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Gordon Delamont
Gordon Arthur Delamont (27 October 1918 – 16 January 1981) was a Canadian music educator, author, composer, and trumpeter. He is best remembered for his work as an educator, having helped shape the talents of dozens of notable musicians in Toronto. He also published several books on musical theory topics which have been used widely by schools in North America. As a writer he also contributed articles to '' Saturday Night'', '' The Canadian Music Journal'', and several jazz magazines and newspapers in Canada. As a composer ''The Canadian Encyclopedia'' describes him as "a guiding figure in Canada in the third-stream movement" His best-known work, ''Three Entertainments for Saxophone Quartet'' (premiered 1969, published by Kendor 1970), was recorded by the New York Saxophone Quartet and has been performed widely throughout North America and Europe. Life Born in Moose Jaw, Delamont was the son of bandmaster and cornetist Arthur Delamont. He grew up in Vancouver where he was a sol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Educator
Music education is a field of practice in which educators are trained for careers as elementary or secondary music teachers, school or music conservatory ensemble directors. Music education is also a research area in which scholars do original research on ways of teaching and learning music. Music education scholars publish their findings in peer-reviewed journals, and teach undergraduate and graduate education students at university education or music schools, who are training to become music teachers. Music education touches on all learning domains, including the psychomotor domain (the development of skills), the cognitive domain (the acquisition of knowledge), and, in particular and the affective domain (the learner's willingness to receive, internalize, and share what is learned), including music appreciation and sensitivity. Many music education curriculums incorporate the usage of mathematical skills as well fluid usage and understanding of a secondary language or cultu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Band
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Instruments Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, and drums. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moe Koffman
Morris "Moe" Koffman, Order of Canada, OC (28 December 1928 – 28 March 2001) was a Canadians, Canadian jazz saxophonist and flautist, as well as composer and arranger. During a career spanning from the 1950s to the 2000s, Koffman was one of Canada's most prolific musicians, working variously in clubs and sessions and releasing 30 albums. With his 1957 record ''Cool and Hot Sax'' on the New York-based Jubilee label, Koffman became one of the first Canadian jazz musicians to record a full-length album. Koffman was also a long-time member of Rob McConnell's Boss Brass. Early life and education Koffman was born in Toronto to Jewish immigrants from Poland. His parents operated a variety store. At the age of nine he began his musical studies in his native city, studying violin. He studied with Gordon Delamont, and later attended the Toronto Conservatory of Music, now the Royal Conservatory of Music (Toronto), Royal Conservatory of Music of Toronto, where he was a student of Samuel Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hoffert
Paul Matthew Hoffert, LLD, CM (born 22 September 1943 in Brooklyn, New York) is a recording artist, performer, media music composer, author, academic, and corporate executive. He studied mathematics and physics at the University of Toronto. He later studied music composition with Gordon Delamont. In 1969 the 26-year-old Hoffert co-founded Lighthouse, a rock group that sold millions of records and earned three Juno Awards as one of Canada's leading pop bands. His film music earned him a San Francisco Film Festival and three SOCAN Film Composer of the Year awards, and included films such as: ''The Proud Rider'' (1971), ''The Groundstar Conspiracy'' (1972), ''Outrageous!'' (1977), ''High-Ballin''' (1978), ''The Shape of Things to Come'' (1979), ''Wild Horse Hank'' (1979), ''Mr. Patman'' (1980), ''Deadly Companion'' (1981), ''Paradise'' (1982), ''Fanny Hill'' (1983), '' Bedroom Eyes'' (1984) and '' Mr. Nice Guy'' (1987). In 2001 Hoffert received the Pixel award as the New Media i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Helbig
Herbie, the Love Bug is a fictional Sentience, sentient 1963 Volkswagen Beetle, who has been featured in several Walt Disney Pictures, Walt Disney motion pictures starting with the 1968 feature film ''The Love Bug''. He has a mind of his own and is capable of driving himself, and is often a serious contender in auto racing competitions. Throughout most of the franchise, Herbie is distinguished by red, white and blue racing stripes from the front to the back bumper, a pearl white body, a racing-style number ''53'' on the front luggage compartment lid, doors, engine lid, and a yellow-on-black '63 Vehicle registration plates of California, California license plate with the registration "OFP 857". History Herbie's origins as a racing car are firmly established in ''The Love Bug'' (1968). Before the events of the film, he is bought from the showroom of Peter Thorndyke (David Tomlinson) by San Francisco socialite Mrs. Van Luit for her upstairs maid, but returns the car shortly afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hagood Hardy
