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Greek Lyric Poetry
Greek lyric is the body of lyric poetry written in dialects of Ancient Greek. It is primarily associated with the early 7th to the early 5th centuries BC, sometimes called the "Lyric Age of Greece", but continued to be written into the Hellenistic and Imperial periods. Background Lyric is one of three broad categories of poetry in classical antiquity, along with drama and epic, according to the scheme of the "natural forms of poetry" developed by Goethe in the early nineteenth century. (Drama is considered a form of poetry here because both tragedy and comedy were written in verse in ancient Greece.) Culturally, Greek lyric is the product of the political, social and intellectual milieu of the Greek ''polis'' ("city-state"). Much of Greek lyric is occasional poetry, composed for public or private performance by a soloist or chorus to mark particular occasions. The symposium ("drinking party") was one setting in which lyric poems were performed.Miller, ''Greek Lyric: An Anthology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brygos Painter 480 BC Sappho And Alkaios Staatliche Antikensammlungen Kat 98 0001
Brygos was an ancient Greek potter, active in Athens between 490 and 470 BC. He is known as a producer of excellent drinking cups. About 200 of his pieces are known. The workshop of Brygos employed a red-figure vase painter who is conventionally called the Brygos Painter. The Brygos Painter is one of the most famous vase painters of his time. His work is characterised by its high quality and realistic depictions. The workshop of Brygos also employed the Briseis Painter, among others. See also * Pottery of ancient Greece *Art in ancient Greece Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic d ... Bibliography *Ingeborg Scheibler. ''Griechische Töpferkunst'', C. H. Beck. External linksGetty Museum - Brygos Potter Ancient Greek potters Anonymous artists of antiquity {{Anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambus (genre)
Iambus or iambic poetry was a genre of ancient Greek poetry that included but was not restricted to the iambic meter and whose origins modern scholars have traced to the cults of Demeter and Dionysus. The genre featured insulting and obscene language and sometimes it is referred to as "blame poetry". For Alexandrian editors, however, iambus signified any poetry of an informal kind that was intended to entertain, and it seems to have been performed on similar occasions as elegy even though lacking elegy's decorum. The Archaic Greek poets Archilochus, Semonides and Hipponax were among the most famous of its early exponents. The Alexandrian poet Callimachus composed "iambic" poems against contemporary scholars, which were collected in an edition of about a thousand lines, of which fragments of thirteen poems survive. He in turn influenced Roman poets such as Catullus, who composed satirical epigrams that popularized Hipponax's choliamb. Horace's '' Epodes'' on the other hand were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nine Lyric Poets
The Nine Lyric or Melic Poets were a canonical group of ancient Greek poets esteemed by the scholars of Hellenistic Alexandria as worthy of critical study. In the Palatine Anthology it is said that they established lyric song. They were: *Alcman of Sparta (choral lyric, 7th century BC) *Sappho of Lesbos (monodic lyric, BC) *Alcaeus of Mytilene (monodic lyric, BC) *Anacreon of Teos (monodic lyric, 6th century BC) *Stesichorus of Metauros (choral lyric, 7th century BC) *Ibycus of Rhegium (choral lyric, 6th century BC) *Simonides of Ceos (choral lyric, 6th century BC) *Bacchylides of Ceos (choral lyric, 5th century BC) *Pindar of Thebes (choral lyric, 5th century BC) In most Greek sources the word ''melikos'' (from ''melos'', "song") is used to refer to these poets, but the variant ''lyrikos'' (from ''lyra'', "lyre") became the regular form in both Latin (as ''lyricus'') and in modern languages. The ancient scholars defined the genre on the basis of the musical accompaniment, not t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Canon
The term canon derives from the Greek (), meaning "rule", and thence via Latin (language), Latin and Old French into English. The concept in English usage is very broad: in a general sense it refers to being one (adjectival) or a group (noun) of official, authentic or approved rules or laws, Canon (canon law), particularly ecclesiastical; or group of official, authentic, or approved literary or artistic works, such as the literature of a particular author, of a particular genre, or a particular group of religious scriptural texts; or similarly, one or a body of rules, principles, or standards accepted as axiomatic and universally binding in a religion, or a field of study or art. Examples This principle of grouping has led to more specific uses of the word in different contexts, such as the Biblical canon (which a particular religious community regards as authoritative) and thence to literary canons (of a particular "body of literature in a particular language, or from a particul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pederasty In Ancient Greece
