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Gott, Gib Dein Gerichte Dem Könige, BWV Anh 3
In Johann Sebastian Bach's time, the election or inauguration of a new town council, normally an annual event, was celebrated with a church service. A cantata written for such occasion was indicated with the term (council election) or (council change). Bach composed such cantatas for Mühlhausen and for Leipzig. Five of these cantatas ( BWV 71, 119, 120.1, 29 and 69.2) are entirely extant. One further cantata, BWV 193.2, lost part of its music, and there are another five that have only been known to exist (two for Mühlhausen), or for which only the text is extant (three for Leipzig). Bach worked in Mühlhausen from 1707 to 1708. His first council election cantata for that town was performed and printed in 1708. Two further works for council election in Mühlhausen, BWV 1138.1 (in 1709) and 1138.2 (in 1710) are documented. These latter works are entirely lost, in contrast to the first, BWV 71, of which both Bach's autograph and the contemporary print su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gott Ist Mein König, BWV 71
' (God is my King), , is a cantata by Johann Sebastian Bach written in Mühlhausen when the composer was 22 years old. Unusually for an early cantata by Bach, the date of first performance is known: at the inauguration of a new town council on 4 February 1708. The text is compiled mainly from biblical sources, three different sections from Psalm 74 and several other verses. In addition, one stanza from Johann Heermann's hymn "" is sung simultaneously with corresponding biblical text, and free poetry by an unknown poet of Bach's time which relates to the political occasion. The cantata in seven movements is scored festively with a Baroque instrumental ensemble including trumpets and timpani, "four separate instrumental 'choirs', set against a vocal consort of four singers, an optional ''Capelle'' of ripienists and an organ". Stylistically it shares features with Bach's other early cantatas. Bach, then organist in Mühlhausen's church ''Divi Blasii'', led the performance on 4 Fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the Germany, German Baroque music, Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750. By far the most famous are by Johann Sebastian Bach, especially the Church cantata (Bach), cantatas composed in his Bach's second cantata cycle, second annual cycle of cantatas, started in Leipzig in 1724. Description The chorale cantata developed out of the chorale concerto, an earlier form much used by Samuel Scheidt in the early 17th century, which incorporated elements of the Venetian School (music), Venetian School, such as the concertato style, into the liturgical music of the Protestant Reformation. Later the chorale cantata developed into three general forms: * a form in which each verse (strophe) of the chora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lobe Den Herren, Den Mächtigen König Der Ehren, BWV 137
Johann Sebastian Bach composed the church cantata (Praise the Lord, the mighty King of honor), 137, in Leipzig for the twelfth Sunday after Trinity and first performed it on 19 August 1725. The chorale cantata is based on the hymn by Joachim Neander (1680). History and words Bach composed the cantata for the Twelfth Sunday after Trinity. It forms part of a cycle of chorale cantatas which Bach composed in Leipzig over a period of two years 1724–25. In 1724, his second year in the city, Bach had composed chorale cantatas between the first Sunday after Trinity of 1724 and Palm Sunday, but for Easter had returned to cantatas on more varied texts, possibly because he lost his librettist. Later Bach composed again chorale cantatas to complete his second annual cycle. This cantata is one of the completing works. It is based entirely on the unchanged words on the hymn "" (1680) by Joachim Neander. The prescribed readings for the Sunday were from the Second Epistle to the Corinthian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philipp Spitta
Julius August Philipp Spitta (27 December 1841 – 13 April 1894) was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach. Life He was born in , near Hoya, and his father, also called Philipp Spitta, was a theologian and wrote the Protestant collection of hymns entitled ''Psalter und Harfe''. As a child, the younger Spitta learnt the piano, pipe organ, and musical composition. He studied theology and classical philology at the University of Göttingen from 1860, graduating in 1864 with a Ph.D. for a dissertation on Tacitus (''Der Satzbau bei Tacitus'', 1866). While at university, he composed, wrote a biography of Robert Schumann, and became friends with Johannes Brahms. He became a teacher of Ancient Greek and Latin language in, successively, Reval, Sondershausen, and Leipzig, while pursuing his interest in and lecturing on music history in general and Johann Sebastian Bach in particular. His Bach study began to be publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lobe Den Herrn, Meine Seele, BWV 69
