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Grayfolded
''Grayfolded'' is a two-CD album produced by John Oswald featuring new edits and re-mixes of the Grateful Dead song " Dark Star". Using over a hundred different performances of the song, recorded live between 1968 and 1993, Oswald, using a process he calls "plunderphonics", built, layered, and "folded" all of them to produce two large, recomposed versions, each about one hour long. The first disc of ''Grayfolded'', titled ''Transitive Axis'', was released in 1994, and the second disc, ''Mirror Ashes'', was released in 1995, both on the Swell/Artifacts label. The two discs were released together in 1996. ''Grayfolded'' was re-released by Snapper Music in 1999, and by Fony in 2004. It was released as a three-disc vinyl LP on August 12, 2014, on the Important Records label. ''Grayfolded'' is one of only three Grateful Dead albums that features the participation of every musician who was ever in the group, the others being the box sets '' So Many Roads (1965–1995)'' and '' 30 ...
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John Oswald (composer)
John Oswald (born May 30, 1953 in Kitchener, Ontario) is a Canadian composer, saxophonist, media artist and dancer. His best known project is ''Plunderphonics'', the practice of making new music out of previously existing recordings (see sound collage and musical montage). Early life Oswald was introduced to sampling from a young age having been gifted a reel-to-reel player from his parents at age 9. He then attended Simon Fraser University in the 1970s, becoming part of World Soundscape Project while on campus. It was there that Oswald became familiar with recorded sounds from different environments and applying them to new work created. Philosophy Oswald coined the term "plunderphonics" to describe his craft in a paper calle"Plunderphonics, or Audio Piracy as a Compositional Prerogative"which he presented at the Wired Society Electro-Acoustic Conference in Toronto in 1985. Inspired by William S. Burroughs' cut-up technique, Oswald had been devising plunderphonic-style composi ...
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Plunderphonics
Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", and eventually explicitly defined in the liner notes of his ''Grayfolded'' album. Plunderphonics can be considered a form of sound collage. Oswald has described it as a referential and self-conscious practice which interrogates notions of originality and identity. Although the concept of plunderphonics is seemingly broad, in practice there are many common themes used in what is normally called plunderphonic music. This includes heavy sampling of educational films of the 1950s, news reports, radio shows, or anything with trained vocal announcers. Oswald's contributions to this genre rarely used these materials, the exception being his rap-like 1975 track "Power." The process of sampling other sources is found in various genres (notably hip-h ...
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Dark Star (song)
"Dark Star" is a song released as a single by the Grateful Dead on Warner Bros. records in 1968. It was written by lyricist Robert Hunter and composed by lead guitarist Jerry Garcia; however, compositional credit is sometimes extended to include Phil Lesh, Bill Kreutzmann, Mickey Hart, Ron "Pigpen" McKernan, and Bob Weir. "Dark Star" was an early Grateful Dead classic which the group often used as a vehicle for extended jamming sessions during live performances. The song is included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list and was ranked at number 57 on Rolling Stone's 100 Greatest Guitar Songs of All Time. Composition and release In May 1967, Garcia composed the preliminary chords of the song, but it was at the time without lyrics. A handful of months later, Robert Hunter, who would become a longtime collaborator with the Grateful Dead, arrived back in California and overheard the band playing around with the track. While in Rio Nido, a sm ...
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Tom Constanten
Tom Constanten (born March 19, 1944) is an American keyboardist, best known for playing with Grateful Dead from 1968 to 1970, for which he was inducted into the Rock and Roll Hall of Fame in 1994. Biography Early career Born in Long Branch, New Jersey, United States, and known among friends and colleagues as T.C., Tom Constanten wrote orchestral pieces as a teenager while growing up in Las Vegas, Nevada and briefly studied astronomy and music at University of California, Berkeley, where he met future Grateful Dead bassist Phil Lesh in the summer of 1961. The two became roommates and dropped out; shortly thereafter, they enrolled in a graduate-level course taught by Italian modernist composer Luciano Berio at Mills College. Constanten also studied piano with Mario Feninger. In 1962, he lived in Brussels and Paris, met Umberto Eco, and studied on a scholarship with members of the Darmstadt School, including Berio, Henri Pousseur, Karlheinz Stockhausen and Pierre Boulez.''Digital ...
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Brent Mydland
Brent Mydland (October 21, 1952 – July 26, 1990) was an American keyboardist and singer. He was a member of the rock band The Grateful Dead from 1979 to 1990, a longer tenure than any other keyboardist in the band. Growing up in Concord, California, Mydland took up music while in elementary school. After graduation, he played with a number of bands and recorded one album with Silver before joining Bobby and the Midnites with Bob Weir and jazz veterans Billy Cobham and Alphonso Johnson. This led to an invitation to join the Dead in 1979, replacing Keith Godchaux who had decided to leave. Mydland quickly became an important member in the Dead, using a variety of keyboards including Hammond organ and various synthesizers and singing regularly. He wrote several songs on the band's studio albums released while he was a member. After a tour in the early summer 1990, Mydland died of an accidental drug overdose. Biography Early life Born in Munich, Germany, the child of a ...
