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Great Scott! (1958 Shirley Scott Album)
''Great Scott!'' is the debut album by organist Shirley Scott recorded in 1958 for the Prestige label.Payne, DShirley Scott discographyaccessed June 28, 2012 Reception The Allmusic review stated "''Great Scott!'' was her first out-front contribution to popularizing the organ in a jazz format that also drew on parts of blues and soul music. She displays admirable command of the instrument's swoops and funky glows here".Unterberger, RAllmusic Reviewaccessed June 28, 2012 Track listing # "Brazil" (Ary Barroso) - 2:26 # "The Scott" (Shirley Scott) - 3:05 # "Cherokee" (Ray Noble) - 5:19 # "Nothing Ever Changes My Love for You" (Marvin Fisher, Jack Segal) - 4:36 # "Trees" (Joyce Kilmer, Oscar Rasbach) - 6:57 # " All of You" (Cole Porter) - 3:20 # " Goodbye" (Gordon Jenkins) - 5:00 # " Four" (Miles Davis) - 3:53 Personnel * Shirley Scott - organ * George Duvivier - bass * Arthur Edgehill - drums The drum is a member of the percussion instrument, percussion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prestige Records
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City which issued recordings in the mainstream, bop, and cool jazz idioms. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them on subsidiary labels. The company's began releasing jazz records in 78 and 45 RPM formats in 1950. The Prestige label includes the 13000 and 25000 cat# series. Prestige International was a sub-label of Prestige, active from 1960 to 1969, that mostly released folk music. In 1971, the company was sold to Fantasy Records, Fantasy, which was later absorbed by Concord Records, Concord. History The Prestige office was located at 446 West 50th Street, New York City. Its catalogue included Gene Ammons, John Coltrane, Miles Davis, Stan Getz, Wardell Gray, Thelonious Monk, and Sonny Rollins. Audio engineer Rudy Van Gelder was the recording engineer of many Prestige albums in the 1950s and early-to-mid-1960s. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Segal
Jack Segal (October 19, 1918 – February 10, 2005) was an American pianist and composer of popular American songs, known for writing the lyrics to '' Scarlet Ribbons''. His composition '' May I Come In?'' was the title track for a Blossom Dearie album. Other songs he authored or co-authored are '' When Sunny Gets Blue'', ''That's the Kind of Girl I Dream Of'', ''I Keep Going Back to Joe's'' (with Marvin Fisher), ''A Boy from Texas, a Girl from Tennessee'' (with John Benson Brooks & Joseph Allan McCarthy), ''After Me'' (with Blossom Dearie) and '' When Joanna Loved Me'' (with Robert Wells). It has been estimated that his songs have helped sell 65 million records. Lyrics for the ballad that was perhaps Segal's greatest hit, Scarlet Ribbons (with music composed by Evelyn Danzig Levine), were written in just 15 minutes in 1949, and the song was recorded that year by Jo Stafford. Recordings by Juanita Hall and Dinah Shore soon followed, but the song was largely ignored by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit or drum set (also known as a trap set, or simply drums in popular music and jazz contexts) is a collection of drums, cymbals, and sometimes other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The drummer typically holds a pair of matching Drum stick, drumsticks or special wire or nylon brushes; and uses their feet to operate hi-hat and bass drum pedals. A standard kit usually consists of: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by one or more foot-operated pedals * One or more Tom drum, tom-toms, including Rack tom, rack toms or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be played with a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Edgehill
Clifford Arthur Edghill Jr. (July 21, 1926 – September 10, 2024) was an American hard bop jazz drummer active in the 1950s, 1960s and 1970s, appearing on several of the Prestige recordings recorded at the successive Van Gelder Studios, in Hackensack and Englewood Cliffs, including Mal Waldron's debut album, ''Mal-1'' (1956), but especially with Eddie "Lockjaw" Davis and Shirley Scott. Life and career Edghill was born in Brooklyn, New York, on July 21, 1926. Feather, Leonard G. (1960''The Encyclopedia of Jazz'', p. 189. Horizon Press At Google Books. Retrieved 28 April 2013. His first professional work was touring with Mercer Ellington in 1948, and in 1953 he toured with Ben Webster. He played with Kenny Dorham's Jazz Prophets in 1956 and with Gigi Gryce and in 1957-58 toured with Dinah Washington. He was a member of Eddie "Lockjaw" Davis' quartet with George Duvivier and/or Wendell Marshall, and Shirley Scott, and appears on several of Scott's recordings, including her debut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions such as the octobass). It has four or five strings, and its construction is in between that of the gamba and the violin family. The bass is a standard member of the orchestra's string section, along with violins, violas, and cellos,''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Duvivier
