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Grandpaboy
Paul Harold Westerberg (born December 31, 1959) is an American musician, best known as the lead singer, guitarist, and songwriter for the Replacements. Following the breakup of the Replacements, Westerberg launched a solo career that saw him release three albums on major record labels. Following the release of his third solo album, Westerberg has been mostly releasing music that he has self-produced and recorded in his basement home studio. He has also released two albums and an EP under the pseudonym Grandpaboy. In 2017, Westerberg released songs on SoundCloud as User 964848511 and on Bandcamp as Dry Wood Garage. Career The Replacements In the late 1970s, Westerberg was working as a janitor for U.S. Senator David Durenberger, and one day while walking home from work, he heard a band practicing Yes's "Roundabout" in a basement. He talked his way into the band by convincing the singer that the other band members — Bob Stinson, Chris Mars and Tommy Stinson — were going to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Replacements (band)
The Replacements were an American rock band formed in Minneapolis, Minnesota, in 1979. Initially a hardcore punk band, they are one of the main pioneers of alternative rock. The band was composed of the guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson and drummer Chris Mars for most of its existence. Following several acclaimed albums, including ''Let It Be'' and '' Tim'', Bob Stinson was kicked out of the band in 1986, and Slim Dunlap joined as lead guitarist. Steve Foley replaced Mars in 1990. Towards the end of the band's career, Westerberg exerted more control over the creative output. The group disbanded in 1991, with the members eventually pursuing various projects. A reunion was announced on October 3, 2012. Fans affectionately refer to the band as The 'Mats, a nickname that originated as a truncation of "The Placemats," a mispronunciation of their name. The Replacements' music was influenced by rock artists such as the Rolling ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minneapolis
Minneapolis () is the largest city in Minnesota, United States, and the county seat of Hennepin County. The city is abundant in water, with thirteen lakes, wetlands, the Mississippi River, creeks and waterfalls. Minneapolis has its origins in timber and as the flour milling capital of the world. It occupies both banks of the Mississippi River and adjoins Saint Paul, the state capital of Minnesota. Prior to European settlement, the site of Minneapolis was inhabited by Dakota people. The settlement was founded along Saint Anthony Falls on a section of land north of Fort Snelling; its growth is attributed to its proximity to the fort and the falls providing power for industrial activity. , the city has an estimated 425,336 inhabitants. It is the most populous city in the state and the 46th-most-populous city in the United States. Minneapolis, Saint Paul and the surrounding area are collectively known as the Twin Cities. Minneapolis has one of the most extensive public par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roundabout (song)
"Roundabout" is a song by the English progressive rock band Yes from their fourth studio album ''Fragile'', released in November 1971. It was written by singer Jon Anderson and guitarist Steve Howe and produced by the band and Eddy Offord. The song originated when the band were on tour and travelled from Aberdeen to Glasgow, and went through many roundabouts on the way. The song was released as an edited single in the US in January 1972 with "Long Distance Runaround", another track from ''Fragile'', as the B-side. It peaked at number 13 on the ''Billboard'' Hot 100 and number 10 on the ''Cash Box'' Top 100 singles charts. In 1973, Anderson and Howe won a BMI Award for writing the song. Writing and recording The song originated in March 1971 when the band were on tour promoting ''The Yes Album'' (1971), travelling from Aberdeen to Glasgow after a gig in Aviemore, Scotland. They encountered many roundabouts on the way; Anderson claimed "maybe 40 or so", which inspired Anderson an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cameron Crowe
Cameron Bruce Crowe (born July 13, 1957) is an American journalist, author, writer, producer, director, actor, lyricist, and playwright. Before moving into the film industry, Crowe was a contributing editor at ''Rolling Stone'' magazine, for which he still frequently writes. Crowe's debut screenwriting effort, ''Fast Times at Ridgemont High'' (1982), grew out of a book he wrote while posing for one year undercover as a student at Clairemont High School in San Diego. Later, he wrote and directed another high school film, '' Say Anything...'' (1989), followed by ''Singles'' (1992), a story of twentysomethings that was woven together by a soundtrack centering on Seattle's burgeoning grunge music scene. Crowe landed his biggest hit with ''Jerry Maguire'' (1996). After this, he was given a green-light to go ahead with a pet project, the autobiographical film ''Almost Famous'' (2000). Centering on a teenage music journalist on tour with an up-and-coming band, it gave insight to his li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Motion Picture Soundtrack
