|
Greatest Painting In Britain Vote
The Greatest Painting in Britain Vote was a survey made by BBC Radio 4's ''Today'' programme in Summer 2005 with the aim of discovering the best-loved painting in Britain, in the manner of 100 Greatest Britons and The Big Read The Big Read was a survey on books carried out by the BBC in the United Kingdom in 2003, where over three-quarters of a million votes were received from the British public to find the nation's best-loved novel of all time. The year-long survey wa .... It was criticised for the conservatism of the final selection as well as the unsuitability of the idea for the non-visual medium of radio. The winner, voted for by the public from a shortlist of 10, was announced on air on 5 September 2005. The Top Ten External links Weblog entry with digest of media responses to the poll{Dead link, date=January 2020 , bot=InternetArchiveBot , fix-attempted=yes 2005 in the United Kingdom 2005 radio programme debuts Surveys (human research) Paintings in the United Kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Radio 4
BBC Radio 4 is a British national radio station owned and operated by the BBC that replaced the BBC Home Service in 1967. It broadcasts a wide variety of spoken-word programmes, including news, drama, comedy, science and history from the BBC's headquarters at Broadcasting House, London. The station controller is Mohit Bakaya. Broadcasting throughout the United Kingdom, the Isle of Man and the Channel Islands on FM, LW and DAB, and on BBC Sounds, it can be received in the eastern counties of Ireland, northern France and Northern Europe. It is available on Freeview, Sky, and Virgin Media. Radio 4 currently reaches over 10 million listeners, making it the UK's second most-popular radio station after Radio 2. BBC Radio 4 broadcasts news programmes such as ''Today'' and ''The World at One'', heralded on air by the Greenwich Time Signal pips or the chimes of Big Ben. The pips are only accurate on FM, LW, and MW; there is a delay on digital radio of three to five seconds and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunflowers (Van Gogh Series)
''Sunflowers'' (original title, in French: ''Tournesols'') is the title of two series of still life paintings by the Dutch painter Vincent van Gogh. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase. In the artist's mind, both sets were linked by the name of his friend Paul Gauguin, who acquired two of the Paris versions. About eight months later van Gogh hoped to welcome and impress Gauguin again with ''Sunflowers'', now part of the painted ''Décoration for the Yellow House'' that he prepared for the guestroom of his home in Arles, where Gauguin was supposed to stay. After Gauguin's departure, van Gogh imagined the two major versions as wings of the ''Berceuse Triptych'', and finally, he included them in his Les XX in Bruxelles exhibit. The Paris ''Sunflowers'' Little is known of Van Gogh's activities during the two years he lived with his brother, The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir John Soane's Museum
Sir John Soane's Museum is a house museum, located next to Lincoln's Inn Fields in Holborn, London, which was formerly the home of neo-classical architect, John Soane. It holds many drawings and architectural models of Soane's projects, and a large collection of paintings, sculptures, drawings and antiquities that he acquired over many years. The museum was established during Soane's own lifetime by a Private Act of Parliament in 1833, which took effect on his death in 1837. Soane engaged in this lengthy parliamentary campaign in order to disinherit his son, whom he disliked intensely. The act stipulated that on Soane's death his house and collections would pass into the care of a Board of Trustees, acting on behalf of the nation, and that they would be preserved as nearly as possible exactly in the state they were at his death. The museum's trustees remained completely independent, relying only on Soane's original endowment, until 1947. Since then, the museum has received an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series ''A Harlot's Progress'', ''A Rake's Progress'' and '' Marriage A-la-Mode''. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge. Influenced by French and Italian painting and engraving, Hogarth's works are mostly sat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Rake's Progress
''A Rake's Progress'' (or ''The Rake's Progress'') is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735. The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling, and as a consequence is imprisoned in the Fleet Prison and ultimately Bethlem Hospital (Bedlam). The original paintings are in the collection of Sir John Soane's Museum in London, where they are normally on display for a short period each day. The filmmaker Alan Parker has described the works as an ancestor to the storyboard. Paintings I – ''The Heir'' In the first painting, Tom has come into his fortune on the death of his miserly father. While the servants mourn, he is measured for new clothes. Although he has had a common-law marriage with her, he now ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Della Francesca
Piero della Francesca (, also , ; – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes ''The History of the True Cross'' in the church of San Francesco in the Tuscan town of Arezzo. Biography Early years Piero was born Piero di Benedetto in the town of Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family. His father died before his birth, and he was called Piero della Francesca after his mother, who was referred to as "la Francesca" due to her marriage into the Franceschi family (similar to how Lisa Gherardini became kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Baptism Of Christ (Piero Della Francesca)