George Duvivier (August 17, 1920 – July 11, 1985) was an American jazz double-bassist. Biography Duvivier was born in New York City, the son of Leon V. Duvivier and Ismay Blakely Duvivier. He attended the Conservatory of Music and Art, where he studied violin. At age sixteen, he worked as assistant concertmaster for the Central Manhattan Symphony Orchestra. He began playing double bass and concentrated on composition at New York University. In the early 1940s, he accompanied Coleman Hawkins, Lucky Millinder, and Eddie Barefield. After serving in the U.S. Army, he worked as an arranger for Jimmie Lunceford, then as arranger and bassist for Sy Oliver. In the 1950s, he accompanied Lena Horne on her tour in Europe. He recorded for commercials, television shows, and movie soundtracks. Although he spent most of his career as a sideman, he recorded as a leader in 1956 with Martial Solal for Coronet. For four years beginning in 1953, he worked steadily with Bud Powell. He also work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert, first manufactured in 1935. Multiple models have been produced, most of which use sliding #Drawbars, drawbars to vary sounds. Until 1975, sound was created from rotating a metal tonewheel near an electromagnetic pickup, and Power amplifier, amplifying the electric signal into a speaker enclosure, speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to Church (building), churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith (musician), Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion featu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music, 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born into an upper-middle-class family in Alton, Illinois, and raised in East St. Louis, Davis started on the trumpet in his early teens. He left to study at Juilliard School, Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, while addicted to heroin, Davis recorded some of the earliest hard bop music under Prestige Records. After a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four (composition)
"Four" is a 1954 jazz standard. It was first recorded and arranged in 1954 by jazz trumpeter Miles Davis and released on his album '' Miles Davis Quartet''. It is a 32-bar ABAC form. The song composition officially credits Davis as the writer. However, there is some controversy that it may have actually been composed by someone and purchased by Davis. The American jazz saxophonist Eddie "Cleanhead" Vinson has claimed ownership for the song. Personnel *Miles Davis – trumpet *Horace Silver – piano *Percy Heath – double bass *Art Blakey – drums Recordings The following artists have covered this composition. *Miles Davis – '' Miles Davis Quartet'' (1954) *Stan Getz – ''West Coast Jazz'' (1955) * Miles Davis – ''Workin' with the Miles Davis Quintet'' (1956) *Gene Ammons – '' Jammin' in Hi Fi with Gene Ammons'' (1957) *Anita O'Day – '' Anita O'Day Sings the Winners'' (1958) * Phineas Newborn – '' The Great Jazz Piano of Phineas Newborn Jr.'' (1962) *Maynard Fergu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gordon Jenkins
Gordon Hill Jenkins (May 12, 1910 – May 1, 1984) was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald. Biography Career Gordon Jenkins was born in Webster Groves, Missouri. He began his career writing arrangements for a radio Station in St. Louis. He was hired by Isham Jones, the director of a dance band known for its ensemble playing, which gave Jenkins the opportunity to develop his skills in melodic scoring. He also conducted '' The Show Is On'' on Broadway. After the Jones band broke up in 1936, Jenkins worked as a freelance arranger and songwriter, contributing to sessions by Isham Jones, Paul Whiteman, Benny Goodman, Andre Kostelanetz, Lennie Hayton, and others. In 1938, Jenkins moved to Hollywood and worked for Paramoun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goodbye (Gordon Jenkins Song)
"Goodbye" (sometimes written "Good-Bye") is a song by American composer and arranger Gordon Jenkins, published in 1935. It became well known as the closing theme song of the Benny Goodman orchestra. Jenkins had written the song when working with the Isham Jones orchestra, and Jones allegedly rejected it as it was "too sad". Music critic Alec Wilder described "Goodbye" as "as sad a song I know" and Leonard Feather called it among his "top ten songs it would be hardest to tire of hearing". Origin Jenkins' son, the sportswriter Bruce Jenkins, wrote a biography of his father entitled ''Goodbye: In Search of Gordon Jenkins''. While researching the biography, Jenkins interviewed the singer Martha Tilton, who had performed with the Benny Goodman orchestra. Tilton revealed that the song was written by Jenkins after the death of his first wife in childbirth. Recordings The song was used as the closing theme for radio broadcasts by the Benny Goodman orchestra. They recorded it on September 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became Standard (music), standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway theatre, Broadway and in Hollywood films. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
