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Gorakh Kalyan
Gorakh Kalyan is a raga in Hindustani classical music. Its name is attributed to its origins in a regional type of song of Gorakhpur in Uttar Pradesh. Since it does not resemble Kalyan Kalyan (Pronunciation: əljaːɳ is a city on the banks of Ulhas River in Thane district of Maharashtra state in Konkan division. It is governed by Kalyan-Dombivli Municipal Corporation. Kalyan is a subdivision (Taluka) of Thane district ... very much, some musicians prefer to just call it ''Gorakh''. References Hindustani ragas {{India-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khamaj (thaat)
Khamaj () is one of the ten thaats (parent scales) of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. The Khamaj thaat can be obtained by replacing the Shuddha Nishad of Bilaval by Komal Nishad. The ragas of this thaat are full of Shringara Rasa (romantic) hence this raga is mostly rendered in the form of light classical thumris, tappas, horis, kajris etc. Its pictorial descriptions in the existing texts are sensuous and even today, the raga Khamaj is considered to be a 'flirtatious' raag. There is a theory which assumes that in the past, the Khamaj scale found its way in the Ch'in music of late medieval China. Description The parent-scale or Thaat of Khamaj, notated in sargam notation, has the following structure: Sa Re Ga Ma Pa Dha Sa'. In Western terms, assuming the tonic (Sa) to be at C, the scale would be: C D E F G A B-flat C. Khamaj thaat is thus equivalent to the mixolydian mode in Western classical music. The Carna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durga (raga)
Durga is a raga in Hindustani Classical music. It shares some features with ''Shuddha Saveri'' of Carnatic music (such as the note positions), but is significantly different from it in terms of the ''sanchara''s of the raga. Unless mentioned otherwise, notes refer to the concept of notes in Indian classical music, called ‘swara’ in Hindustani. Durga raga evokes the sringara rasa – romantic love. Technical description Notes and features # All swaras used are suddha # Gandhar and Nishad are not used. Example composition ''R m P D ; P D m ; m P D D m ; D m P D S' ; D D S' S' D D m; m P D ; m R, D S;'' Here m is ''Shuddha Madhyam'', M is '' Madhyam'' but this is not used in Durga at all. Samay (time) Second Prahar of night : 9:00 p.m. to midnight () Comparable to Malhar Durga has the same notes as Malhar, another popular raag and one of old pedigree. The aural experience of both are significantly different. Technically, they are made apart by the use of r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bageshri
Raga Bageshri or Bageshree () is a Hindustani classical raga. It is a popular night raga, which is meant to depict the emotion of a woman waiting for reunion with her lover. It is said to have been first sung by Miyan Tansen, the celebrated court singer of the Emperor Akbar in the sixteenth century. In the twentieth century, Bageshri raga found widespread popularity in Carnatic Music. The popular Hindi music director C.Ramchandra favoured composing songs in Bageshri, as he found it simple. In a 1978 interview at BBC studios with Mahendra Kaul, he explained this, while playing songs like ( Radha na bole - Azad, 1955) that were set to Bageshri. Theory The theoretical aspects of Bageshri are as follows: Scale :Arohana : S g m D n S' :Avarohana : S' n D m P D g m g R S Vadi & Samavadi : Vadi : Madhyam (Ma) :Samavadi: Shadja (Sa) Pakad or Chalan D n s, m, m P D, m g R S :Varjit Swara - P & R in Aaroh :Jati : - Audav-Sampoorna (Vakra) Organization & Relationships Thaat: K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorakhpur
Gorakhpur is a city in the Indian state of Uttar Pradesh, along the banks of the Rapti river in the Purvanchal region. It is situated 272 kilometers east of the state capital Lucknow. It is the administrative headquarters of Gorakhpur district, North Eastern Railway Zone and Gorakhpur division. The city is home to the Gorakhnath Math, a Gorakhnath temple. The city also has an Indian Air Force station, since 1963. Gita Press, the world's largest publisher of Hindu religious texts like Ramayana and Mahabharat is also located in Gorakhpur which was established here in 1926. Etymology The name "Gorakhpur" comes from the Sanskrit ''Gorakshapuram'', which means abode of Gorakhnath, a renowned ascetic who was a prominent saint of the ''Nath Sampradaya''. Geography Gorakhpur is situated about 100 km from the Nepal border, 193 km from Varanasi, 260 km from Patna and 270 km from Lucknow. It is one of the flood vulnerable districts in Eastern Uttar Pradesh. Data ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uttar Pradesh
Uttar Pradesh (; , 'Northern Province') is a state in northern India. With over 200 million inhabitants, it is the most populated state in India as well as the most populous country subdivision in the world. It was established in 1950 after India had become a republic. It was a successor to the United Provinces (UP) during the period of the Dominion of India (1947–1950), which in turn was a successor to the United Provinces (UP) established in 1935, and eventually of the United Provinces of Agra and Oudh established in 1902 during the British Raj. The state is divided into 18 divisions and 75 districts, with the state capital being Lucknow, and Prayagraj serving as the judicial capital. On 9 November 2000, a new state, Uttaranchal (now Uttarakhand), was created from Uttar Pradesh's western Himalayan hill region. The two major rivers of the state, the Ganges and its tributary Yamuna, meet at the Triveni Sangam in Prayagraj, a Hindu pilgrimage site. Ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyan (thaat)
Kalyan () is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga (more popularly known as Yaman) within this thaat. Description Kalyan thaat consists of an important group of evening ragas. Characterised by the teevra Madhyam, this thaat literally means good luck. Ragas of this thaat are considered to be a blessing-seeking and soothing. As a result, they are performed in the evening at the beginning of a concert. These ragas create a feeling of the unfolding of an evening. The Hindustani Classical Thaats are defined in their relation with the Bilawal Thaat, which has all shuddha(pure) notes. Ragas Ragas in Kalyan Thaat: Yaman, Bhupali, Hindol, Kedar, Shuddha Kalyan, Shyam Kalyan, Yaman Kalyan, Khem Kalyan, Savani Kalyan Chhayanat, Hameer, Gaud Sarang Gaud Sarang is a raga in Hindustani classical music that combines characteristics of Sarang and the now extinct raga named Gaud. Unlike most other members of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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