Originality is the aspect of created or invented works that distinguish them from reproductions, clones, forgeries, or substantially derivative works. The modern idea of originality is according to some scholars tied to Romanticism, by a notion that is often called romantic originality.Smith (1924)Waterhouse (1926)Macfarlane (2007) The validity of "originality" as an operational concept has been questioned. For example, there is no clear boundary between "derivative" and "inspired by" or "in the tradition of." The concept of originality is both culturally and historically contingent. For example, unattributed reiteration of a published text in one culture might be considered plagiarism but in another culture might be regarded as a convention of veneration. At the time of Shakespeare, it was more common to appreciate the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".Royal Shakespeare Company (2007) ''The RSC Shakespeare - Wil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pleased To Meet Me
''Pleased to Meet Me'' is the fifth studio album by the American rock band The Replacements, released in 1987 by Sire Records. The album was acclaimed by music critics. Background and recording ''Pleased to Meet Me'' is the only album recorded by the band as a trio. After their previous album '' Tim'', guitarist Bob Stinson was no longer with the band. Stinson was still a member when the album's demos were recorded in August 1986; however, he only showed up for one recording session. The main recording sessions for the album took place at Ardent Studios in Memphis between November 1986 and January 1987, under the supervision of producer Jim Dickinson. Guitarist Bob "Slim" Dunlap joined the band soon after the recording sessions. Music and lyrics While the punk roots of the group were still apparent on ''Tim'', by ''Pleased to Meet Me'' they were there more in spirit as the band delved into other genres, such as soul and cocktail jazz, alongside tracks featuring their cus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All Shook Down
''All Shook Down'' is the seventh and final studio album by the American rock band The Replacements, released on September 25, 1990 by Sire Records. Recording This album was originally intended to be frontman Paul Westerberg's solo artist debut. His management talked him into doing it as a Replacements album before the recording started. As a result of its initial intent, ''All Shook Down'' is marked by numerous session, side and journeyman musicians, in addition to the three other Replacements. Although there are no clear records of which members played on which tracks, there are numerous clues. In an interview with ''Musician'' magazine, Westerberg noted that there were four drummers on the record, but 'we didn't bring in any guitar players,' indicating that all of the guitar parts were performed by Replacements members, but many of the drum parts were not. Replacements bassist Tommy Stinson joined the project only about a week after it started, and no bassists are included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twin/Tone Records
Twin/Tone Records was an independent record label based in Minneapolis, Minnesota, which operated from 1977 until 1994. It was the original home of influential Minnesota bands the Replacements and Soul Asylum and was instrumental in helping the Twin Cities music scene achieve national attention in the 1980s. Along with other independent American labels such as SST Records, Touch and Go Records, and Dischord, Twin/Tone helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie-rock scene. These labels presided over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock that were emerging. Twin/Tone originated in the Minneapolis punk rock scene. The label was begun by Peter Jesperson, music and sports writer Charley Hallman, and Paul Stark. Releases by the pop/rock group The Suburbs were both Twin/Tone's first release (''The Suburbs EP'' in 1978) and its last (''Viva! ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Rock
Classic rock is a US radio format which developed from the album-oriented rock (AOR) format in the early 1980s. In the United States, the classic rock format comprises rock music ranging generally from the mid-1960s through the mid 1990s, primarily focusing on commercially successful blues rock and hard rock popularized in the 1970s AOR format.Pareles, Jon (June 18, 1986)"Oldies on Rise in Album-Rock Radio" ''The New York Times''. Retrieved April 19, 2019. The radio format became increasingly popular with the baby boomer demographic by the end of the 1990s. Although classic rock has mostly appealed to adult listeners, music associated with this format received more exposure with younger listeners with the presence of the Internet and digital downloading. Some classic rock stations also play a limited number of current releases which are stylistically consistent with the station's sound, or by heritage acts which are still active and producing new music."New York Radio Guide: Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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