''The Baptism of Christ'' is a painting by the Italian Renaissance master Piero della Francesca. Painted in egg tempera on two panels of poplar wood, the dating is controversial – some give it a very early date, perhaps 1439; others much later, around 1460. It is held by the National Gallery, London. The panel was commissioned presumably some time about 1440 by the Camaldolese Monastery of Sansepolcro in Tuscany, now Sansepolcro Cathedral. Sansepolcro was the town the birthplace of Piero della Francesca. The town depicted in the middle distance in the painting, to Christ's left, may be Sansepolcro. Its dating to Piero della Francesca's early career is evidenced by the strong relationship with the "light painting" of his master, Domenico Veneziano. It was originally part of a triptych, with side panels of St Peter and St Paul and a predella by Matteo di Giovanni dated to the early 1460s, now in the civic art gallery in Sansepolcro. The composition is centred on the figur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birmingham Museum And Art Gallery
Birmingham Museum and Art Gallery (BM&AG) is a museum and art gallery in Birmingham, England. It has a collection of international importance covering fine art, ceramics, metalwork, jewellery, natural history, archaeology, ethnography, local history and industrial history. The museum/gallery is run by Birmingham Museums Trust, the largest independent museums trust in the United Kingdom, which also runs eight other museums around the city. Entrance to the Museum and Art Gallery is free, but some major exhibitions in the Gas Hall incur an entrance fee. History In 1829, the Birmingham Society of Artists created a ''private'' exhibition building in New Street, Birmingham while the historical precedent for public education around that time produced the Factory Act 1833, the first instance of Government funding for education. The Museums Act 1845 " mpoweredboroughs with a population of 10,000 or more to raise a 1/2d for the establishment of museums." In 1864, the first ''pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fitzwilliam Museum
The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. It is located on Trumpington Street opposite Fitzwilliam Street in central Cambridge. It was founded in 1816 under the will of Richard FitzWilliam, 7th Viscount FitzWilliam (1745–1816), and comprises one of the best collections of antiquities and modern art in western Europe. With over half a million objects and artworks in its collections, the displays in the museum explore world history and art from antiquity to the present. The treasures of the museum include artworks by Monet, Picasso, Rubens, Vincent van Gogh, Rembrandt, Cézanne, Van Dyck, and Canaletto, as well as a winged bas-relief from Nimrud. Admission to the public is always free. The museum is a partner in the University of Cambridge Museums consortium, one of 16 Major Partner Museum services funded by Arts Council England to lead the development of the museums sector. Foundation and buildings The museum was founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ford Madox Brown
Ford Madox Brown (16 April 1821 – 6 October 1893) was a British painter of moral and historical subjects, notable for his distinctively graphic and often William Hogarth, Hogarthian version of the Pre-Raphaelite style. Arguably, his most notable painting was ''Work (painting), Work'' (1852–1865). Brown spent the latter years of his life painting the twelve works known as ''The Manchester Murals'', depicting History of Manchester, Mancunian history, for Manchester Town Hall. Early life Brown was the grandson of the medical theorist John Brown (physician, born 1735), John Brown, founder of the Brunonian system of medicine. His great-grandfather was a Scottish labourer. His father Ford Brown served as a purser in the Royal Navy, including a period serving under Sir Isaac Coffin, 1st Baronet, Sir Isaac Coffin and a period on HMS Arethusa (1781), HMS ''Arethusa''. He left the Navy after the end of the Napoleonic Wars. In 1818, Ford Brown married Caroline Madox, of an ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last Of England (painting)
''The Last of England'' is an 1855 oil-on-panel painting by Ford Madox Brown depicting two emigrants leaving England to start a new life in Australia with their baby. The painting has an oval format and is in the Birmingham Museum and Art Gallery. Background Brown began the painting in 1852 inspired by the departure of his close friend, the Pre-Raphaelite sculptor, Thomas Woolner, who had left for Australia in July of that year. Emigration from England was at a peak, with over 350,000 people leaving that year. Brown, who at the time considered himself "very hard up and a little mad", was himself thinking of moving to India with his new family. Painting The painting depicts a man and his wife seeing England for the last time. The two main figures, based on Brown and his wife, Emma, stare ahead, stony-faced, ignoring the white cliffs of Dover which can be seen disappearing behind them in the top right of the picture. They are huddled under an umbrella that glistens with sea-spray. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish National Gallery
The Scottish National Gallery (formerly the National Gallery of Scotland) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859. The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century. The Scottish National Gallery is run by National Galleries of Scotland, a public body that also owns the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery. Because of its architectural similarity, the Scottish National Gallery is frequently confused by visitors with the neighbouring Royal Scottish Academy Building (RSA), a separate institution which works closely with the Scottish National Gallery. History The origins of Scotland's national collection lie with the Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Scottish National Gallery")