(Praise the Lord, my soul), 69, also BWV69.2,Work at Bach Digital website: Lobe den Herrn, meine Seele BWV 69.2; BWV 69; BC B 10 / Sacred cantata (Council election) is a cantata by Johann Sebastian Bach. History and text Bach composed a cantata with this title ( BWV 69a/69.1) in 1723 during his first year in Leipzig. Bach revived the work later in the 1720s, changing the instrumentation of one of the arias. Much later, in 1748, he reworked the cantata for the church service which was held to mark the inauguration of a town council. The recitatives and the chorale were changed. In this form, it was first performed on 26 August 1748. The festive orchestration of the original work was suitable for the new occasion. The text of the first movement is from Psalm 103. The chorale is the third verse of "" by Martin Luther (1524). The author of the rest of the text is unknown. Scoring and structure The cantata is scored for four solo voices (soprano, alto, tenor, and bass), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wir Danken Dir, Gott, Wir Danken Dir, BWV 29
(We thank you, God, we thank you), 29, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig in 1731 for , the annual inauguration of a new town council, and first performed it on 27 August of that year. The cantata was part of a festive service in the . The cantata text by an unknown author includes in movement 2 the beginning of Psalm 75, and as the closing chorale the fifth stanza of Johann Gramann's "". Bach scored the work in eight movements for four vocal parts and a festive Baroque orchestra of three trumpets, timpani, two oboes, strings, an obbligato organ and basso continuo. The organ dominates the first movement ''Sinfonia'' which Bach derived from a ''Partita'' for violin. The full orchestra accompanies the first choral movement and plays with the voices in the closing chorale, while a sequence of three arias alternating with two recitatives is scored intimately. Bach used the music from the choral movement for both the and of his Mass in B minor. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gott, Man Lobet Dich In Der Stille, BWV 120
(God, You are praised in the stillness), BWV 120.1 (previously ),Work at Bach Digital website. is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig for the occasion of , the inauguration of a new town council in a church service, probably before 1730, or, alternatively, in 1742. Parts of the cantata appeared in a wedding cantata () and a cantata commemorating the Augsburg Confession in 1730 ().Work at Bach Digital website. Bach reworked the choral second movement for the '' Symbolum Nicenum'' of his Mass in B minor. History Bach composed the cantata in Leipzig for the inauguration of the newly elected town council, which took place in a festive service at the Nikolaikirche on the Monday following St. Bartholomew's Day (24 August). A first performance in 1728 or 1729 is regarded as likely, or according to other sources, such as Klaus Hofmann, 1742. The autograph score of that performance is preserved, with the heading "J. J. Concerto à 4 Voci. due H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preise, Jerusalem, Den Herrn, BWV 119
(Praise the Lord, Jerusalem), BWV 119, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig for ''Ratswechsel'', the inauguration of a new town council, and first performed it on 30 August 1723. Bach composed the cantata in his first year as ''Thomaskantor'' in Leipzig, about three months after taking office at the end of May 1723. A festive service at the Nikolaikirche was an annual event, celebrating the inauguration of a new town council, always held on the Monday after St. Bartholomew (August 24). The text by an anonymous poet includes psalm verses and an excerpt from Martin Luther's German Te Deum. It is focused on acknowledgement of authority as a gift of God, thanks for past blessings, and prayer for future help. The cantata is structured in nine movements, three of them choral (1, 7, 9), the others alternating arias and recitatives. The orchestra is large and representative, with four trumpets, timpani, two recorders and three oboes, in addit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartholomew The Apostle
Bartholomew (Aramaic: ; grc, Βαρθολομαῖος, translit=Bartholomaîos; la, Bartholomaeus; arm, Բարթողիմէոս; cop, ⲃⲁⲣⲑⲟⲗⲟⲙⲉⲟⲥ; he, בר-תולמי, translit=bar-Tôlmay; ar, بَرثُولَماوُس, translit=Barthulmāwus) was one of the twelve apostles of Jesus according to the New Testament. He is also commonly identified as ''Nathanael'' or ''Nathaniel'', who appears in the Gospel of John when introduced to Jesus by Philip (who also became an apostle; John 1:43–51), although some modern commentators reject the identification of Nathanael with Bartholomew. New Testament references The name ''Bartholomew'' ( el, Βαρθολομαῖος, transliterated "Bartholomaios") comes from the arc, בר-תולמי ''bar-Tolmay'' "son of Talmai" or "son of the furrows". Bartholomew is listed among the Twelve Apostles of Jesus in the three Synoptic Gospels: Matthew, Mark, and Luke, and also appears as one of the witnesses of the Asce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Digital
Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of Bach family, his family. Early manuscripts of such compositions are a major focus of the website, which provides access to high-resolution digitized versions of many of these. Scholarship on manuscripts and versions of compositions is summarized on separate pages, with references to scholarly sources and editions. The database portal has been online since 2010. History In 2000, two years after Uwe Wolf (musicologist), Uwe Wolf had suggested the possibility of supporting the publication of the New Bach Edition (NBE) with digital media, a project named Bach Digital started as an initiative of the Internationale Bachakademie Stuttgart, but without direct involvement of the then editor of the NBE, the Johann Sebastian Bach Institute in Göttingen. After four years the project remained unconvincing: it lagge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
