Gorgoneion Group
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Gorgoneion Group
The Gorgoneion Group was a group of Corinthian vase painters working in the black-figure technique. They were active in Middle Corinthian Period (''circa'' 600 to 575 BC), around 580 BC. The Gorgoneion Group mainly decorated '' kylikes'' and kraters. The striking decoration of the insides of cups with Gorgon A Gorgon ( /ˈɡɔːrɡən/; plural: Gorgons, Ancient Greek: Γοργών/Γοργώ ''Gorgṓn/Gorgṓ'') is a creature in Greek mythology. Gorgons occur in the earliest examples of Greek literature. While descriptions of Gorgons vary, the te ... heads is the base of its modern name. Its leading artist was the Cavalcade Painter. {{Authority control Ancient Greek vase painters ...
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Corinthian Vase Painting
Corinthian or Corinthians may refer to: *Several Pauline epistles, books of the New Testament of the Bible: **First Epistle to the Corinthians **Second Epistle to the Corinthians **Third Epistle to the Corinthians (Orthodox) *A demonym relating to the port of Corinth or the regional unit of Corinthia in Greece *Corinthian order, a classical order of ancient Greek and Roman architecture *Residents or people from the town of Corinth (town), New York *The League of Corinth, a federation of ancient Greek states *Corinthian Colleges, a post secondary education company in North America currently under criminal investigation in the US. *Corinthian (comics), a character in ''The Sandman'' comics *The Corinthian (novel), novel by Georgette Heyer *The Corinthian (New York), a skyscraper in New York City *The Corinthian helmet, a style of helmet worn by hoplites in classical Greece *Corinthian leather, a marketing term used by Chrysler *Corinthian (horse), American racehorse, a 2007 Breeders' ...
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Black-figure Vase Painting
Black-figure pottery painting, also known as the black-figure style or black-figure ceramic ( grc, , }), is one of the styles of painting on antique Greek vases. It was especially common between the 7th and 5th centuries BCE, although there are specimens dating as late as the 2nd century BCE. Stylistically it can be distinguished from the preceding orientalizing period and the subsequent red-figure pottery style. Figures and ornaments were painted on the body of the vessel using shapes and colors reminiscent of silhouettes. Delicate contours were incised into the paint before firing, and details could be reinforced and highlighted with opaque colors, usually white and red. The principal centers for this style were initially the commercial hub Corinth, and later Athens. Other important production sites are known to have been in Laconia, Boeotia, eastern Greece, and Italy. Particularly in Italy individual styles developed which were at least in part intended for the Etruscan ...
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Kylix (drinking Cup)
In the pottery of ancient Greece, a kylix ( , ; grc, κύλιξ, pl. κύλικες; also spelled cylix; pl.: kylikes , ) is the most common type of wine-drinking cup. It has a broad, relatively shallow, body raised on a stem from a foot and usually two horizontal handles disposed symmetrically. The main alternative wine-cup shape was the ''kantharos'', with a narrower and deeper cup and high vertical handles. The almost flat interior circle of the base of the cup, called the tondo, was generally the primary surface for painted decoration in the black-figure or red-figure pottery styles of the 6th and 5th century BC, and the outside was also often painted. As the representations would be covered with wine, the scenes would only be revealed in stages as the wine was drained. They were often designed with this in mind, with scenes created so that they would surprise or titillate the drinker as they were revealed. Etymology The word comes from the Greek ''kylix'' ("cup"), ...
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Krater
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding wate ...
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Gorgon
A Gorgon (Help:IPA/English, /ˈɡɔːrɡən/; plural: Gorgons, Ancient Greek language, Ancient Greek: Γοργών/Γοργώ ''Gorgṓn/Gorgṓ'') is a creature in Greek mythology. Gorgons occur in the earliest examples of Greek literature. While descriptions of Gorgons vary, the term most commonly refers to three sisters who are described as having hair made of living, venomous Snake, snakes and horrifying visages that Petrifaction in mythology and fiction, turned those who beheld them to stone. Traditionally, two of the Gorgons, Stheno and Euryale (Gorgon), Euryale, were immortal, but their sister Medusa was not and was slain by the demigod and hero Perseus. Etymology The name derives from the Ancient Greek word (), which means 'grim or dreadful', and appears to come from the same root as the Sanskrit word (), which means a guttural sound, similar to the growling of a beast, thus possibly originating as an onomatopoeia. Depictions Gorgons were a popular image in Greek myt ...
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Cavalcade Painter
The Cavalcade Painter is the conventional name for an ancient Greek vase painter who produced Corinthian black-figure vases. He was active during the Middle Corinthian period, around 580 BC. The Cavalcade Painter is considered one of the most important and best Corinthian painters of his time. He was the leading artist of the Gorgoneion Group. He mainly decorated kylikes and kraters. His favourite subject, found on nearly all his cup exteriors, were his eponymous scenes of horsemen; he also painted fighting scenes and animal friezes. As usual within his group, the interiors of the cups were decorated with a gorgon’s head. On one piece, he painted the suicide of Ajax, accompanied by several name inscriptions.Antikenmuseum Basel, BS 1404 His kraters also depict friezes of horsemen, fighting scenes, cavalcades and animal friezes. His most important work on that shape depicts a nuptial couple in a chariot. That work marks already the transition to Late Corinthian vase painting. Ni ...
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