Hugh Hagood Hardy, (February 26, 1937 – January 1, 1997) was a Canadian composer, pianist, and vibraphonist. He played mainly jazz and easy listening music. He is best known for the 1975 single, "The Homecoming" from his album of the same name, and for his soundtrack to the ''Anne of Green Gables'' and ''Anne of Avonlea'' films. Early life Hardy was born in Angola, Indiana. His mother was an American citizen. Hardy came to Canada as an infant settling in Brantford and grew up in Oakville, Ontario. He received a Bachelor of Arts degree from Trinity College, Toronto, and studied music privately in Toronto with Gordon Delamont. As a young man he participated in bebop jam sessions on Gerrard Street in Toronto. In the 1960s he played vibraphone in the bands of Martin Denny, Gigi Gryce, Herbie Mann, and George Shearing. Career Hardy performed with Herbie Mann on the latter's 1961 recording ''Herbie Mann at the Village Gate''. The session includes the jazz standard "Comin' Home B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Dale (musician)
Jimmy Dale (23 October 1935 – 20 May 2017) was a British-born Canadian arranger, composer, conductor, organist, and pianist. He was active as a music director for both Canadian and United States television during the 1970s and 1980s. He has also composed several film and television scores and written a number of TV theme songs and jingles. He has also worked as an arranger and pianist for both performances and recordings with several notable artists. Life Born James Edwin Dale in London, Dale immigrated to Canada with his family in 1947 at the age of 11. He attended The Royal Conservatory of Music for two years where he was a pupil of pianist Alma Allen. He also studied music theory and music composition privately in Toronto with Gordon Delamont. Dale began his career playing in dance bands and pit orchestras in Toronto during the 1950s. In 1957 he joined Peter Appleyard's newly formed jazz ensemble with whom he played and toured for two years. In the early 1960s he beg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Collier
Ron Collier, (July 3, 1930 – October 22, 2003) was a Canadian jazz trombonist, composer, and arranger. He performed in and led a number of jazz groups, and created orchestrations for and recorded with Duke Ellington. Early life and education A native of Coleman, Alberta, Collier began his musical training in Vancouver. He was a member of the Kitsilano Boys' Band. He studied music privately in Toronto with Gordon Delamont."Ron Collier" ''AllMusic'', Biography by Eugene Chadbourne The first jazz musician to receive a Canada Council grant, he studied orchestration in New York in 1961 and 1962. Career Collier formed the Ron Collier Jazz Quartet, which performed in the 1950s at the Stratford Festival and on CBC's ''Tabloid'' with |
Gustav Ciamaga
Gustav Ciamaga (April 10, 1930 – June 11, 2011) was a Canadian composer, music educator, and writer. An associate of the Canadian Music Centre and a member of the Canadian League of Composers, he was best known for his compositions of electronic music, although he produced several non-electronic works. His compositions have been performed throughout North America and Europe. His work ''Curtain Raiser'' was commissioned for the opening of the National Arts Centre in 1969. An honorary member of the Canadian Electroacoustic Community, he invented a number of electronic music apparatuses, including the Serial Sound Structure Generator. As a writer he contributed articles to numerous music journals, magazines, and other publications. History Born in London, Ontario, Ciamaga studied at the University of Western Ontario from 1951 to 1954 while simultaneously receiving private instruction from Gordon Delamont. He entered the music program at the University of Toronto where he studied mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Appleyard
Peter Appleyard, (26 August 1928 – 17 July 2013) was a British–Canadian jazz vibraphonist, percussionist, and composer. He spent most of his life in the city of Toronto, where for many years he was a popular performer in nightclubs and hotels such as The Park Plaza, Stop 33, The 54th, The Chelsea Inn, and The Montreal Bistro. He also played and recorded with many of the city's orchestras and was featured on Canadian television and radio programs. He had his own very successful television show on CHCH Channel 11 that was recorded live from Albert’s Hall, ‘Peter Appleyard Presents’ that featured all the jazz greats from Blossom Dearie to Lionel Hampton. In the early 1970s he drew wide acclaim for his performances with Benny Goodman's jazz sextet with which he toured internationally. In 1992, he was made an Officer of the Order of Canada in recognition of his being an "internationally renowned vibraphonist hohas represented the Canadian jazz community across North Amer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
