Gran Vía De Montero Ríos
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Gran Vía De Montero Ríos
The Gran Vía de Montero Ríos is an avenue in Pontevedra (Spain) located in the Ensanche de Pontevedra, city centre, in the 19th century bourgeois area. It is one of the most emblematic avenues in Pontevedra. Origin of the name The avenue was called Gran Vía (major thoroughfare) because it was the widest in the city when it was created. After his death in 1914, the avenue was dedicated to Eugenio Montero Ríos, for his great political activity in favour of Pontevedra. History The Gran Vía de Montero Ríos, originally known as the Gran Vía, was designed in the 1870s to connect the Alameda de Pontevedra with the grounds of the Palm Trees Park, old fairground. Its design was included in the project commissioned by the City Council of Pontevedra, City Council in 1880 by the architect Alejandro Sesmero for the planning and development of the Alameda de Pontevedra, Alameda. In 1884, the Provincial Council of Pontevedra bought from the City Council of Pontevedra the land where ...
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Ensanche De Pontevedra
The Ensanche of Pontevedra is the neighbourhood that forms the City centre, centre of the Spain, Spanish city of Pontevedra, made up of several successive extensions to the city outside the Old Town of Pontevedra, old town. The term Ensanche means " widening " in Spanish and refers to the expanding areas of Spanish cities towards the end of the 19th century, when the demographic explosion and the Industrial Revolution, industrial revolution led to the demolition of the old city walls and the construction of new areas outside the Rampart (fortification), old fortified walls. History Since 1833, when Pontevedra became the Administrative centre, capital of Province of Pontevedra, its province, a radical transformation of the urban structure has taken place. The Walls of Pontevedra, city walls were demolished between 1852 and 1875, paving the way for urban growth beyond the Old Town of Pontevedra, walled enclosure. The town opened up to the surrounding countryside, the old roads le ...
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Pontevedra
Pontevedra (, ) is a Spanish city in the north-west of the Iberian Peninsula. It is the capital of both the ''Comarca'' (County) and Province of Pontevedra, and of the Rías Baixas in Galicia. It is also the capital of its own municipality which is often considered an extension of the actual city. The city is best known for its urban planning, pedestrianisation and the charm of its old town. In recent years, it has been awarded several international awards for its urban quality and quality of life, accessibility and urban mobility policy, like the international European Intermodes Urban Mobility Award in 2013, the 2014 Dubai International Best Practices Award for Sustainable Development awarded by UN-Habitat in partnership with Dubai Municipality and the Excellence Award of the center for Active Design in New York City in 2015, among others. The city also won the European Commission's first prize for urban safety in 2020. Pontevedra's car-free center helped transform it into ...
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Calle De La Oliva
The Calle de la Oliva is a street in Pontevedra ( Spain) located in the city centre, on the edge of the old town. It is one of the main streets of Pontevedra and one of the most commercial. Origin of the name The street is called Oliva Street because of the presence of an olive tree on the site where the street originated. History After being designated the provincial capital in 1833, in the mid-19th century Pontevedra improved its road links with other Galician cities. Between 1847 and 1851, Oliva Street and the current Rosalía de Castro Street were built, and their extension in the form of a road linked the city to Marín via Mollavao. The 1854 project already included the traditional name of Oliva Street. Traders soon moved into the street and Oliva Street soon became a shopping street. A few years after it opened in Michelena Street in 1856, the famous Suárez jeweller's and watchmaker's shop moved to the corner of Oliva Street and Peregrina Square in 1861. On ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ...
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Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ...
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Fluting (architecture)
Fluting in architecture consists of shallow grooves running along a surface. The term typically refers to the grooves (flutes) running vertically on a column shaft or a pilaster, but need not necessarily be restricted to those two applications. If the hollowing out of material meets in a point, the point (sharp ridge) is called an arris. If the raised ridge between two flutes is blunt, the ridge is a . Purpose Fluting promotes a play of light on a column which helps the column appear more perfectly round than a smooth column. As a strong vertical element it also has the visual effect of minimizing any horizontal joints. Greek architects viewed rhythm as an important design element. As such, fluting was often used on buildings and temples to increase the sense of rhythm. It may also be incorporated in columns to make them look thinner, lighter, and more elegant. There is debate as to whether fluting was originally used in imitation of ancient woodworking practices, mimicking ...
