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Green Method -Midori No Chuuyou Chitsujyo Kei-
''Green Method -Midori no Chuuyou Chitsuyo Kei-'' (''Green Method''-緑の中庸秩序系-), also known as ''Quantum Mechanics Rainbow IV: Green Method'', is the ninth solo album from Japanese musician Daisuke Asakura released on September 15, 2004. The album is the fourth in the ''Quantum Mechanics Rainbow'' series. The concept of this series is "one album for every rainbow color and a different Quantum Mechanics Quantum mechanics is a fundamental theory in physics that provides a description of the physical properties of nature at the scale of atoms and subatomic particles. It is the foundation of all quantum physics including quantum chemistry, ... term". Track listing *All songs produced, composed and arranged by Daisuke Asakura. Guest rap on track 5 by HIDE (Dt.). ReferencesOfficial Daisuke Asakura ProfileDaisuke Asakura Discography on Sony Music Japan {{DEFAULTSORT:Green Method -Midori No Chuuyou Chitsujyo Kei- 2004 albums Daisuke Asakura albums ...
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Daisuke Asakura
is a Japanese musician, songwriter and producer who is known for his compositional work and skill at the keyboards. Early life and career Asakura's childhood consisted of piano and electronic organ lessons, though he was expected to follow the family trade of plumbing. He started working with Yamaha keyboards and synthesizers in his early teens. Asakura began his career with a job at Yamaha right after finishing high school. While at Yamaha, Asakura worked on the EOS synthesiser, and was also featured in the instructional video for the SY77. His talent was discovered by Tetsuya Komuro of TM Network and Asakura was pulled from Yamaha to work under Komuro as his protégé. Subsequently, Asakura played the bass synthesizer during TM Network's 1990–91 Rhythm Red tour. In 1992, Asakura met the vocalist Hiroyuki Takami and featured him in some of his solo work. The two eventually formed Access (or "AXS") in 1992, after Asakura broke away from TM Network. He and Takami went on to ac ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ...
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Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ...
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Blue Resolution -Ao No Shikaku Kaiseki Do -
''Blue Resolution -Ao no Shikaku Kaiseki do-'' (''Blue Resolution''-青の思覚解析度-), also known as ''Quantum Mechanics Rainbow III: Blue Resolution'', is the eighth (seventh of entirely new music) solo album by artist Daisuke Asakura. It is the third in a series of seven albums released by Asakura in 2004, called ''Quantum Mechanics Rainbow''. Each album revolves around a different color of the rainbow and a different term relating to Quantum Mechanics. This album revolves around the color blue Blue is one of the three primary colours in the RYB colour model (traditional colour theory), as well as in the RGB (additive) colour model. It lies between violet and cyan on the spectrum of visible light. The eye perceives blue when obs .... It also contains guest vocals by Mayumi Fujita (Track 5). Track listing *All songs produced, composed and arranged by Daisuke Asakura ReferencesOfficial Daisuke Asakura ProfileDaisuke Asakura Discography on Sony Music JapanSc ...
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Yellow Vector - Ki No Taji Gen Shikousei-
''Yellow Vector – Ki no Taji Gen Shikousei-'' (''Yellow Vector''-黄の多次限指向性-), also known as ''Quantum Mechanics Rainbow V: Yellow Vector'', is the tenth solo album from Japanese musician Daisuke Asakura released on November 30, 2004. The album is the fifth in the ''Quantum Mechanics Rainbow'' series. The concept of this series is "one album for every rainbow color and a different Quantum Mechanics term". Track 7 is dedicated to D.A.N.K, a boy band Asakura formed in a futile attempt to copy the popularity of Japanese music company Johnny’s Entertainment Company. Tracks 1 and 8 make references to physicist Erwin Schrödinger and mathematician Pierre-Simon Laplace Pierre-Simon, marquis de Laplace (; ; 23 March 1749 – 5 March 1827) was a French scholar and polymath whose work was important to the development of engineering, mathematics, statistics, physics, astronomy, and philosophy. He summarized ..., respectively. Track 5 contains guest vocals from ...
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Quantum Mechanics
Quantum mechanics is a fundamental theory in physics that provides a description of the physical properties of nature at the scale of atoms and subatomic particles. It is the foundation of all quantum physics including quantum chemistry, quantum field theory, quantum technology, and quantum information science. Classical physics, the collection of theories that existed before the advent of quantum mechanics, describes many aspects of nature at an ordinary (macroscopic) scale, but is not sufficient for describing them at small (atomic and subatomic) scales. Most theories in classical physics can be derived from quantum mechanics as an approximation valid at large (macroscopic) scale. Quantum mechanics differs from classical physics in that energy, momentum, angular momentum, and other quantities of a bound system are restricted to discrete values ( quantization); objects have characteristics of both particles and waves (wave–particle duality); and there are limits to ...
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2004 Albums
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the other hand, ...
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