|
Gracias A La Vida (album)
''Gracias a la Vida'' (subtitled ''Joan Baez canta en español''), or ''Here's to Life: Joan Baez sings in Spanish'' is the fifteenth studio album (and seventeenth overall) by American singer-songwriter Joan Baez, released in 1974. It was performed mainly in Spanish, with one song in Catalan. Baez stated at the time that she released the album as a "message of hope to the Chileans suffering under Augusto Pinochet", in the wake of the death of Salvador Allende. (Baez is known for her criticism of US foreign policy in Latin America, and has toured and worked on behalf of improving human rights in the region). Songs include selections by Chilean composers Víctor Jara (who was tortured and killed in the aftermath of the 1973 coup d'état) and Violeta Parra, who composed the title song. A more upbeat version of "Dida" appears on Baez's ''Diamonds & Rust'', released the following year. Countries represented in the track listing range from Mexico and Cuba to Chile and Spain. The album ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin America
Latin America or * french: Amérique Latine, link=no * ht, Amerik Latin, link=no * pt, América Latina, link=no, name=a, sometimes referred to as LatAm is a large cultural region in the Americas where Romance languages — languages derived from Latin — are predominantly spoken. The term was coined in the nineteenth century, to refer to regions in the Americas that were ruled by the Spanish, Portuguese and French empires. The term does not have a precise definition, but it is "commonly used to describe South America, Central America, Mexico, and the islands of the Caribbean." In a narrow sense, it refers to Spanish America plus Brazil (Portuguese America). The term "Latin America" is broader than categories such as ''Hispanic America'', which specifically refers to Spanish-speaking countries; and ''Ibero-America'', which specifically refers to both Spanish and Portuguese-speaking countries while leaving French and British excolonies aside. The term ''Latin America'' was f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julián Orbón
Julián Orbón de Soto (August 7, 1925, Avilés, Spain – May 21, 1991, Miami, Florida was a Cuban composer who lived and composed in Spain, Cuba, Mexico, and the United States of America. Aaron Copland referred to Orbón as "Cuba's most gifted composer of the new generation." Life Family and early years Julián Orbón was born on August 7, 1925, in Avilés, Spain, to Benjamín Orbón. Julián Orbón was exposed to music at a very early age because his father, Benjamín, was a composer and pianist. In 1932, Julián Orbón began taking piano lessons and basic music lessons from his father. At the age of ten, Julián Orbón attended the Oviedo Conservatory, where he received his first formal training. In 1938, the Orbón family moved to Havana, Cuba. Here Orbón continued his musical training in piano under his father and his training in composition under José Ardévol, a Cuban composer and conductor. While teaching at the Havana Conservatory, Ardévol co-founded a Cuban s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Martí
José Julián Martí Pérez (; January 28, 1853 – May 19, 1895) was a Cuban nationalist, poet, philosopher, essayist, journalist, translator, professor, and publisher, who is considered a Cuban national hero because of his role in the liberation of his country from Spain. He was also an important figure in Latin American literature. He was very politically active and is considered an important philosopher and political theorist. Through his writings and political activity, he became a symbol of Cuba's bid for independence from the Spanish Empire in the 19th century, and is referred to as the "Apostle of Cuban Independence". From adolescence, he dedicated his life to the promotion of liberty, political independence for Cuba, and intellectual independence for all Spanish Americans; his death was used as a cry for Cuban independence from Spain by both the Cuban revolutionaries and those Cubans previously reluctant to start a revolt. Born in Havana, Spanish Empire, Martí began h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseíto Fernández
José Fernández Díaz (September 5, 1908 – October 11, 1979), commonly known as Joseíto Fernández, was a Cuban singer and songwriter. He is the writer of well-known songs, including "Elige tú, que canto yo", "Amor de madre", "Demuéstrame tú", and "Así son, boncó", as well as the most famous " Guajira Guantanamera". , Pedro Quiroga Jiménez, Notinet del Cubaweb. Selected compositions * "Tu Misma Me Acostumbraste," Joseíto Fernández (w&m) * "Mi Madre y Mi Tierra," Joseíto Fernández (w&m) * "," Joseíto Fernández (w&m), based on a poem by |
Guantanamera
"Guantanamera" (; Spanish: (the woman) from Guantánamo) is perhaps the best-known Cuban song and that country's most-noted patriotic song, especially when using a poem by the Cuban poet José Martí for the lyrics. The official writing credits have been given to Joseíto Fernández, who first popularized the song on radio as early as 1929 (although it is unclear when the first release as a record occurred). In 1966, a version by American vocal group the Sandpipers, based on an arrangement by the Weavers from their May 1963 Carnegie Hall Reunion concert, became an international hit. Lyrics By José Martí The better known "official" lyrics are based on selections from the poetry collection ''Versos Sencillos'' (''Simple Verses'') by Cuban poet and independence hero José Martí, as adapted by Julián Orbón. The four verses of the song were adapted from four stanzas of ''Versos Sencillos'', each from a different poem. They are presented here in the original Spanish (poem:stanz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Llorona (song)
