadora Duncan was born in San Francisco, the youngest of the four children of Joseph Charles Duncan (1819–1898), a banker, mining engineer and connoisseur of the arts, and Mary Isadora Gray (1849–1922). Her brothers were Augustin Duncan and Raymond Duncan; her sister, Elizabeth Duncan, was also a dancer. Soon after Isadora's birth, her father was found to have been using funds from two banks he had helped set up to finance his private stock speculations. Although he avoided prison time, I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oesterreichisches Musiklexikon
The ''Oesterreichisches Musiklexikon''''Oesterreichisch'' with ''Oe'' is the spelling of the print and online output. is a five-volume music encyclopedia founded by the Austrian Academy of Sciences' Commission for Music Research. It was officially launched on 19 May 2002 with a concert in the main broadcasting hall of Österreichischer Rundfunk (ORF) in Vienna.Feichtinger, Johannes and Uhl, Heidemarie (2016)''Habsburg neu denken: Vielfalt und Ambivalenz in Zentraleuropa'' p. 11. Böhlau Verlag. s.n. (19 May 2002)"Österreichisches Musiklexikon als Buch und im Web" ''Wiener Zeitung''. Retrieved 22 March 2019 . Contents The ''Oesterreichisches Musiklexikon'' consists of five volumes with almost 2800 pages and 7474 keywords on all current and historical topics of Austrian music and musical life. In addition to biographies of composers, librettists, conductors, instrumentalists, singers, dancers, choreographers, theatre directors, instrument makers, music publishers, musicologists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna Museum
The Vienna Museum (german: Wien Museum or ''Museen der Stadt Wien'') is a group of museums in Vienna consisting of the museums of the history of the city. In addition to the main building in Karlsplatz and the Hermesvilla, the group includes numerous specialised museums, musicians' residences and archaeological excavations. The permanent exhibit of art and the historical collection on the history of Vienna include exhibits dating from the Neolithic to the mid-20th century. The emphasis is on the 19th century, for example works by Gustav Klimt. In addition, the Vienna Museum hosts a variety of special exhibitions. History Originally known as the Historical Museum of the City of Vienna (''Historisches Museum der Stadt Wien''), its existence dates back to 1887, and until 1959 was located in the Vienna Town Hall (''Rathaus''). The first plans for a city museum on Karlsplatz date back to the beginning of the 20th century; one of proposed plans were drawn by the renowned ''Jugendsti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ecstatic Dance
Ecstatic dance is a form of dance in which the dancers, sometimes without the need to follow specific steps, abandon themselves to the rhythm and move freely as the music takes them, leading to trance and a feeling of ecstasy. The effects of ecstatic dance begin with ecstasy itself, which may be experienced in differing degrees. Dancers are described as feeling connected to others, and to their own emotions. The dance serves as a form of meditation, helping people to cope with stress and to attain serenity. Ecstatic dance has been practised throughout human history, including in classical times by the maenads, followers of the wine-god Dionysus. In the ancient and widespread practice of shamanism, ecstatic dance and rhythmic drumming are used to alter consciousness in spiritual practices. Ecstatic sacred dances are known also from religious traditions around the world. Modern ecstatic dance was revived by Gabrielle Roth in the 1970s and formalised in her 5Rhythms practice; it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna Secession
The Vienna Secession (german: Wiener Secession; also known as ''the Union of Austrian Artists'', or ''Vereinigung Bildender Künstler Österreichs'') is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. They resigned from the Association of Austrian Artists in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession Building designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called '' Ver Sacrum'' (''Sacred Spring'', in Latin), which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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