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Grand Macabre
''Le Grand Macabre'' (1974–1977, revised version 1996) is the only opera by Hungarian composer György Ligeti. The opera has two acts, and its libretto—based on the 1934 play ''La balade du grand macabre'' by Michel de Ghelderode—was written by Ligeti in collaboration with , director of the Stockholm puppet theatre. The original libretto was written in German as ''Der grosse Makaber'' but for the first production was translated into Swedish by Meschke under its current title. The opera has also been performed in English, French, Italian, Hungarian and Danish. Only a few notes need be changed to perform the opera in any of these languages. ''Le Grand Macabre'' was premiered in Stockholm on 12 April 1978 and has received more than 30 productions. In preparation for a 1997 production at the Salzburg Festival, Ligeti made substantial revisions to the opera in 1996, tightening the structure by means of cuts in scenes 2 and 4, setting some of the originally spoken passages to m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Ligeti (1984)
György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time". Born in Transylvania, Romania, he lived in the Hungarian People's Republic before emigrating to Austria in 1956. He became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hamburg Hochschule für Musik und Theater, where he worked until retiring in 1989. He died in Vienna in 2006. Restricted in his musical style by the authorities of Communist Hungary, only when he reached the West in 1956 could Ligeti fully realise his passion for avant-garde music and develop new compositional techniques. After experimenting with electronic music in Cologne, Germany, his breakthrough came with orchestral works such as ''Atmosphères'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastiche
A pastiche is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche pays homage to the work it imitates, rather than mocking it. The word is a French cognate of the Italian noun , which is a pâté or pie-filling mixed from diverse ingredients. Metaphorically, and describe works that are either composed by several authors, or that incorporate stylistic elements of other artists' work. Pastiche is an example of eclecticism in art. Allusion is not pastiche. A literary allusion may refer to another work, but it does not reiterate it. Moreover, allusion requires the audience to share in the author's cultural knowledge. Both allusion and pastiche are mechanisms of intertextuality. By art Literature In literary usage, the term denotes a literary technique employing a generally light-hearted tongue-in-cheek imitation of another's style; although jocular, it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Saedén
Carl Erik Sædén (3 September 1924, in Vänersborg – 3 November 2009), was a Swedish bass-baritone whose career was principally centred on Stockholm, both on the operatic stage as well as the concert platform. He made a few recordings and appeared in the 1975 Bergman film of ''The magic flute''.Forbes E. Erik Sædén. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997.Swedish radio archive http://www.sr.se/cgi-bin/stockholm/nyheter/artikel.asp?artikel=3213451 3 November 2009. Career Sædén studied at the Kungliga Musikhögskolan in Stockholm from 1943–52, his teachers there including Arne Sunnegårdh, Martin Öhman and Wilhelm Freund. He received degrees in higher cantor and organist degree from the Royal College of Music in 1946, and a degree in vocal teaching 1952. Having joined the choir of Engelbrekt Church in 1944 (where he later sang in the St Matthew Passion), Saedén studied in Rome in 1952 and at the Salzburg Mozarteum in 1952, 1954 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Söderström
Anna Elisabeth Söderström (married name Olow; 7 May 192720 November 2009) was a Swedish soprano who performed both opera and song, and was known as a leading interpreter of the works of Janáček, Rachmaninoff and Sibelius.Elizabeth Sleeman, ''International Who's Who 2004,'' Routledge, 2003. p. 1579. She was particularly well known for her recordings of the lead soprano roles in the three Janáček operas ''Jenůfa'', ''Káťa Kabanová'', and '' The Makropoulos Affair'', all of which received Gramophone Awards. The ''Gramophone'' critic John Warrack described her portrayal of Káťa Kabanová as "establishing by an infinity of subtle touches and discreet, sensitive singing the picture of Káta as the richest and most human character in the drama". Career Born in Stockholm, Söderström received her first musical schooling from Adelaide von Skilondz and later studied at the Royal College of Music, Stockholm. She made her debut in 1947 at the Drottningholm Palace Theatre sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Kerstin Meyer
Kerstin Margareta Meyer, CBE (3 April 1928 – 14 April 2020) was a Swedish mezzo-soprano who enjoyed an international career in opera and concert. A long-time member of the Royal Swedish Opera and Hamburg State Opera, she appeared regularly at the Royal Opera House in London and international opera houses and festivals, including in world premieres such as Alexander Goehr's ''Arden Must Die'' and György Ligeti's ''Le Grand Macabre''. Early life Meyer was born in Stockholm. An only child, both her father and grandfather were musicians; her grandfather was from Poland and played in symphony orchestras. After arriving in Sweden he also had a music shop and gave instrumental lessons. Amis, John. People: 102 Kerstin Meyer. ''Opera'', October 1973, Vol.24 No.10 p879-886. Her father played the trumpet and toured with his father's orchestra around Europe, and later settled to making violins in his own shop. Although she started to play the piano at six, she always wanted to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elgar Howarth
Elgar Howarth (born 4 November 1935), is an English conductor, composer and trumpeter. Biography Howarth was born at Cannock, Staffordshire. He was educated in the 1950s at Manchester University and the Royal Manchester College of Music (the predecessor of the Royal Northern College of Music), where his fellow students included the composers Harrison Birtwistle, Alexander Goehr, Peter Maxwell Davies and the pianist John Ogdon. Together they formed New Music Manchester, a group dedicated to the performance of new music. He has worked with all leading British orchestras, as well as many orchestras worldwide. He played the opening bars of Tippett's ''King Priam'' at its Coventry premiere in 1962, (conducting the whole work years later for English National Opera). He has conducted many operas, and premiered György Ligeti's ''Le Grand Macabre'' at the Royal Swedish Opera in Stockholm in 1978 and four operas by Harrison Birtwistle: ''The Mask of Orpheus'' at English National Op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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