Pederasty in ancient Greece was a socially acknowledged romantic relationship between an older male (the ''erastes'') and a younger male (the ''eromenos'') usually in his teens. It was characteristic of the Archaic Greece, Archaic and Classical Greece, Classical periods. The influence of pederasty on Greek culture of these periods was so pervasive that it has been called "the principal cultural model for free relationships between citizens." Some scholars locate its origin in initiation ritual, particularly rites of passage on Crete, where it was associated with entrance into military life and the religion of Zeus. It has no formal existence in the Homeric epics, and seems to have developed in the late 7th century BC as an aspect of Greek homosociality, homosocial culture, which was characterized also by Nudity in sport, athletic and Depictions of nudity, artistic nudity, delayed marriage for aristocrats, symposium, symposia, and the social seclusion of women. Pederasty was both i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archilochus
Archilochus (; grc-gre, Ἀρχίλοχος ''Arkhilokhos''; c. 680 – c. 645 BC) was a Greek lyric poet of the Archaic period from the island of Paros. He is celebrated for his versatile and innovative use of poetic meters, and is the earliest known Greek author to compose almost entirely on the theme of his own emotions and experiences. Biography A considerable amount of information about the life of Archilochus has come down to the modern age via his surviving work, the testimony of other authors, and inscriptions on monuments, yet it all needs to be viewed with caution – the biographical tradition is generally unreliable and the fragmentary nature of the poems does not really support inferences about his personal history. The vivid language and intimate details of the poems often look autobiographical yet it is known, on the authority of Aristotle, that Archilochus sometimes role-played. The philosopher quoted two fragments as examples of an author speaking in somebo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invective
Invective (from Middle English ''invectif'', or Old French and Late Latin ''invectus'') is abusive, reproachful, or venomous language used to express blame or censure; or, a form of rude expression or discourse intended to offend or hurt; vituperation, or deeply seated ill will, vitriol. The Latin adjective ''invectivus'' means 'scolding.' The genre of invective The "genre of invective" or "''vituperatio''" in Latin is a classical literary form used in Greek and Roman polemical verse as well as in prose. Its primary context is as rhetoric. The genre of ''vituperatio'' belongs to the ''genus demonstrativum'', which is composed of the elements of the praise and the blame. During the Roman Republic, personal invectives and character assassination were widely used as part of both forensic speeches and orations. Cicero made frequent use of the invective form against political foes such as Clodius, Catilina (in the Catalinarian speeches) or Mark Antony (Philippics). Common charges in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dithyramb
The dithyramb (; grc, διθύραμβος, ''dithyrambos'') was an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility; the term was also used as an epithet of the god. Plato, in ''The Laws'', while discussing various kinds of music mentions "the birth of Dionysos, called, I think, the dithyramb." Plato also remarks in the ''Republic'' that dithyrambs are the clearest example of poetry in which the poet is the only speaker. However, in '' The Apology'' Socrates went to the dithyrambs with some of their own most elaborate passages, asking their meaning but got a response of, "Will you believe me?" which "showed me in an instant that not by wisdom do poets write poetry, but by a sort of genius and inspiration; they are like diviners or soothsayers who also say many fine things, but do not understand the meaning of them." Plutarch contrasted the dithyramb's wild and ecstatic character with the paean. According to Aristotle, the dithyramb was the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paean
A paean () is a song or lyric poem expressing triumph or thanksgiving. In classical antiquity, it is usually performed by a chorus, but some examples seem intended for an individual voice (monody). It comes from the Greek παιάν (also παιήων or παιών), "song of triumph, any solemn song or chant". "Paeon" was also the name of a divine physician and an epithet ("byname") of Apollo. Etymology The basis of the word παιάν is *παιάϝων." Its ultimate etymology is unclear. R. S. P. Beekes has suggested the meaning "who heals illnesses through magic", from *παῖϝα/*παϝία "blow", related to παίω "beat" (from Proto-Indo-European ''*ph2u-ie/o-'') or παύω "withhold" (of uncertain etymology). He alternatively suggested that ''paian'' "may well be Pre-Greek". R. S. P. Beekes, ''Etymological Dictionary of Greek'', Brill, 2009, p. 1142 (see also pp. 1144 and 1159). Ancient Greek paean In Homer, PaeonMycenaean Greek , ''pa-ja-wo-ne'' /pajāwonei/ ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
