Got To Get It
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Got To Get It
"Got to Get It" is a song by German group Culture Beat from their second studio album, ''Serenity'' (1993). Written by Nosie Katzmann, Jay Supreme, Torsten Fenslau and Peter Zweier, it was released as the second single from the album on 13 September 1993. The song was a hit in many European countries, peaking at number-one in Belgium and Finland. It was also a top 5 hit in Denmark, Germany, Ireland, Italy, Lithuania, Spain, Sweden, the Netherlands and the UK. In the UK, the US and Canada, the song peaked at number-one on the dance music charts. Critical reception AllMusic editor William Cooper viewed "Got to Get It" as a "virtual rewrite" of "Mr. Vain". Larry Flick from ''Billboard'' described it as a "wickedly catchy twirler that appears poised to follow the trend-setting "Mr. Vain" to the top of club playlists and on to top 40 formats". He added, "The song's hook will instantly stick to the brain, while the plethora of pop/rave beats will sneak up the spine." He also felt t ...
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Culture Beat
Culture Beat is a German Eurodance project formed in 1989 by Torsten Fenslau. The act has gone through a number of lineup changes over the years; they achieved the most success whilst fronted by singer Tania Evans and rapper Jay Supreme. Their 1993 single "Mr. Vain" was a number-one hit in eleven European countries, and the act is thought to have sold more than 10 million records worldwide. Biography Origins and formation Torsten Fenslau, who initially had a desire for becoming an architect, had been working as a DJ at the Frankfurt nightclub Dorian Gray since 1982 (and remained for 11 years), when in 1989 he decided to form Culture Beat with his friends Jens Zimmermann and Peter Zweier. 1989–1991: ''Horizon'' Their first single, the track " Der Erdbeermund", with a spoken vocal in German by Jo van Nelsen, peaked at number 11 on the German singles chart. Versions in English and French were also released (titled "Cherry Lips" and "Les lèvres cerises", respectively). An ...
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Billboard Magazine
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off into ...
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Eurochart Hot 100
The European Hot 100 Singles was compiled by '' Billboard'' and ''Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 1979 ...
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UK Dance Singles Chart
The UK Dance Singles Chart and the UK Dance Albums Chart are music charts compiled in the United Kingdom by the Official Charts Company from sales of songs in the dance music genre (e.g. house, trance, drum and bass, garage, synthpop) in record stores and digital downloads. The chart can be viewed on the BBC Radio 1's and Official Charts Company's website. The archive on the Official Charts Company website goes back to 3 July 1994, the beginning of the first charting week.Official Dance Singles Chart Top 40: 3 July 1994 - 9 July 1994
The dates listed in the menus below represent the Saturday after the Sunday the c ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
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Sunday Mirror
The ''Sunday Mirror'' is the Sunday sister paper of the ''Daily Mirror''. It began life in 1915 as the ''Sunday Pictorial'' and was renamed the ''Sunday Mirror'' in 1963. In 2016 it had an average weekly circulation of 620,861, dropping markedly to 505,508 the following year. Competing closely with other papers, in July 2011, on the second weekend after the closure of the ''News of the World'', more than 2,000,000 copies sold, the highest level since January 2000. History ''Sunday Pictorial'' (1915–1963) The paper launched as the ''Sunday Pictorial'' on 14 March 1915. Lord Rothermere – who owned the paper – introduced the ''Sunday Pictorial'' to the British public with the idea of striking a balance between socially responsible reporting of great issues of the day and sheer entertainment. Although the newspaper has gone through many refinements in its near 100-year history those original core values are still in place today. Ever since 1915, the paper has continually ...
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Faces (2 Unlimited Song)
"Faces" is a song by Belgian/Dutch Eurodance band 2 Unlimited, released on 23 August 1993 as the third single from their second album, '' No Limits!'' (1993). Co-written by band members Ray Slijngaard and Anita Dels, it peaked at number eight in the United Kingdom and at number six on the Eurochart Hot 100. The accompanying music video was directed by Nick Burgess-Jones. Release The single version of "Faces" is a radio edit of the album version included on the ''No Limits!'' album internationally. "Faces (Radio Edit)" substitutes the less-palatable, harsh synth lead with a milder rendition of the same riff. In the United States, this radio edit of "Faces" was included on the ''No Limits!'' album instead of the album version found on all international pressings. In the UK, the radio edit of "Faces" omitted the main rap, but like "Tribal Dance", the song left in more vocals from Ray Slijngaard. The UK album version instead deletes Ray’s vocals during the main raps, but kept Rayâ ...
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2 Unlimited
2 Unlimited are a Belgian/Dutch dance music act, founded by Belgian producers/songwriters Jean-Paul De Coster and Phil Wilde in 1991 in Antwerp, Belgium. From 1991 to 1996, Dutch rapper Ray Slijngaard and Dutch vocalist Anita Doth fronted the act. During these five years, 2 Unlimited enjoyed worldwide mainstream success. They scored a total of sixteen international chart hits, including "Get Ready for This", " Twilight Zone", "No Limit", and "Tribal Dance". The act has sold eighteen million records worldwide. Although they enjoyed less mainstream recognition in the United States, several of their tracks became popular themes in American sporting series, mainly in the NBA and NHL. History Formation Jean-Paul De Coster and Phil Wilde met in their hometown of Antwerp, Belgium, and created 2 Unlimited in their studio, initially without any performers or vocalists. Their first collaboration under the name of Bizz Nizz resulted in a single called "Don't Miss The Party Line" ...
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Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a Spin-off (media), spin-off Smash Hits (TV channel), digital television channel, now named Box Hits, and website. A Smash Hits Radio, digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for ...
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Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ...
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James Hamilton (DJ And Journalist)
James Hamilton (25 December 1942 – 17 June 1996) was a British DJ and dance music columnist for ''Record Mirror'', and later for ''Music Week'', where he worked until his death in 1996. He is recognised as a pioneering advocate of disco mixing in the UK and the addition of beats per minute (bpm) calculations to record reviews. Hamilton started as a DJ in his early 20s, playing rhythm & blues in a nightclubs in London. He then headed to New York to work for Seltaeb, the US company who’d acquired the merchandising rights for The Beatles, becoming a talent scout for their newly formed music division. After returning to the UK, he adopted the DJ name Doctor Soul, and also compiled an album with this title for Sue Records. He set up as one of the first mobile DJs, and began writing US reviews for ''Record Mirror'' in 1964. In 1975, he began the magazine's weekly ‘Disco’ column, named ''James Hamilton's Disco Page''. He pioneered several features that was copied by other ...
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