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Grateful Dead
The Grateful Dead was an American rock music, rock band formed in 1965 in Palo Alto, California. The band is known for its eclectic style, which fused elements of rock, Folk music, folk, country music, country, jazz, bluegrass music, bluegrass, blues, rock and roll, gospel music, gospel, reggae, world music, and psychedelic music, psychedelia; for Concert, live performances of lengthy jam session, instrumental jams that typically incorporated mode (music), modal and tonality, tonal musical improvisation, improvisation; and for its devoted fan base, known as "Deadheads". "Their music", writes Lenny Kaye, "touches on ground that most other groups don't even know exists." These various influences were distilled into a diverse and psychedelic whole that made the Grateful Dead "the pioneering Godfathers of the jam band world". The band was ranked 57th by ''Rolling Stone'' magazine in its "Rolling Stone's 100 Greatest Artists of All Time, The Greatest Artists of All Time" issue. The ...
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Dick's Picks Volume 1
''Dick's Picks Volume 1'' is the first album in the ''Dick's Picks'' series of live releases by the Grateful Dead. It was recorded on December 19, 1973 at Curtis Hixon Hall in Tampa, Florida, and contains a rare recording of the band playing the blues standard "Nobody's Fault but Mine". As the first of the ''Dick's Picks'', the album was considered by Deadheads to be a significant breakthrough. All previous live Dead albums (except ''Vintage Dead'' and ''Historic Dead'') had been based on multi-track recordings, which can be remixed extensively before being commercially released. ''Dick's Picks'' were created using stereo (two-track) concert recordings. This made possible the release of many more Dead shows that exist in the band's extensive tape vault. The series was named for Grateful Dead tape archivist Dick Latvala. "Caveat emptor" Each volume of ''Dick's Picks'' has its own " caveat emptor" label, advising the listener of the sound quality of the recording. The lab ...
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Dick's Picks Volume 2
''Dick's Picks Volume 2'' is the second live album in the Dick's Picks series of releases by the Grateful Dead. It was recorded on Halloween night in 1971 at the Ohio Theatre in Columbus, Ohio. The album consists of the second set of the concert. It was released in March 1995, the last Grateful Dead album to be released before the death of Jerry Garcia. ''Dick's Picks Volume 2'' is the only one of the Dick's Picks that is a single CD. The other albums in the series have either two, three, or four CDs, except for '' Dick's Picks Volume 29'', which contains six CDs. Set list The complete concert set list for the 10/31/71 show at the Ohio Theatre was:Scott, John W; Dolgushkin, Mike; Nixon, Stu. ''DeadBase XI: The Complete Guide to Grateful Dead Song Lists'', 1999, DeadBase, 1: "Bertha", " Me and My Uncle", "Deal", "Playing in the Band", "Loser", "El Paso", "Tennessee Jed", "Jack Straw", "Big Railroad Blues", "Brown Eyed Women", " Mexicali Blues", "Casey Jones", "Cumberlan ...
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Ron "Pigpen" McKernan
Ronald Charles McKernan (September 8, 1945 – March 8, 1973), known as Pigpen, was an American musician. He was a founding member of the San Francisco band the Grateful Dead and played in the group from 1965 to 1972. McKernan grew up heavily influenced by African-American music, particularly the blues, and enjoyed listening to his father's collection of records and taught himself how to play harmonica and piano. He began socializing around the San Francisco Bay Area, becoming friends with Jerry Garcia. After the pair had played in various folk and jug bands, McKernan suggested they form an electric group, which became the Grateful Dead. He was the band's original frontman as well as playing harmonica and electric organ, but Garcia and bassist Phil Lesh's influences on the band became increasingly stronger as they embraced psychedelic rock. McKernan struggled to keep up with the changing music, causing the group to hire keyboardist Tom Constanten, with McKernan's contribut ...
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Bill Kreutzmann
William Kreutzmann Jr. ( ; born May 7, 1946) is an American drummer and founding member of the rock band Grateful Dead. He played with the band for its entire thirty-year career, usually alongside fellow drummer Mickey Hart, and has continued to perform with former members of the Grateful Dead in various lineups, and with his own bands BK3, 7 Walkers and Billy & the Kids. Early life Kreutzmann was born in Palo Alto, California, the son of Janice Beryl (née Shaughnessy) and William Kreutzmann Sr. His father was of German descent. His maternal grandfather was football coach and innovator Clark Shaughnessy. Kreutzmann started playing drums at the age of 13. At first he practiced on a Slingerland drum kit lent to him. As a teenager, he was practicing drums alone in a large building at his high school when Aldous Huxley and another man walked in. Huxley told Bill he'd never heard anything like it, and encouraged him in his drumming – despite the fact Bill had been told by h ...
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Mickey Hart
Mickey Hart (born Michael Steven Hartman, September 11, 1943) is an American percussionist. He is best known as one of the two drummers of the rock band Grateful Dead. He was a member of the Grateful Dead from September 1967 until February 1971, and again from October 1974 until their final show in July 1995. He and fellow Dead drummer Bill Kreutzmann earned the nickname "the rhythm devils". Early life and education Michael Steven Hartman was born in Flatbush, Brooklyn, Flatbush neighborhood of Brooklyn, New York. He was raised in suburban Inwood, New York by his mother, Leah, a drummer, gown maker and bookkeeper. His father Lenny Hart, a champion Drum rudiment, rudimental drummer, had abandoned his family when the younger Hart was a toddler. Although Hart (who was hyperactive and not academically inclined) became interested in percussion as a grade school student, his interest intensified after seeing his father's picture in a newsreel documenting the 1939 World's Fair. Shor ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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