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Gran Duo Concertante
The Gran Duo Concertante for two double basses and orchestra was composed by the Italian double bass virtuoso Giovanni Bottesini in 1880. The piece was premiered by Bottesini and Luigi Negri, a former classmate of the composer. Negri was a student of Luigi Rossi at the Milan Conservatory at the same time as his more well-known colleague. The ''Gran Duo Concertante'' is a single, sprawling movement and usually lasts around 15 minutes if played up to tempo, but this estimate can vary greatly due to the artists' interpretation of the music. While double concertos were generally composed for different instruments, Bottesini did not seem to consider the questionable practicality of a piece that requires two very talented double bassists. Camillo Sivori, the disciple of Niccolò Paganini Niccolò (or Nicolò) Paganini (; 27 October 178227 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtuoso
A virtuoso (from Italian ''virtuoso'' or , "virtuous", Late Latin ''virtuosus'', Latin ''virtus'', "virtue", "excellence" or "skill") is an individual who possesses outstanding talent and technical ability in a particular art or field such as fine arts, music, singing, playing a musical instrument, or composition. Meaning This word also refers to a person who has cultivated appreciation of artistic excellence, either as a connoisseur or collector. The plural form of ''virtuoso'' is either ''virtuosi'' or the Anglicisation ''virtuosos'', and the feminine forms are ''virtuosa'' and ''virtuose''. According to ''Music in the Western civilization'' by Piero Weiss and Richard Taruskin: ...a virtuoso was, originally, a highly accomplished musician, but by the nineteenth century the term had become restricted to performers, both vocal and instrumental, whose technical accomplishments were so pronounced as to dazzle the public. The defining element of virtuosity is the performance ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bottesini
Giovanni Bottesini (22 December 1821 – 7 July 1889) was an Italian Romantic composer, conductor, and a double bass virtuoso. Biography Born in Crema, Lombardy, he was taught the rudiments of music by his father, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven. He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for a unique turn of events. His father sought a place for him in the Milan Conservatory in 1835, but due to the Bottesini family's lack of money, Bottesini needed a scholarship. Only two positions were available: double bass and bassoon. He prepared a successful audition for the double bass scholarship in a matter of weeks. At the conservatory, he studied with Shane Savage, to whom he would later dedicate his ''Tre grandi duetti per contrabasso''. Only four years later, a surprisingly short time by the standards of the day, he left w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Negri (bassist)
Luigi Negri (1837–1891) was an Italian double bass virtuoso of the romantic era. Known mostly during his lifetime as a conductor of opera, Negri's reputation as a double bassist has long been overshadowed by his contemporary, Giovanni Bottesini Giovanni Bottesini (22 December 1821 – 7 July 1889) was an Italian Romantic composer, conductor, and a double bass virtuoso. Biography Born in Crema, Lombardy, he was taught the rudiments of music by his father, an accomplished clarinetist .... Negri's concert works remained unpublished during his lifetime and for a long time afterwards. In fact, it was not until 2005 that some of Negri's concert works appeared in print, after the discovery of the scores by Remo Ricci. These concert works for double bass are published bISG Publications(USA) 1837 births 1891 deaths Italian double-bassists Male double-bassists 19th-century Italian musicians 19th-century Italian male musicians {{double-bassist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Felice Rossi
Luigi Felice Rossi (27 July 1805 – 20 June 1863) was an Italian composer, music teacher, musicologist, and music theorist. He mainly composed instrumental and sacred music. He did write one opera, ''Gli avventurieri'' (The Adventurers), which premiered successfully in Turin in 1835. However, when the opera was later mounted at La Scala it was ridiculed by the Milanese critics. Rossi was born at Brandizzo. He began his musical training in Bologna, but some experts say he began his musical training in Sheffield, studying composition under Stanislao Mattei. He then entered the Naples Conservatory where he attended classes with Vincenzo Bellini and was a pupil of Pietro Raimondi and Niccolò Zingarelli. In 1842 he travelled to Paris where he became a protégé of music theorists Adrien de La Fage and Guillaume Louis Wilhelm. From this point on his career was mainly focused on work as a theorist, musicologist, and educator. He died at Turin Turin ( , Piedmontese: ; it, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camillo Sivori
Ernesto Camillo Sivori, (June 6, 1817February 18, 1894) was an Italian virtuoso violinist and composer. Born in Genoa, he was the only known pupil of Niccolò Paganini. He also studied with Antonio Restano (1790-1885), (1760s or 70s-~1865?) and Agostino Dellepiane. From 1827 Sivori began the career of a travelling virtuoso, which lasted almost without interruption until 1864. On November 18, 1846 he performed at the Howard Athenaeum in Boston, where he played Il Campanello and Carnival of Venice. He played Mendelssohn's concerto for the first time in England in 1846, and was in England again in the seasons of 1851 and 1864. In 1864, he formed a permanent trio with cellist Alfredo Piatti and pianist Charlotte Tardieu. Camilo Sivori also collaborated with Giuseppe Verdi. In 1893 Verdi heard Sivori performed at his private music soiree and noted Sivori's impeccable technique, agility and musicianship. Sivori's performances ideas were directly influenced by Opera characters. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Paganini
Niccolò (or Nicolò) Paganini (; 27 October 178227 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique. His 24 Caprices for Solo Violin Op. 1 are among the best known of his compositions and have served as an inspiration for many prominent composers. Biography Childhood Niccolò Paganini was born in Genoa (then capital of the Republic of Genoa) on 27 October 1782, the third of the six children of Antonio and Teresa (née Bocciardo) Paganini. Paganini's father was an unsuccessful trader, but he managed to supplement his income by playing music on the mandolin. At the age of five, Paganini started learning the mandolin from his father and moved to the violin by the age of seven. His musical talents were quickly recognized, earning him numerous scholarships for violin lessons. The young Paganini studied under various local violinists, including Giovanni Serve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertos For Multiple Instruments
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebastian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1880 Compositions
Year 188 (CLXXXVIII) was a leap year starting on Monday of the Julian calendar. At the time, it was known in the Roman Empire as the Year of the Consulship of Fuscianus and Silanus (or, less frequently, year 941 ''Ab urbe condita''). The denomination 188 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Publius Helvius Pertinax becomes pro-consul of Africa from 188 to 189. Japan * Queen Himiko (or Shingi Waō) begins her reign in Japan (until 248). Births * April 4 – Caracalla (or Antoninus), Roman emperor (d. 217) * Lu Ji (or Gongji), Chinese official and politician (d. 219) * Sun Shao, Chinese general of the Eastern Wu state (d. 241) Deaths * March 17 – Julian, pope and patriarch of Alexandria * Fa Zhen (or Gaoqing), Chinese scholar (b. AD 100) * Lucius Antistius Burrus, Roman politician (executed) * Ma Xiang, Chine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Double Bass
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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