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Gott Fähret Auf Mit Jauchzen, BWV 43
("God goes up with jubilation" or "God has gone up with a shout"), , is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the Feast of the Ascension and first performed it on 30 May 1726. It begins with a quotation from Psalm 47. History and words Bach composed the cantata in his third year in Leipzig for the feast of Ascension. The prescribed readings for the feast day were from the Acts of the Apostles, the prologue and Ascension (), and from the Gospel of Mark, Jesus telling his disciples to preach and baptise, and his Ascension (). The text of the cantata is unusual as it consists mostly of a poem in six stanzas, which forms movements 5 to 10 of the work in 11 movements. The structure is similar to that of cantatas by Bach's cousin Johann Ludwig Bach, court conductor in Meiningen, that Bach performed during 1726: Old Testament quotation, recitative, aria, New Testament quotation, poem, chorale. The first quotation is taken from Psalm 47 () and is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Ludwig Bach
Johann Ludwig Bach ( – 1 May 1731) was a German composer and violinist. He was born in Thal near Eisenach. At the age of 22 he moved to Meiningen eventually being appointed cantor there, and later Kapellmeister. He wrote a large amount of music and regularly oversaw performances, both at Meiningen and neighbouring courts. He was a third cousin of Johann Sebastian Bach, who made copies of several of his cantatas and performed them at Leipzig. The cantata '' Denn du wirst meine Seele nicht in der Hölle lassen'', BWV 15, once thought to be by Johann Sebastian, and listed as BWV 15 in Wolfgang Schmieder's catalogue of his works, is now thought to be by Johann Ludwig. Bach died in Meiningen. Works, editions and recordings The earliest lists of compositions by Johann Ludwig Bach appeared in the 19th century: Johann Theodor Mosewius listed 16 of his cantatas in 1852, and Alfred Dörffel listed 17 cantatas and the Mass in E minor, with their incipits, in Vol. 41 of the Bach-Gesell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Ascension Oratorio
Ascension or ascending may refer to: Religion * "Ascension", "Assumption", or "Translation", the belief in some religions that some individuals have ascended into Heaven without dying first * Ascension of Jesus * Feast of the Ascension (Ascension day), an annual day of feast commemorating Jesus' ascension; a public holiday in several countries * ''The Ascension'', another title for the Old English poem ''Christ II'' * Ascension Cathedral (other) * The Ascension, Lavender Hill, an Anglo-Catholic church on Lavender Hill, Battersea, South West London Places * Ascensión Municipality, Chihuahua, Mexico ** Ascensión, Chihuahua, a city and capital of the municipality * Ascension Island, in the southern Atlantic Ocean * Ascension Islands, a group of uninhabited islands in Canada * Ascension, Prince Edward Island, Canada * L'Ascension, Quebec, Canada * Ascension Parish, Louisiana, United States Fiction * ''Ascension'' (comics), a comic book series (1997–2000) created ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ In The Winepress
Christ in the winepress or the mystical winepress is a Motif (visual arts), motif in Christianity, Christian iconography showing Jesus, Christ standing in a winepress, where Christ himself becomes the grapes in the press. It derives from the interpretation by Augustine of Hippo, Augustine and other early theologians of a group of passages in the Bible and is found as a visual image in Christian art between about 1100 and the 18th century, as well as in religious literature of many kinds. The image in art underwent a number of changes of emphasis, while remaining fairly consistent in its basic visual content, and was one of the relatively few medieval metaphorical or allegorical devotional images to maintain a foothold in Protestantism, Protestant iconography after the Reformation. Development of the image The image was first used c. 1108 as a Typology (theology), typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a ''Crucifixion'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The ''Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistle To The Ephesians
The Epistle to the Ephesians is the tenth book of the New Testament. Its authorship has traditionally been attributed to Paul the Apostle but starting in 1792, this has been challenged as Deutero-Pauline, that is, pseudepigrapha written in Paul's name by a later author strongly influenced by Paul's thought, probably "by a loyal disciple to sum up Paul's teaching and to apply it to a new situation fifteen to twenty-five years after the Apostle's death".Authenticity oEphesians Bible apologetics. Hoehner, Harold. ''Ephesians: An Exegetical Commentary.'' Baker Academic, 2002. Brown, Raymond E. ''The churches the apostles left behind'', Paulist Press, 1984. . Themes According to New Testament scholar Daniel Wallace, the theme may be stated pragmatically as "Christians, get along with each other! Maintain the unity practically which Christ has effected positionally by his death."Wallace, Daniel B "Ephesians:Introduction, Argument, and Outline."Bible.org, 1 January 2010 Another majo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 68
Psalm 68 is the 68th psalm of the Book of Psalms, or Psalm 67 in Septuagint and Vulgate numbering. In the English of the King James Version it begins "Let God arise, let his enemies be scattered". In the Latin Vulgate version it begins "Exsurgat Deus et dissipentur inimici eius". It has 35 verses (36 according to Hebrew numbering). Methodist writer Arno C. Gaebelein calls it "The Great Redemption Accomplished" and describes it as "one of the greatest Psalms".Gaebelein, A. C. (1919)Gaebelein's Annotated Bibleon Psalm 68, accessed 10 December 2021 Psalm 68 is used in both Jewish and Christian liturgies, and also in that of Ethiopianist new religious movements such as Rastafari. It has often been set to music, such as Marc-Antoine Charpentier's ''Exurgat Deus'' (H.215) in Latin around 1690, for soloists, chorus, two treble instruments and continuo. Handel used verses 11 and 18 in his 1742 oratorio ''Messiah'' ( HWV 56). Text Hebrew / English parallel version Following is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Testament
The New Testament grc, Ἡ Καινὴ Διαθήκη, transl. ; la, Novum Testamentum. (NT) is the second division of the Christian biblical canon. It discusses the teachings and person of Jesus, as well as events in first-century Christianity. The New Testament's background, the first division of the Christian Bible, is called the Old Testament, which is based primarily upon the Hebrew Bible; together they are regarded as sacred scripture by Christians. The New Testament is a collection of Christian texts originally written in the Koine Greek language, at different times by various authors. While the Old Testament canon varies somewhat between different Christian denominations, the 27-book canon of the New Testament has been almost universally recognized within Christianity since at least Late Antiquity. Thus, in almost all Christian traditions today, the New Testament consists of 27 books: * 4 canonical gospels (Matthew, Mark, Luke, and John) * The Acts of the Apostl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
