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Gothic Fragment
The Gothic fragment is a type of Gothic fiction characterized by short, atmospheric stories with abrupt beginnings and ends. Widely popular in the late 1700s, gothic fragments are narratives driven by supernatural motifs without explanation. Many were inspired by the works of Nathan Drake, Anna Aikin, and John Aikin. Definition and analysis The Gothic fragment is a type of short Gothic fiction popular in the late 1700s, perhaps approaching the popularity of the Gothic novels of the time. Unlike the Gothic tale, fragments focus mostly on atmosphere instead of plot, and they are written mostly to astonish the reader rather than provide a moral conclusion. While some fragments attempt to explain supernatural elements of their stories, most do not, and fragments typically start abruptly and end without resolution. In this way, Gothic fragments are largely dissimilar from Gothic novels. Although their beginnings and endings are abrupt, they are not incomplete narratives. Many fragm ...
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Gothic Fiction
Gothic fiction, sometimes called Gothic horror in the 20th century, is a loose literary aesthetic of fear and haunting. The name is a reference to Gothic architecture of the European Middle Ages, which was characteristic of the settings of early Gothic novels. The first work to call itself Gothic was Horace Walpole's 1764 novel ''The Castle of Otranto'', later subtitled "A Gothic Story". Subsequent 18th century contributors included Clara Reeve, Ann Radcliffe, William Beckford (novelist), William Thomas Beckford, and Matthew Gregory Lewis, Matthew Lewis. The Gothic influence continued into the early 19th century, works by the Romantic poetry, Romantic poets, and novelists such as Mary Shelley, Charles Maturin, Walter Scott and E. T. A. Hoffmann frequently drew upon gothic motifs in their works. The early Victorian literature, Victorian period continued the use of gothic, in novels by Charles Dickens and the Brontë family, Brontë sisters, as well as works by the American ...
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Supernatural
Supernatural refers to phenomena or entities that are beyond the laws of nature. The term is derived from Medieval Latin , from Latin (above, beyond, or outside of) + (nature) Though the corollary term "nature", has had multiple meanings since the ancient world, the term "supernatural" emerged in the Middle Ages and did not exist in the ancient world. The supernatural is featured in folklore and religious contexts, but can also feature as an explanation in more secular contexts, as in the cases of superstitions or belief in the paranormal. The term is attributed to non-physical entities, such as angels, demons, gods, and spirits. It also includes claimed abilities embodied in or provided by such beings, including magic, telekinesis, levitation, precognition, and extrasensory perception. The philosophy of naturalism contends that nothing exists beyond the natural world, and as such approaches supernatural claims with skepticism. Etymology and history of the concept Occurr ...
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Nathan Drake (essayist)
Nathan Drake (15 January 1766 – 7 June 1836), English essayist and physician, was born in York, at the family home in Precentor's Court, as the son of Nathan Drake, an artist. He is known for a book summing up knowledge of Shakespeare available at the time. Biography Drake was apprenticed to a doctor in York in 1780, and in 1786 proceeded to Edinburgh University, where he took his degree as MD in 1789. In 1790 he set up as a general practitioner at Sudbury, Suffolk, where he became an intimate friend with John Mason Good (died 1827). In 1792, Drake relocated to Hadleigh, where he died in 1836. Bibliography Drake's works include several volumes of literary essays and some papers contributed to medical periodicals. However, Drake's prime work was ''Shaksperiana: or, Sketches of Shakespeare's character and genius... Now first collected... by Nathan Drake, etc.'', i. e. ''Shakespeare and his Times, including the Biography of the Poet, Criticisms on his Genius, and Writings; ...
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Anna Laetitia Barbauld
Anna Laetitia Barbauld (, by herself possibly , as in French, Aikin; 20 June 1743 – 9 March 1825) was a prominent English poet, essayist, literary critic, editor, and author of children's literature. A " woman of letters" who published in multiple genres, Barbauld had a successful writing career that spanned more than half a century. She was a noted teacher at the Palgrave Academy and an innovative writer of works for children. Her primers provided a model for more than a century. Her essays showed it was possible for a woman to be engaged in the public sphere; other women authors such as Elizabeth Benger emulated her. Barbauld's literary career spanned numerous periods in British literary history: her work promoted the values of the enlightenment and of sensibility, while her poetry made a founding contribution to the development of British Romanticism. Barbauld was also a literary critic. Her anthology of 18th-century novels helped to establish the canon as it is known to ...
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John Aikin
John Aikin (15 January 1747 – 7 December 1822) was an English medical doctor and surgeon. Later in life he devoted himself wholly to biography and writing in periodicals. Life He was born at Kibworth Harcourt, Leicestershire, England, son of Dr John Aikin, Unitarian divine, and received his elementary education at the Nonconformist academy at Warrington, where his father was a tutor. He studied medicine at the University of Edinburgh, and in London under Dr. William Hunter. He practised as a surgeon at Chester and Warrington. Finally, he went to Leiden in Holland, earned an M.D. in 1780, and in 1784 established himself as a doctor in Great Yarmouth. In 1792, one of his pamphlets having given offence, he moved to London, where he practised as a consulting physician. He lived in Church Street, Stoke Newington. However, he concerned himself more with the advocacy of liberty of conscience than with his professional duties, and he began at an early period to devote himself t ...