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Triumphal Arch
A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crowned with a flat entablature or attic on which a statue might be mounted or which bears commemorative inscriptions. The main structure is often decorated with carvings, sculpted reliefs, and dedications. More elaborate triumphal arches may have multiple archways. Triumphal arches are one of the most influential and distinctive types of architecture associated with ancient Rome. Thought to have been invented by the Romans, the Roman triumphal arch was used to commemorate victorious generals or significant public events such as the founding of new colonies, the construction of a road or bridge, the death of a member of the imperial family or the ascension of a new emperor. The survival of great Roman triumphal arches such as the Arch of Ti ...
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Bossage
Bossage is uncut stone that is laid in place in a building, projecting outward from the building, to later be carved into decorative moldings, capitals, arms, etc. Bossages are also rustic work, consisting of stones which seem to advance beyond the surface of the building, by reason of indentures, or channels left in the joinings; used chiefly in the corners of buildings, and called rustic quoins. The cavity or indenture may be round, square, chamfered, beveled, diamond-shaped, or enclosed with a cavetto or listel. See also * Boss (architecture) * Glossary of architecture This page is a glossary of architecture. A B C image:Porch of Maidens.jpg, The C ... * Bossage (architecture) in France References Architectural elements {{architecturalelement-stub ...
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Ashlar
Ashlar () is finely dressed (cut, worked) stone, either an individual stone that has been worked until squared, or a structure built from such stones. Ashlar is the finest stone masonry unit, generally rectangular cuboid, mentioned by Vitruvius as opus isodomum, or less frequently trapezoidal. Precisely cut "on all faces adjacent to those of other stones", ashlar is capable of very thin joints between blocks, and the visible face of the stone may be quarry-faced or feature a variety of treatments: tooled, smoothly polished or rendered with another material for decorative effect. One such decorative treatment consists of small grooves achieved by the application of a metal comb. Generally used only on softer stone ashlar, this decoration is known as "mason's drag". Ashlar is in contrast to rubble masonry, which employs irregularly shaped stones, sometimes minimally worked or selected for similar size, or both. Ashlar is related but distinct from other stone masonry that is ...
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Eclecticism In Architecture
Eclecticism is a 19th and 20th century architectural style in which a single piece of work incorporates a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value. The term is also used of the many architects of the 19th and early 20th centuries who designed buildings in a variety of styles according to the wishes of their clients, or their own. The styles were typically revivalist, and each building might be mostly or entirely consistent within the style selected, or itself an eclectic mixture. Gothic Revival architecture, especially in churches, was most likely to strive for a relatively "pure" revival style from a particular medieval ...
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Victoria Eugenie Of Battenberg
Victoria Eugenie Julia Ena of Battenberg (24 October 1887 – 15 April 1969) was Queen of Spain as the wife of King Alfonso XIII from their marriage on 31 May 1906 until 14 April 1931, when the Spanish Second Republic was proclaimed. A Hessian princess by birth, she was a member of the Battenberg family, a morganatic branch of the House of Hesse-Darmstadt. She was the youngest granddaughter of Queen Victoria. Unlike other members of the Battenberg family, who were accorded the lower rank of ''Serene Highness'', Victoria Eugenie was born with the rank of ''Highness'' due to a Royal Warrant issued in 1886 by Queen Victoria. Early life Princess Victoria Eugenie of Battenberg was born on 24 October 1887 at Balmoral Castle, in Scotland. Her father was Prince Henry of Battenberg, the fourth child and third son of Prince Alexander of Hesse and by Rhine by his morganatic wife Countess Julia von Hauke, and her mother was Princess Beatrice, the fifth daughter of Queen Victoria of the Uni ...
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Plaza De España (Pontevedra)
The Plaza de España is a 19th century pedestrian square located in the city centre of Pontevedra (Spain), on the edge of the old town and the Alameda de Pontevedra. Origin of the name The square owes its name to the fact that it is the seat of the city's most important political institutions and its central hub. History The Plaza de España was developed at the end of the 19th century following the line of the old medieval wall with the construction of the new City Hall as a transitional space between the historic centre and the Alameda de Pontevedra, which had been the former orchard of the Dominican convent and which the Dominicans transformed into a promenade in 1648 and which, in 1847, was closed off by stone walls. It was with the urban expansion at the end of the 19th century, which made the architect Alejandro Sesmero effective, that the process of forming the Alameda, and thus the Plaza de España, took shape within the framework of the city's bourgeois expansio ...
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