"La Llorona" (lit. "The weeping woman") is a Mexican folk song derived from the legend of La Llorona. There are many versions of the song. Its origins are obscure, but, around 1941, composer Andres Henestrosa mentioned hearing the song in the Isthmus of Tehuantepec. He popularized the song and may have added to the existing verses. The legend of La Llorona is often conflated with La Malinche, the Nahua Princess and consort of Hernan Cortes, the conquistador of the Aztec Empire in Mexico. The La Llorona of the song drowned her children in a river in a rage at her unfaithful husband. As a spirit, she was condemned to wander the shores of the river forever searching for her dead children. In Latin America the song is associated with the Day of the Dead. Composition Salías del templo un día, Llorona, Cuando al pasar yo te vi, Salías del templo un día, Llorona, Cuando al pasar yo te vi, Hermoso huipil llevabas, Llorona, Que la Virgen te creí. Hermoso huipil llevabas, Ll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Manuel Serrat
Joan Manuel Serrat i Teresa (; born 27 December 1943) is a Spanish musician, singer and composer. He is considered one of the most important figures of modern, popular music in both the Spanish and Catalan languages. Serrat's lyrical style has been influenced by other poets such as Mario Benedetti, Antonio Machado, Miguel Hernández, Rafael Alberti, Federico García Lorca, Pablo Neruda, and León Felipe. He has also recorded songs by Violeta Parra and Víctor Jara. Serrat was one of the pioneers of what is known in Catalan as "Nova Cançó" (Nueva Canción). Joan Manuel Serrat is also known by the names "El noi del Poble-sec" and "El Nano". Biography Childhood Joan Manuel Serrat i Teresa was born 27 December 1943 in the Poble-sec neighbourhood of Barcelona, to members of a working family. His father, Josep Serrat, was a Catalan anarchist affiliated with the CNT and his mother, Ángeles Teresa, a housewife, was from Belchite, Zaragoza in the region of Aragon. His childhood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguel Hernández
Miguel Hernández Gilabert (30 October 1910 – 28 March 1942 ) was a 20th-century Spanish-language poet and playwright associated with the Generation of '27 and the Generation of '36 movements. Born and raised in a family of low resources, he was self-taught in what refers to literature, and struggled against an unfavourable environment to build up his intellectual education, such as a father who physically abused him for spending time with books instead of working, and who took him out of school as soon as he finished his primary education. At school, he became a friend of Ramón Sijé, a well-educated boy who lent and recommended books to Hernández, and whose death would inspire his most famous poem, ''Elegy''. Hernández died of tuberculosis, imprisoned due to his active participation on the Republican side of the civil war. His last book, '' Cancionero y romancero de ausencias'', was published after his death, and is a collection of the poems he wrote in prison, some wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gracias A La Vida
"Gracias a la vida" (Spanish language, Spanish for "''Thanks to life''") is a song written, composed and performed by Chilean Violeta Parra, one of the artists who was part of the movement and musical genre known as the Nueva Canción Chilena. Parra composed "Gracias a la vida" in La Paz in 1966. It was included on ''Las Últimas Composiciones'', the last album Parra published before committing suicide in 1967. The song is one of Parra's most renowned. It is performed throughout the world and remains one of the most covered Latin American songs in history. Critical reception The song "Gracias a la vida" was considered as a "humanist hymn" by Marisol García, a journalist specialized in Chilean popular music and creator of the website ''MusicaPopular''. In 2009 the former president Michelle Bachelet expressed her "affection and admiration" for Mercedes Sosa and "Gracias a la vida" with the following phrase: «As you know today, "Gracias a la vida" is a song of ours, but also a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violeta Parra
Violeta del Carmen Parra Sandoval (; 4 October 1917 – 5 February 1967) was a Chilean composer, singer-songwriter, folklorist, ethnomusicologist and visual artist. She pioneered the Nueva Canción Chilena (The Chilean New Song), a renewal and a reinvention of Chilean folk music that would extend its sphere of influence outside Chile. Her birthdate (4 October) was chosen "Chilean Musicians' Day". In 2011, Andrés Wood directed a biopic about her, titled ''Violeta Went to Heaven'' (Spanish: ''Violeta se fue a los cielos''). Biography Early years There is some uncertainty as to exactly where Violeta Parra was born. The stamp on her birth certificate says she was born in San Carlos, Ñuble Province, a small town in southern Chile on 4 October 1917, as Violeta del Carmen Parra Sandoval. However, both the Violeta Parra Foundation (Fundación Violeta Parra) and the Violeta Parra Museum (Museo Violeta Parra) claim on their websites that she was born in San Fabián de Alico, near San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Guantanamera")