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Eighteenth-century Gothic Novel
The eighteenth-century Gothic novel is a genre of Gothic fiction published between 1764 and roughly 1820, which had the greatest period of popularity in the 1790s. These works originated the term "Gothic" to refer to stories which evoked the sentimental and supernatural qualities of medieval romance with the new genre of the novel. After 1820, the eighteenth-century Gothic novel receded in popularity, largely overtaken by the related genre of historical fiction as pioneered by Walter Scott. The eighteenth-century Gothic was also followed by new genres of Gothic fiction like the Victorian penny dreadful. Historical development The rise of the Gothic The first work to call itself "Gothic" was Horace Walpole's '' The Castle of Otranto'' (1764). Walpole's declared aim was to combine elements of the medieval romance, which he deemed too fanciful, and the modern novel, which he considered to be too confined to strict realism. Walpole's novel was popular but did not initially prompt ...
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Lady's Magazine
London fashionable spencer ">Spencer_(clothing).html" ;"title="walking dresses, July 1812, including a Spencer (clothing)">spencer ''The Lady's Magazine; or Entertaining Companion for the Fair Sex, Appropriated Solely to Their Use and Amusement'', was an early British women's magazine published monthly from 1770 until 1847. Priced at sixpence per copy, it began publication in August 1770 by the London bookseller John Coote and the publisher John Wheble. It featured articles on fiction, poetry, fashion, music, and social gossip and was, according to the Victoria and Albert Museum, "the first woman's magazine to enjoy lasting success." The magazine claimed a readership of 16,000, a figure that has been considered high when contemporary literacy levels and underdeveloped printing technologies are taken into account. ''The Lady's Magazine'' dominated the market for most of its run, and led to imitations like the '' Lady's Monthly Museum'' and the '' New Lady's Magazine''. Histo ...
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Lady's Monthly Museum
''The Lady's Monthly Museum; Or, Polite Repository of Amusement and Instruction'' was an English monthly women's magazine published between 1798 and 1832. History ''The Lady's Magazine'', a women's magazine founded in 1770 with a "pseudo-genteel and sentimental emphasis", encouraged successors. ''The Lady's Monthly Museum; Or, Polite Repository of Amusement and Instruction'' was started in 1798 as one of the more successful of the group. The magazine was published by Vernor and Hood, and was one of the era's more popular publications. It merged with ''The Lady's Magazine'' in 1832, becoming known as ''The Lady's Magazine and Museum of the Belles Lettres, Fine Arts, Music, Drama, Fashions, etc''., and finally ceased publication in 1847. Content The magazine positioned itself to appeal directly to women. It featured articles on fashion, biographies and portraits of aristocratic persons of interest, essays, and poems. Serialised stories also appeared in the ''Lady's Monthly Museum' ...
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Mary Hays
Mary Hays (1759–1843) was an autodidact intellectual who published essays, poetry, novels and several works on famous (and infamous) women. She is remembered for her early feminism, and her close relations to dissenting and radical thinkers of her time including Robert Robinson (Baptist), Robert Robinson, Mary Wollstonecraft, William Godwin and William Frend (reformer), William Frend. She was born in 1759, into a family of Protestant dissenters who rejected the practices of the Church of England (the established church). Hays was described by those who disliked her as 'the baldest disciple of [Mary] Wollstonecraft' by ''The Anti Jacobin Magazine'', attacked as an 'unsex'd female' by clergyman Robert Polwhele, and provoked controversy through her long life with her rebellious writings. When Hays's fiancé John Eccles died on the eve of their marriage, Hays expected to die of grief herself. But this apparent tragedy meant that she escaped an ordinary future as wife and mother, ...
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Harriet Lee (writer)
Harriet Lee (1757 – 1 August 1851) was an English novelist and playwright. Life She was born in London in 1757. After the death of her father, John Lee, in 1781, she aided her sister Sophia Lee in keeping a private school at Belvedere House, Bath. In 1786, she published ''The Errors of Innocence,'' a novel in five volumes, written in epistolary form. A comedy, '' The New Peerage'' was performed at Drury Lane on 10 Nov. 1787, and, although acted nine times, was not successful enough to encourage her to continue writing for the stage. Genest calls it 'on the whole a poor play'. It was published with a dedication to Thomas King the actor, who had taken the chief part. The younger Bannister, Suett, and Miss Farren were also in the cast. Richard Cumberland wrote the prologue. ''Clara Lennox,'' a novel in two volumes, was published in 1797 and translated into French in the following year. The first two volumes of Miss Lee's chief work, ''The Canterbury Tales,'' in which she ...
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Raymond; A Fragment
"Raymond; a Fragment" is a short Gothic story published in 1799. Signed under the pseudonym Juvenis, it was reprinted, plagiarized, and served as the inspiration for other Gothic tales; it was likely inspired by a 1796 Gothic story. It is part of the genre of fragmentary writing, which uses supernatural motifs without explanation. Plot Raymond is sitting at his house following the abduction of his wife, Miranda, shortly after their marriage ceremony. He hears a woman screaming, and he grabs a sword and searches for her. He enters a ruined castle, and after looking through a succession of hallways and chambers (in one, he finds a skeleton wearing armor), he happens upon a man carrying a bloody knife across from a dead woman. After killing the man, he discovers the woman is Miranda. Publication history "Raymond; a Fragment" appeared in the February 1799 issue of ''Lady's Magazine'' as the work of the pseudonymous Juvenis. Since they share substantial textual and plot overlap, it ...
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Pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individual's own. Many pseudonym holders use pseudonyms because they wish to remain anonymous, but anonymity is difficult to achieve and often fraught with legal issues. Scope Pseudonyms include stage names, user names, ring names, pen names, aliases, superhero or villain identities and code names, gamer identifications, and regnal names of emperors, popes, and other monarchs. In some cases, it may also include nicknames. Historically, they have sometimes taken the form of anagrams, Graecisms, and Latinisations. Pseudonyms should not be confused with new names that replace old ones and become the individual's full-time name. Pseudonyms are "part-time" names, used only in certain contexts – to provide a more clear-cut separation between o ...
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